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Ancient Egypt is the most popular and famous of all the cultures of the ancient world. This fun colouring book includes pictures to colour of every aspect of Egypt: mummies, pharaohs, hieroglyphic writing, families, kings and queens, scenes of farming and everyday life, gods and goddesses, real animals and mythical beasts, and people from countries neighbouring Egypt. Each picture is clearly and accurately drawn by expert illustrators working for the British Museum, and is accompanied by a brief explanatory caption. For the first time these drawings have been brought together in one bumper book of colouring fun.
This catalogue for an exhibit at Chicago's Oriental Institute Museum presents the newest research on the Predynastic and Early Dynastic Periods in a lavishly illustrated format. Essays on the rise of the state, contact with the Levant and Nubia, crafts, writing, iconography and evidence from Abydos, Tell el-Farkha, Hierakonpolis and the Delta were contributed by leading scholars in the field. The catalogue features 129 Predynastic and Early Dynastic objects, most from the Oriental Institute's collection, that illustrate the environmental setting, Predynastic and Early Dynastic culture, religion and the royal burials at Abydos. This volume will be a standard reference and a staple for classroom use.
One of the clubs explored in this book is The Calf’s Head Club who celebrated the death of Charles I every year on the 30th January. A book of this nature would also be incomplete without the Earl of Rochester, the Duke of Wharton, Sir Francis Dashwood and Charles II who loved nothing more than a leg of mutton and a whore. In the 18th century the notorious members of the Hell Fire Clubs, the Knights of St. Francis and the Demoniac Club all fornicated around Scotland, England and Ireland. However, out of all the clubs in the 18th century that were in and out of vogue the Beggar’s Benison in the kingdom of Fife had to be the strangest. Their initiation ritual was rather bizarre and for most people unthinkable, to say the least. Norman was born in Edinburgh on the 21st July 1961. At sixteen Norman went into the sheet-metal working industry. He has also worked as a registered silversmith with Edinburgh Assay Office, been bouncer, a tour guide and has lectured on Scottish history. In 2001 he decided to accomplish something more arduous. He studied part time at the Open University for two years then at Edinburgh Napier University full time for four years. Norman’s academic achievements are a certificate in social science, an LLB (Bachelor of Laws) and an MSc in (Business Management). Both degrees inspired Norman to write his first book Scottish Culture and Traditions which was published in 2010 (ISBN 978-1-899820-79-5). His other interests are the restoration of classic motorbikes, cooking, history, and trying to play the violin. He is currently a 5th Dan in Shotokan Karate and has taught adults and children for nearly thirty years.
The biggest question in the world of art and culture concerns the return of property taken without consent. Throughout history, conquerors or colonial masters have taken artefacts from subjugated peoples, who now want them returned from museums and private collections in Europe and the USA. The controversy rages on over the Elgin Marbles, and has been given immediacy by figures such as France's President Macron, who says he will order French museums to return hundreds of artworks acquired by force or fraud in Africa, and by British opposition leader Jeremy Corbyn, who has pledged that a Labour government would return the Elgin Marbles to Greece. Elsewhere, there is a debate in Belgium about whether the Africa Museum, newly opened with 120,000 items acquired mainly by armed forces in the Congo, should close. Although there is an international convention dated 1970 that deals with the restoration of artefacts stolen since that time, there is no agreement on the rules of law or ethics which should govern the fate of objects forcefully or lawlessly acquired in previous centuries. Who Owns History? delves into the crucial debate over the Elgin Marbles, but also offers a system for the return of cultural property based on human rights law principles that are being developed by the courts. It is not a legal text, but rather an examination of how the past can be experienced by everyone, as well as by the people of the country of origin.
Part of a series of colouring books designed to introduce children to past cultures, this title features Ancient Egypt. Drawings based on artefacts and reconstructed scenes are included for children to colour, along with informative captions for an adult to read to the child.
The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.