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Socialism in late Victorian and Edwardian Britain was a highly literate movement. Every socialist group produced some form of written text through which their particular brand of politics could be promoted. This edition collects serialized fiction and short stories that have not been published since their original appearance.
Socialism in late Victorian and Edwardian Britain was a highly literate movement. Every socialist group produced some form of written text through which their particular brand of politics could be promoted. This edition collects serialized fiction and short stories that have not been published since their original appearance.
Socialism in late Victorian and Edwardian Britain was a highly literate movement. Every socialist group produced some form of written text through which their particular brand of politics could be promoted. This edition collects serialized fiction and short stories that have not been published since their original appearance.
Socialism in late Victorian and Edwardian Britain was a highly literate movement. Every socialist group produced some form of written text through which their particular brand of politics could be promoted. This edition collects serialized fiction and short stories that have not been published since their original appearance.
Socialism in late Victorian and Edwardian Britain was a highly literate movement. Every socialist group produced some form of written text through which their particular brand of politics could be promoted. This edition collects serialized fiction and short stories that have not been published since their original appearance.
Socialism in late Victorian and Edwardian Britain was a highly literate movement. Every socialist group produced some form of written text through which their particular brand of politics could be promoted. This edition collects serialized fiction and short stories that have not been published since their original appearance.
Socialism in late Victorian and Edwardian Britain was a highly literate movement. Every socialist group produced some form of written text through which their particular brand of politics could be promoted. This edition collects serialized fiction and short stories that have not been published since their original appearance.
A collection of political tales—first published in British workers’ magazines—selected and introduced by acclaimed critic and author Michael Rosen In the late nineteenth and early twentieth centuries, unique tales inspired by traditional literary forms appeared frequently in socialist-leaning British periodicals, such as the Clarion, Labour Leader, and Social Democrat. Based on familiar genres—the fairy tale, fable, allegory, parable, and moral tale—and penned by a range of lesser-known and celebrated authors, including Schalom Asch, Charles Allen Clarke, Frederick James Gould, and William Morris, these stories were meant to entertain readers of all ages—and some challenged the conventional values promoted in children’s literature for the middle class. In Workers’ Tales, acclaimed critic and author Michael Rosen brings together more than forty of the best and most enduring examples of these stories in one beautiful volume. Throughout, the tales in this collection exemplify themes and ideas related to work and the class system, sometimes in wish-fulfilling ways. In “Tom Hickathrift,” a little, poor person gets the better of a gigantic, wealthy one. In “The Man Without a Heart,” a man learns about the value of basic labor after testing out more privileged lives. And in “The Political Economist and the Flowers,” two contrasting gardeners highlight the cold heart of Darwinian competition. Rosen’s informative introduction describes how such tales advocated for contemporary progressive causes and countered the dominant celebration of Britain’s imperial values. The book includes archival illustrations, biographical notes about the writers, and details about the periodicals where the tales first appeared. Provocative and enlightening, Workers’ Tales presents voices of resistance that are more relevant than ever before.
The British social movement emerged at the same time that working-class culture was being transformed by new forms of commercial entertainment. This work explores the relationship between the socialist movemement and late Victorian working-class culture.
From the early years of the nineteenth century, cultural pessimists imagined in fiction the political forces that might bring about the destruction of London. Periods of popular protest or radicalism have generated novels that consider the methods insurgents might use to terrorise the metropolis. There has been a tendency to dismiss such writings as the lurid imaginings of pulp novelists but this book re-evaluates the contribution of popular fiction to the construction of the terrorist threat. It analyses the high-points for the production of such works, and locates them in their cultural and historical context. From the 1840s, when a fear of Chartist insurgency was paramount in the minds of authors, it moves through the anarchist thrillers of the 1890s, considers writers' fears about Bolshevik revolution in the East End of the 1920s and 1930s, explores fears of Fascism in the inter-war years, and assesses the concerns with underground counter-culture that feature in the thriller literature of the 1970s. It concludes with a re-evaluation of the metropolitan background to the figure of the Islamist terrorist.