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This collection sheds new light on a common but often overlooked contribution of British art: the sporting print. Highly sought after during the eighteenth and nineteenth centuries, these prints endure today as vivid, direct, and even witty symbols of English culture. Catching Sight features more than eighty prints and three essays that go beyond the symbolism to examine these works from both art-historical and social perspectives. Malcolm Cormack details the production and sale of sporting prints; Mitchell Merling explores the aesthetic implications of the sophisticated visual languages employed by sporting artists; and Corey Piper analyzes the meaning of the prints in the larger context of late eighteenth- and nineteenth-century rural society. Distributed for the Virginia Museum of Fine Arts
Volume three of a bibliography documenting all that has been written in the English language on the history of sport and physical education in Britain. It lists all secondary source material including reference works, in a classified order to meet the needs of the sports historian.
Since the 1700s, British periodicals devoted to field sports have been reporting developments in techniques, trends, legislation, conservation, and more. They therefore provide a detailed examination of the country’s rich and broad history of hunting, fishing, foxhunting, and related shooting sports. British Sporting Periodicals: An Annotated Bibliography is the first comprehensive listing of all the periodicals on field sports produced in Great Britain up to 1950. Each title is described in detail, including publisher, place of publication, general content, format, frequency of issue, and publishing history. The book also includes many wonderful images of magazine covers and front pages, diagrams that trace various name changes and mergers, and a detailed timeline. Exhaustively researched and carefully compiled, British Sporting Periodicals is a valuable reference tool for collectors, historians, and researchers of field sports.
Volume one of a bibliography documenting all that has been written in the English language on the history of sport and physical education in Britain. It lists all secondary source material including reference works, in a classified order to meet the needs of the sports historian.
From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them--then and now--remain unanswered.