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This book skilfully combines cutting-edge historical research by leading and emerging researchers in the field to investigate the utilization of British humour during the Second World War as well as its legacy in British popular culture. Juliette Pattinson and Linsey Robb bring together case studies that address a variety of situations in which humour was generated, including wartime jokes, films, radio, cartoons and private drawings, as well as post-war recollections, museum exhibitions and television comedy. By adopting an original interpretative framework of various wartime and post-war sites, this books opens up the possibility for a more variegated, richer analysis of Britain's wartime experience and its place thereafter in the cultural imagination. Through the lens of humour, this book promises to add critical nuance to our understanding of the functioning of British wartime society. Covering sources such as The British Cartoon Archive, BBC World War II People's War Archive and The Ministry of Information, and including analysis of the lasting role of comedy in Britain's memories and depictions of the war, the result is a rich addition to existing literature of use to students and scholars studying the cultural history of war.
This book skilfully combines cutting-edge historical research by leading and emerging researchers in the field to investigate the utilization of British humour during the Second World War as well as its legacy in British popular culture. Juliette Pattinson and Linsey Robb bring together case studies that address a variety of situations in which humour was generated, including wartime jokes, films, radio, cartoons and private drawings, as well as post-war recollections, museum exhibitions and television comedy. By adopting an original interpretative framework of various wartime and post-war sites, this books opens up the possibility for a more variegated, richer analysis of Britain's wartime experience and its place thereafter in the cultural imagination. Through the lens of humour, this book promises to add critical nuance to our understanding of the functioning of British wartime society. Covering sources such as The British Cartoon Archive, BBC World War II People's War Archive and The Ministry of Information, and including analysis of the lasting role of comedy in Britain's memories and depictions of the war, the result is a rich addition to existing literature of use to students and scholars studying the cultural history of war.
Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.
This volume challenges the traditional view that the First World War represents a pivotal turning point in the long history of monarchy, suggesting the picture is significantly more complex. Using a comparative approach, it explores the diverse roles played by monarchs during the Great War, and how these met the expectations of the monarchic institution in different states at a time of such crisis. Its contributors not only explore less familiar narratives, including the experiences of monarchs in Belgium and Italy, as well as the Austro-Hungarian, Japanese and Ottoman Empires, but also cast fresh light on more familiar accounts. In doing so, this book moves away from the conventional view that monarchy showed itself irrelevant in the Great War, by drawing on new approaches to diplomatic and international history - ones informed by cultural contextualization for instance - while grounding the research behind each chapter in a wide range of contemporary sources The chapters provide an innovative revisiting of the actual role of monarchy at this crucial period in European (indeed, global) history, and are framed by a substantial introductory chapter where the key factors explaining the survival or collapse of dynasties, and of the individuals occupying these thrones, are considered in a wide-ranging set of reflections that highlight the extent of common experiences as well as the differences.
From statesmen and military commanders to ordinary Britons, a bold, sweeping history of Britain's entrance into World War II—and its efforts to survive it—illuminating the ways in which the war permanently transformed a nation and its people “Might be the single best examination of British politics, society and strategy in these four years that has ever been written.” —The Wall Street Journal Here is the many-faceted, world-historically significant story of Britain at war. In looking closely at the military and political dimensions of the conflict’s first crucial years, Alan Allport tackles pressing questions such as whether the war could have been avoided, how it could have been lost, how well the British lived up to their own values, and ultimately, what difference the war made to the fate of the nation. In answering these questions, he reexamines our assumptions and paints a vivid portrait of the ways in which the Second World War transformed British culture and society. This bracing account draws on a lively cast of characters—from the political and military leaders who made the decisions, to the ordinary citizens who lived through them—in a comprehensible and compelling single history of forty-six million people. A sweeping and groundbreaking epic, Britain at Bay gives us a fresh look at the opening years of the war, and illuminates the integral moments that, for better or for worse, made Britain what it is today.
If you ever hear old folk moaning on about the world today, just remind them how woeful things were in World War II. When Hitler's horrid army were goose-stepping round the globe, nearly everything in Europe was totally AWFUL! Read on to discover... * The dreadful truth about Dad's Army * What happened when an elephant got loose in the blackout * Who made a meal out of maggots * Which smelly soldiers were sniffed out by their enemies * Why wearing white knickers could kill you What with doodlebug bombs dropping out of the sky and sweet rationing driving kids (and teachers) mad, life in the Second World War was truly wicked. So from snow-bound cities under siege to fly-infested jungle trenches, and from rotten rationing recipes to awful invasions, discover all the dire details about the worst war EVER!
The story of Ypres, the series of devastating battles at the heart of Britain and her Empire's experience of the First World War: how they were fought, how they have been remembered, and what they mean for us today.
The familiar image of the British in the Second World War is that of the plucky underdog taking on German might. David Edgerton's bold, compelling new history shows the conflict in a new light, with Britain as a very wealthy country, formidable in arms, ruthless in pursuit of its interests, and in command of a global production system. Rather than belittled by a Nazi behemoth, Britain arguably had the world's most advanced mechanized forces. It had not only a great empire, but allies large and small. Edgerton shows that Britain fought on many fronts and its many home fronts kept it exceptionally well supplied with weapons, food and oil, allowing it to mobilize to an extraordinary extent. It created and deployed a vast empire of machines, from the humble tramp steamer to the battleship, from the rifle to the tank, made in colossal factories the world over. Scientists and engineers invented new weapons, encouraged by a government and prime minister enthusiastic about the latest technologies. The British, indeed Churchillian, vision of war and modernity was challenged by repeated defeat at the hands of less well-equipped enemies. Yet the end result was a vindication of this vision. Like the United States, a powerful Britain won a cheap victory, while others paid a great price. Putting resources, machines and experts at the heart of a global rather than merely imperial story, Britain's War Machine demolishes timeworn myths about wartime Britain and gives us a groundbreaking and often unsettling picture of a great power in action.
A British Fascist in the Second World War presents the edited diary of the British fascist Italophile, James Strachey Barnes. Previously unpublished, the diary is a significant source for all students of the Second World War and the history of European and British fascism. The diary covers the period from the fall of Mussolini in 1943 to the end of the war in 1945, two years in which British fascist Major James Strachey Barnes lived in Italy as a 'traitor'. Like William Joyce in Germany, he was involved in propaganda activity directed at Britain, the country of which he was formally a citizen. Brought up by upper-class English grandparents who had retired to Tuscany, he chose Italy as his own country and, in 1940, applied for Italian citizenship. By then, Barnes had become a well-known fascist writer. His diary is an extraordinary source written during the dramatic events of the Italian campaign. It reveals how events in Italy gradually affected his ideas about fascism, Italy, civilisation and religion. It tells much about Italian society under the strain of war and Allied bombing, and about the behaviour of both prominent fascist leaders and ordinary Italians. The diary also contains fascinating glimpses of Barnes's relationship with Ezra Pound, with Barnes attaching great significance to their discussion of economic issues in particular. With a scholarly introduction and an extensive bibliography and sources section included, this edited diary is an invaluable resource for anyone interested in learning more about the ideological complexities of the Second World War and fascism in 20th-century Europe.
During World War II, the UK government created the Central Office of Information to act as the country s marketing and communications agency. In these desperate times, the Office produced steady streams of propaganda for the home front, for the colonies and for dissemination through occupied countries. In addition to patriotic material encouraging Britons to maintain a stiff upper lip, thousands of postcards, leaflets, posters, booklets and other promotional materials were dropped from aircraft over occupied countries in World War II. In 2000, the master set of copies was deposited with the British Library, making an enormous collection of great social and historical significance available to the public for the first time."