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First published in 1977 this book attempts a comprehensive and impartial account of British foreign policy from 1905 to 1916.
'The lamps are going out all over Europe. We shall not see them lit again in our life-time.' The words of Sir Edward Grey, looking out from the windows of the Foreign Office at the end of August 1914, are amongst the most famous in European history, and encapsulate the impending end of the nineteenth-century world. The man who spoke them was Britain's longest-ever serving Foreign Secretary (in a single span of office) and one of the great figures of late Victorian and Edwardian Britain. Statesman of Europe describes the three decades before the First World War through the prism of his biography, which is based almost entirely on archival sources and presents a detailed account of the main domestic and international events, and of the main personalities of the era. In particular, it presents a fresh understanding of the approach to war in the years and months before its outbreak, and Grey's role in the unfolding of events. Yet Grey's life was not all public affairs, momentous as those were. He disliked being in London, much preferring country life at Fallodon, his family estate in Northumberland, and displayed none of the ambition of his contemporaries (or successors). He attended assiduously to his duties as director of the Great North Eastern Railway, one of the transformative enterprises in industry and communications of the period, and wanted to spend as much time as he could fishing. Apart from his memoirs, the only book he wrote was called The Charm of Birds. This hinterland gave quality to his judgements, and made his character attractive to his contemporaries. This important book is the definitive biography of one of the pivotal figures in European diplomacy, and a magnificent portrait of an age.
Prior to World War I, Britain was at the center of global relations, utilizing tactics of diplomacy as it broke through the old alliances of European states. Historians have regularly interpreted these efforts as a reaction to the aggressive foreign policy of the German Empire. However, as Between Empire and Continent demonstrates, British foreign policy was in fact driven by a nexus of intra-British, continental and imperial motivations. Recreating the often heated public sphere of London at the turn of the twentieth century, this groundbreaking study carefully tracks the alliances, conflicts, and political maneuvering from which British foreign and security policy were born.
The pursuit of stability drove British foreign policy even before 1865. These papers assess the implications of such a policy during the following 100 years when Britain slid from being the only global power to a regional European state.
A biography of Sir Edward Grey, one of the most important characters in British foreign affairs in the first part of the 20th century, best remembered for his portentous remark at the outbreak of the Great War, 'The lamps are going out all over Europe. We shall not see them lit again in our time'.
Noisy popular liberal interventionism? Or a more conservative, diplomatic approach concentrating on co-operation between nations? This is the debate that lies at the heart of modern politics and Hurd traces its most interesting and influential exponents. He starts with Canning and Castelreagh in post Waterloo Britain; to a generation later, the victory of the interventionist Palmerston over Aberdeen; then to Salisbury (Imperialism) and Grey (European balance of power); and finally to Eden and Bevin who combined to lay the foundations of a post-war compromise. That delicate balance has served its purpose for over half a century, but as we enter a new era of terrorism and racial conflict, the old questions and divisions are re-surfacing . . .
This study examines the role of British newspapers during the July Crisis of 1914. The author argues that decision-makers in Berlin and London framed their policies on a reading of the British press, which expressed deep skepticism about involvement in a general European war after the Sarajevo murders. British newspapers and journalists encouraged German hopes for British neutrality, as well as the indecisive nature of Sir Edward Grey's foreign policy in 1914, helping spark the Great War.