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She ascended the thrones of England, Scotland and Ireland in 1702, at age thirty-seven, Britain’s last Stuart monarch, and five years later united two of her realms, England and Scotland, as a sovereign state, creating the Kingdom of Great Britain. She had a history of personal misfortune, overcoming ill health (she suffered from crippling arthritis; by the time she became Queen she was a virtual invalid) and living through seventeen miscarriages, stillbirths, and premature births in seventeen years. By the end of her comparatively short twelve-year reign, Britain had emerged as a great power; the succession of outstanding victories won by her general, John Churchill, the Duke of Marlborough, had humbled France and laid the foundations for Britain’s future naval and colonial supremacy. While the Queen’s military was performing dazzling exploits on the continent, her own attention—indeed her realm—rested on a more intimate conflict: the female friendship on which her happiness had for decades depended and which became for her a source of utter torment. At the core of Anne Somerset’s riveting new biography, published to great acclaim in England (“Definitive”—London Evening Standard; “Wonderfully pacy and absorbing”—Daily Mail), is a portrait of this deeply emotional, complex bond between two very different women: Queen Anne—reserved, stolid, shrewd; and Sarah Churchill, Duchess of Marlborough, wife of the Queen’s great general—beautiful, willful, outspoken, whose acerbic wit was equally matched by her fearsome temper. Against a fraught background—the revolution that deposed Anne’s father, James II, and brought her to power . . . religious differences (she was born Protestant—her parents’ conversion to Catholicism had grave implications—and she grew up so suspicious of the Roman church that she considered its doctrines “wicked and dangerous”) . . . violently partisan politics (Whigs versus Tories) . . . a war with France that lasted for almost her entire reign . . . the constant threat of foreign invasion and civil war—the much-admired historian, author of Elizabeth I (“Exhilarating”—The Spectator; “Ample, stylish, eloquent”—The Washington Post Book World), tells the extraordinary story of how Sarah goaded and provoked the Queen beyond endurance, and, after the withdrawal of Anne’s favor, how her replacement, Sarah’s cousin, the feline Abigail Masham, became the ubiquitous royal confidante and, so Sarah whispered to growing scandal, the object of the Queen's sexual infatuation. To write this remarkably rich and passionate biography, Somerset, winner of the Elizabeth Longford Prize for Historical Biography, has made use of royal archives, parliamentary records, personal correspondence and previously unpublished material. Queen Anne is history on a large scale—a revelation of a centuries-overlooked monarch.
British Politics in the Age of Anne is a book that anyone with an interest in the period will wish to possess: completely authoritative, yet as attractive to the student and the general reader as to the specialist. The author has both revised the text and written a substantial new introduction to this edition. Geoffrey Holmes reveals how little the structure and contents of politics under Queen Anne had in common with the connexion-ridden scene of the mid-eighteenth century, as portrayed by Namier. He depicts a period of fierce and genuine party conflict, in which society at many levels was divided by great issues of principle and policy. Through frequent and hotly-contested elections and long parliamentary campaigns both Whigs and Tories enjoyed triumphs and suffered disasters. And while struggling against one another, each had to contend with internal factions and pressure-groups, the divisive thrust of personal ambitions and the hostility of the queen to single party rule. British Politics in the Age of Anne is more than a major work of analysis and a historiographical landmark. By liberal use of quotation, eye for detail, sense of atmosphere and vivid character sketches of both leading and lesser personae, Professor Holmes recreates the unique political life of the high Augustan age.
In this major contribution to the Ideas in Context series Anne McLaren explores the consequences for English political culture when, with the accession of Elizabeth I, imperial 'kingship' came to be invested in the person of a female ruler. She looks at how Elizabeth managed to be queen, in the face of considerable male opposition, and demonstrates how that opposition was enacted. Dr McLaren argues that during Elizabeth's reign men were able to accept the rule of a woman partly by inventing a new definition of 'citizen', one that made it an exclusively male identity, and she emphasizes the continuities between Elizabeth's reign and the outbreak of the English civil wars in the seventeenth century. A significant work of cultural history informed by political thought, Political Culture in the Reign of Elizabeth I offers a wholesale reinterpretation of the political dynamics of the reign of Queen Elizabeth.
A country bitterly divided between two political parties. Populist mobs rising in support of a reactionary rabble-rouser. Foreign interference in the political process. Strained relations between Britain and Europe. These are not recent headlines—they are from the year 1710, when Queen Anne ruled Britain. In her engagingly written Backlash, Rachel Carnell tells the fascinating and entertaining account of the reign of Queen Anne and the true story behind the fall of the Whig government imaginatively depicted in the 2018 film The Favourite. As Carnell shows, the truth was significantly different—and in many ways more interesting—than what the film depicted. The backlash began in 1709 when the Whigs arrested a popular female Tory political satirist and then impeached a provocative High Church clergyman for preaching a sermon repudiating the ideals of parliamentary monarchy and religious tolerance. The impeachment trial backfired, and mobs surged in the streets supporting the Tory preacher and threatening religious minorities. With charges dropped against the satirist, by 1710 she had written a best-selling sequel. Queen Anne was careful and diligent in her monarchical duties. She tried to run a government balanced between the parties, but finally torn between the Whigs (including her longtime friends the Duke and Duchess of Marlborough) and the proto-Brexiteer Tories, she dissolved Parliament and called for elections. This brought in a majority for the Tories, who swiftly began passing reactionary legislation. While the Whigs would return to power after Anne’s death in 1714 and reverse the Tory policies, this little-known era offers an important historical perspective on the populist backlashes in the United States and United Kingdom today.
Queen Anne (1665-1714) was not charismatic, brilliant or beautiful, but under her rule, England rose from the chaos of regicide, civil war and revolution to the cusp of global supremacy. She fought a successful overseas war against Europe's superpower and her moderation kept the crown independent of party warfare at home. This biography reveals Anne Stuart as resolute, kind and practical--a woman who surmounted personal tragedy and poor health to become a popular and effective ruler.
Helen Edmundson's gripping play tells the little-known story of a monarch caught between friendship and duty.
Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.