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This book examines the developments in British serial detective fiction which took place in the seven years when Sherlock Holmes was dead. In December 1893, at the height of Sherlock’s popularity with the Strand Magazine’s worldwide readership, Arthur Conan Doyle killed off his detective. At the time, he firmly believed that Holmes would not be resurrected. This book introduces and showcases a range of Sherlock’s most fascinating successors, exploring the ways in which a huge range of popular magazines and newspapers clamoured to ensnare Sherlock’s bereft fans. The book’s case-study format examines a range of detective series-- created by L.T. Meade; C.L. Pirkis; Arthur Morrison; Fergus Hume; Richard Marsh; Kate and Vernon Hesketh-Prichard— that filled the pages of a variety of periodicals, from plush monthly magazines to cheap newspapers, in the years while Sherlock was dead. Readers will be introduced to an array of detectives—professional and amateur, male and female, old and young; among them a pawn-shop worker, a scientist, a British aristocrat, a ghost-hunter. The study of these series shows that there was life after Sherlock and proves that there is much to learn about the development of the detective genre from the successors to Sherlock Holmes. “In this brilliant, incisive study of late Victorian detective fiction, Clarke emphatically shows us there is life beyond Sherlock Holmes. Rich in contextual detail and with her customary eye for the intricacies of publishing history, Clarke’s wonderfully accessible book brings to the fore a collection of hitherto neglected writers simultaneously made possible but pushed to the margins by Conan Doyle’s most famous creation.” — Andrew Pepper,, Senior Lecturer in English and American Literature, Queen's University, Belfast Professor Clarke's superb new book, British Detective : The Successors to Sherlock Holmes, is required reading for anyone interested in Victorian crime and detective fiction. Building on her award-winning first monograph, Late-Victorian Crime Fiction in the Shadows of Sherlock, Dr. Clarke further explores the history of serial detective fiction published after the "death" of Conan Doyle's famous detective in 1893. This is a path-breaking book that advances scholarship in the field of late-Victorian detective fiction while at the same time introducing non-specialist readers to a treasure trove of stories that indeed rival the Sherlock Holmes series in their ability to puzzle and entertain the most discerning reader. — Alexis Easley, Professor of English, University of St.Paul, Minnesota
British Murder Mysteries, 1880-1965: Facts and Fictions conceptualizes detective fiction as an archive, i.e., a trove of documents and sources to be used for historical interpretation. By framing the genre as a shifting set of values, definitions, and practices, the book historicizes the contested meanings of analytical categories like class, race, gender, nation, and empire that have been applied to the forms and functions of detection. Three organizing themes structure this investigation: fictive facticity, genre fluidity, and conservative modernity. This volume thus shows how British detective fiction from the late-nineteenth to the mid-twentieth century both shaped and was shaped by its social, cultural, and political contexts and the lived experience of its authors and readers at critical moments in time.
A revelatory history of the women who brought Victorian criminals to account--and how they became a cultural sensation From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realise that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women's lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine who got the better of love rats, burglars, and murderers alike. How did the morally ambiguous work of real women detectives, sometimes paid to betray their fellow women, compare with the exploits of their fictional counterparts, who always save the day? Lodge's book takes us into the murky underworld of Victorian society on both sides of the Atlantic, revealing the female detective as both an unacknowledged labourer and a feminist icon.
Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.
"I never can resist a touch of the dramatic." The Memoirs of Sherlock Holmes is now best remembered for its concluding story in which the great detective appears to plunge to his death into the waters at the bottom of the Reichenbach Falls, locked in a struggle with his nemesis, Professor Moriarty. However, the collection also brings the reader back to the beginnings of Holmes' career, involving a mutiny at sea and a treasure hunt in a Sussex country house, and a first encounter with Holmes' older brother Mycroft, of whom Holmes says, "If the art of the detective began and ended in reasoning from any armchair, my brother would be the greatest criminal agent that ever lived". This collection includes some of the detective's greatest cases, such as 'Silver Blaze' and 'The Naval Treaty', and even one case which Holmes fails to solve. Edited with an introduction by Jarlath Killeen, this volume examines Holmes as a safeguard against social breakdown and chaos, as well as an agent of justice and goodness against the forces of evil. It also situates the collection in the growth of life writing in the period, and explores the ways in which Holmes became increasingly 'real' to readers as more details about his personality and biography are revealed in the stories. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
'Mr Holmes, they were the footprints of a gigantic hound!' The mysterious death of Sir Charles Baskerville brings Sherlock Holmes and Dr Watson to Dartmoor in the most famous of all of Arthur Conan Doyle's books. Is Sir Charles the latest victim of the ancestral Curse of the Baskervilles, which summons a demonic hound to stalk the moor and exact vengeance for a past misdeed, or is there a more modern, more prosaic explanation for the sudden death? In The Hound of the Baskervilles, the modern, rational world, and the ancient, supernatural world collide in the novel which brought Sherlock Holmes back from the dead. This new edition of Conan Doyle's classic mystery is part of a series of new editions of the Sherlock Holmes stories published in Oxford World's Classics. Darryl Jones's Introduction explores the competing worlds of the supernatural and the scientific in the novel and in Arthur Conan Doyle's life, the novel's colonial background and origins, and the role of landscape, folklore, and folk horror in the novel.
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.
This volume presents a selection from the American and British fiction of the nineteenth century which was evolving into what we now know as science fiction. Taking Frankenstein as its formative work, it assembles stories and excerpts from narratives exploring the complex impact of new technologies like the telegraph and later the cinema, or new scientific practices like mesmerism (hypnotism) and microscopy. The selected authors range from those famous within the realist tradition like George Eliot and Mark Twain to scientists like the physician Silas Weir Mitchell and the inventor Thomas Edison. They repeatedly destabilize their narratives so that some come to resemble scientific records and frequently leave their endings unresolved, encouraging the reader to speculate about their subjects, which include extensions to the senses, new inventions, and challenges to individual autonomy. Many focus on experiments but might combine scientific enquiry with the supernatural, producing hybrid narratives as a result which are difficult to classify.
Art for art's sake is a vile catchword, but I confess it appeals to me' Gentleman by day and thief by night, A. J. Raffles lives a double life. Taking 'Art for art's sake' as his motto, Raffles supports his debonair lifestyle by performing lucrative, artistic, and ingenious burglaries of the wealthy elite of Victorian London. Dedicated to his brother-in-law Arthur Conan Doyle, Hornung's first collection of Raffles stories, The Amateur Cracksman (1899), can be seen as an inverted spin-off of the former's celebrated detective stories. But it is Raffles' outlaw status that has drawn generations of readers to these swift-paced tales of a charismatic and cool-headed thief and his less worldly partner, Bunny. Hornung had Oscar Wilde in mind as much as Sherlock Holmes when he created Raffles, and the account of their double life offers one of the turn of the century's most touching accounts of a same-sex couple. Frequently adapted for stage and screen, Hornung's original stories have never lost their power to captivate readers. Admired by writers like George Orwell, Graham Greene, and Anthony Powell, Hornung's crisp prose evokes a late Victorian London of clubland bachelors, hansom cabs, champagne suppers, Australian heiresses, and South African diamond moguls. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Dorrington Deed Box is a collection of short stories by the British writer Arthur Morrison published in 1897. It contains six stories featuring cases of the unscrupulous London-based private detective Horace Dorrington, told from the viewpoint of one his clients and potential victims James Rigby.It was part of a general boom of detective stories in the wake of Arthur Conan Doyle's creation of Sherlock Holmes. Morrison had previously written stories about an honest private detective Martin Hewitt, but with Dorrington he created a more cynical character who won't hesitate to commit armed robbery or murder to suit his own ends.