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Using a wide range of photographs, Simon Barley provides a collector’s guide to British saws.
Historians of the various tools trades have long wanted a work specifically on saws and this, the first, is an attempt to match the detail and scholarship of the best that cover planes, cutlery, spanners and measuring tools. The author is a frequent writer and lecturer on saws and the history of their manufacture, and is able to base his work on 15 years of original research and the building of a personal collection of saws - probably the largest in the world - which is housed with the renowned Ken Hawley Collection in Sheffield's Kelham Island Industrial Museum. Together, these collections form a unique research base and visitor attraction. This scholarly book is illustrated with almost 2000 photographs, the majority by the author, and with its listings of saw makers and dealers forms the most comprehensive directory to date of British names in the tool trades.
Ornamentalism is a vividly evocative account of a vanished era, a major reassessment of Britain and its imperial past, and a trenchant and disturbing analysis of what it means to be a post-imperial nation today.
Saws, Planes, and Scorps is an exploration and celebration of high-quality hand tools for woodworking and the stories of the people who make them. Organized by the basic tools and beautifully presented with gorgeous photographs from the boutique makers and small factory makers, this book is an engaging, inspiring, and informative exploration. Saws, Planes, and Scorps is a celebration of splendid, high-quality tools from the best woodworking hand-tool makers active in North America, Great Britain, Australia, and New Zealand.
Examining the popularity of low-budget cinema, particularly slasher, occult, and rape-revenge films, the author argues that, while such films have been traditionally understood as offering only sadistic pleasure to their mostly male audiences, in actuality they align spectators not with the male tormentor but with the females being tormented--particularly the slasher movie's "final girls"--Who endure fear and degradation before rising to save themselves.--Adapted from publisher description.
This new edition of the classic reference British Planemakers from 1700 has been completely rewritten, with over 200 pages of new information. Online research tools haven enabled much greater insight into family connections of planemakers, family and business continuities, and the discovery of previously unknown planemakers. Confirmation that planemakers were working in the late 1600s, in fact, inspired the new edition’s title, Goodman’s British Planemakers. The biographic directory covers more than 2400 planemakers and includes 2250 maker's mark illustrations. Like its predecessors, the new edition traces the development of British planemaking, but far more extensively, now confirming that planemakers moved around the country to a much greater extent than previously realized, and identifying several new family planemaking dynasties. The book includes chapters on the planemaking trade and its practices, descriptions and illustrations of the many types of planes and their evolution, and provincial planemaking, as well as sections on apprentice records, trade marks, and a complete index. An absolutely invaluable reference.
'A book which goes on a special shelf in my library.' P.G. Wodehouse What the Butler Saw (1962) is one of E.S. Turner's most pertinent and illuminating 'social histories', an exploration of the 'upstairs/downstairs' relationship across three centuries of English life. Drawing on literature, contemporary accounts and household manuals, Turner describes in fascinating detail how it came to be that the upper classes felt a need for an ever larger household staff, engaged in every imaginable form of drudgery; and, accordingly, how those in service - from high to low, butler to footman, housemaid to au pair - had to give satisfaction to their masters and mistresses while also, on occasions, contending with physical blows, tantrums, and (in the cases of some unfortunate servant girls) threats to their virtue.