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Have you ever watched Unmasked Part 25? Xtro II? How about Screamtime or Bloodstream? Have you ever sat through The House That Vanished or Persecution? What about Sleepwalker or The Shout? In this book we will shine a light on some of the lesser viewed or more forgotten films in the history of the British horror industry. Vampire motorcycles, devil dolls, killer chimps, escaped lunatics, lighthouse horrors, troglodytes in caves, Satanic sacrifice in an antiques shop, demon babies who don't want to be born, teleportation shenanigans cursed by a fly, frozen Nazis, video nasties, zombies in Cornwall, louche vampire cults, necrophile killers, human/plant hybrid horrors, dream demons, murderous Punch & Judy men, killer garden gnomes, outer space terror, murderous priests, mansion mysteries, woodland secrets, ghosts, Christmas splatter fests, babysitters in peril. All this and much more awaits in the British Horror Films That Time Forgot...
2017 is the 60th anniversary of the release of Hammer’s first Gothic horror film and the birth of the British horror genre: The Curse of FrankensteinA complete guide to a perennially and hugely popular British movie genreAn ideal read for anyone from the interested newcomer to the experienced film buffFeatures popular British stars such as Boris Karloff, Sir Christopher Lee, Peter Cushing and Simon Pegg When Hammer broke box office records in 1957 with The Curse of Frankenstein, the company not only resurrected the Gothic horror film, but created a particularly British-flavoured form of horror that swept the world. The British Horror Film from the Silent to the Multiplex is your guide to the films, actors and filmmakers who have thrilled and terrified generations of movie fans. In one book, you will find the literary and cinematic roots of the genre to the British films made by film legends such as Bela Lugosi and Boris Karloff to Hammer’s triumphs starring Christopher Lee and Peter Cushing, and the post-Hammer horrors such as Peter Walker’s Frightmare and huge British-made successes, including Alien and the zombie craze of the 21st century. The history, films, stars, directors and studios, all in one fascinating, fun and fact-filled volume. Whether you are an absolute beginner or a seasoned gorehound, you will find everything you ever wanted to know about the British horror movie, but were too bone-chillingly afraid to ask.
The British horror film is almost as old as cinema itself. 'English Gothic' traces the rise and fall of the genre from its 19th century beginnings, encompassing the lost films of the silent era, the Karloff and Lugosi chillers of the 1930s, the lurid Hammer classics, and the explicit shockers of the 1970s.
Strap yourselves in, make sure the doors are locked, blow out the candles, and prepare to embrace the world of British horror films. A world of rural folk horror, megalithic stones, vampires, werewolves, escaped lunatics, nuclear war, Cenobites, zombies, spooky children, serial killers, cannibals, stone tapes, ghosts, elementals, killer cults, droogs, time loops, misty moors, nutty ventriloquists, graverobbers, rare and unusual objects of the occult, alien spaceships in the London Underground, Shakespeare inspired murders, and an archly eyebrowed Vanessa Howard.
Peter Hutchings’s Hammer and beyond remains a landmark work in British film criticism. This new, illustrated edition brings the book back into print for the first time in two decades. Featuring Hutchings’s socially charged analyses of genre classics from Dead of Night (1945) and The Curse of Frankenstein (1957) to The Sorcerers (1967) and beyond, it also includes several of Hutchings’s later essays on British horror, as well as a new critical introduction penned by film historian Johnny Walker and an afterword by Russ Hunter. Hammer and beyond deserves a spot on the bookshelf of anyone with a serious interest in the development of Britain’s contribution to the horror genre.
British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man. Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker. Chapters include: the 'Psycho Thriller' the British censors and horror cinema femininity and horror film fandom witchcraft and the occult in British horror Horrific films and 1930s British Cinema Peter Walker and Gothic revisionism. Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.
From Night of the Demon to House of Whipcord... 80 British horror films which collectively made a lasting impression on the psyche of a nation. Author Keith Topping chronicles the films which shaped his childhood, taking a wry and often irreverent look at their triumphs and failings, their cast and crew, their continuity blunders and their impact on the genre as a whole. Illustrated with many rare photographs, this is one film guide guaranteed to raise a smile as we take you back to the terrors of yesteryear. Includes entries on the following films: Night of the Demon, The Curse of Frankenstein, The Trollenberg Terror, Dracula, The Hound of the Baskervilles, The Mummy, The City of the Dead, Peeping Tom, Village of the Damned, The Curse of the Werewolf, Night of the Eagle, The Kiss of the Vampire, The Haunting, The Masque of the Red Death, The Black Torment, Dr Terror's House of Horrors, Rasputin - The Mad Monk, Dracula Prince of Darkness, The Plague of the Zombies, The Witches, Invasion, Frankenstein Created Woman, The Sorcerers, Night of the Big Heat, Quatermass and the Pit, The Blood Beast Terror, The Devil Rides Out, Matthew Hopkins Witchfinder General, Curse of the Crimson Altar, Twisted Nerve, The Haunted House of Horror, Dracula Has Risen From Grave, The Oblong Box, The Corpse, Fragment of Fear, Incense For The Damned, I Start Counting, Scream and Scream Again, Taste the Blood of Dracula, The Vampire Lovers, Virgin Witch, The Blood on Satan's Claw, The Beast in the Cellar, The Horror of Frankenstein, The House That Dripped Blood, Lust for a Vampire, And Soon the Darkness, Assault, Hands of the Ripper, Dr Jekyll and Sister Hyde, Twins of Evil, Doomwatch, Crucible of Terror, Vampire Circus, Captain Kronos Vampire Hunter, Demons of the Mind, Revenge, Tower of Evil, Dracula AD 1972, Frenzy, Dr Phibes Rises Again, The Creeping Flesh, Psychomania, Nothing But The Night, Tales That Witness Madness, Death Line, Theatre of Blood.
There has been a tremendous amount of renewed interest in the output of Britain's Hammer Films. But there remain a great number of worthwhile British horror films, made at the same time by other companies, that have received little attention. The author provides a comprehensive listing of British horror films--including science fiction, fantasy, and suspense films containing horror-genre elements--that were released between 1956 and 1976, the "Golden Age" of British horror. Entries are listed alphabetically by original British title, from Vincent Price in The Abominable Dr. Phibes (1971) to Zeta One (1969). Entries also include American title, release information, a critique of the film, and the film's video availability. The book is filled with photographs and contains interviews with four key figures: Max J. Rosenberg, cofounder of Amicus Productions, one of the period's major studios; Louis M. Heyward, former writer, film executive and producer; Aida Young, film and television producer; and Gordon Hessler, director of such films as The Oblong Box and Murders in the Rue Morgue.
A guide to directors who have worked in the British and Irish film industries between 1895 and 2005. Each of its 980 entries on individuals directors gives a resume of the director's career, evaluates their achievements and provides a complete filmography. It is useful for those interested in film-making in Britain and Ireland.
Fun and fright have long been partners in the cinema, dating back to the silent film era and progressing to the Scary Movie franchise and other recent releases. This guide takes a comprehensive look at the comedy-horror movie genre, from the earliest stabs at melding horror and hilarity during the nascent days of silent film, to its full-fledged development with The Bat in 1926, to the Abbott and Costello films pitting the comedy duo against Frankenstein's Monster, the Mummy and other Universal Studio monsters, continuing to such recent cult hits as Shaun of the Dead and Black Sheep. Selected short films such as Tim Burton's Frankenweenie are also covered. Photos and promotional posters, interviews with actors and a filmography are included.