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The true story of the Englishman allegedly freed from a French prison after meeting John Amery, the treacherous son of a Cabinet minister, and sent back to Britain to spy - only to be caught, prosecuted and hanged for being a traitor to his country. But this 'spy' always claimed to have simply lied in order to come home. Was he telling the truth?
The first authoritative account of a well-kept secret: the British Fifth Column and its activities during the Second World War.
This is the dynamic account of one of the most destructive maritime actions to take place in Connecticut history: the 1814 British attack on the privateers of Pettipaug, known today as the British Raid on Essex. During the height of the War of 1812, 136 Royal marines and sailors made their way up the Connecticut River from warships anchored in Long Island Sound. Guided by a well-paid American traitor the British navigated the Saybrook shoals and advanced up the river under cover of darkness. By the time it was over, the British had burned twenty-seven American vessels, including six newly built privateers. It was the largest single maritime loss of the war. Yet this story has been virtually left out of the history books—the forgotten battle of the forgotten war. This new account from author and historian Jerry Roberts is the definitive overview of this event and includes a wealth of new information drawn from recent research and archaeological finds. Lavish illustrations and detailed maps bring the battle to life.
NEW YORK TIMES BESTSELLER • The celebrated author of Double Cross and Rogue Heroes returns with a thrilling Americans-era tale of Oleg Gordievsky, the Russian whose secret work helped hasten the end of the Cold War. “The best true spy story I have ever read.”—JOHN LE CARRÉ Named a Best Book of the Year by The Economist • Shortlisted for the Bailie Giffords Prize in Nonfiction If anyone could be considered a Russian counterpart to the infamous British double-agent Kim Philby, it was Oleg Gordievsky. The son of two KGB agents and the product of the best Soviet institutions, the savvy, sophisticated Gordievsky grew to see his nation's communism as both criminal and philistine. He took his first posting for Russian intelligence in 1968 and eventually became the Soviet Union's top man in London, but from 1973 on he was secretly working for MI6. For nearly a decade, as the Cold War reached its twilight, Gordievsky helped the West turn the tables on the KGB, exposing Russian spies and helping to foil countless intelligence plots, as the Soviet leadership grew increasingly paranoid at the United States's nuclear first-strike capabilities and brought the world closer to the brink of war. Desperate to keep the circle of trust close, MI6 never revealed Gordievsky's name to its counterparts in the CIA, which in turn grew obsessed with figuring out the identity of Britain's obviously top-level source. Their obsession ultimately doomed Gordievsky: the CIA officer assigned to identify him was none other than Aldrich Ames, the man who would become infamous for secretly spying for the Soviets. Unfolding the delicious three-way gamesmanship between America, Britain, and the Soviet Union, and culminating in the gripping cinematic beat-by-beat of Gordievsky's nail-biting escape from Moscow in 1985, Ben Macintyre's latest may be his best yet. Like the greatest novels of John le Carré, it brings readers deep into a world of treachery and betrayal, where the lines bleed between the personal and the professional, and one man's hatred of communism had the power to change the future of nations.
For Britain the nineteenth century began, in military terms, with the global upheavals of the Napoleonic Wars and ended with a 'modern' conflict in which machine-guns and a scorched-earth policy were deployed against the Boers. In between there was a supposed peace, marred only by glorious, if tragic, enterprises in the Crimea, Africa and Afghanistan, against the Zulus, the Boers, the Mahdi and Indian mutineers, providing the battles whose names remain proudly emblazoned on regimental banners: Balaclava, Sevastopol, Alma, Lucknow, Kabul, Khartoum, Omdurman. These are the campaigns, it seems, that forged an Empire unparalleled in size before or since, and built the careers of such military leaders as Garnet Wolseley and Lord Kitchener. They were the source of many Boy's Own stories and novels, as well as romantic cinema epics full of dramatic cavalry charges with sabres drawn against hordes of painted savages.
During World War I W. Somerset Maugham, already by then an established playwright and author, was recruited to be a British intelligence agent. These stories reflect his wartime experiences in intelligence gathering. Though fictionalized, they managed to retain enough authentic elements for Winston Churchill to advise Maugham that their publication might be a violation of the Official Secrets Act, resulting in the author burning an additional 14 stories. Set in various locales across the continent, these remaining Ashenden stories are a precursor to the jet-setting spy novels of the 1950s and 1960s. Maugham is known as a master short story writer and these stories are no exception, combining wit and realism to create memorable characters in a unique and highly critical portrait of wartime espionage. Initially released to a mixed reception—with an early review by D. H. Lawrence being especially scathing—Ashenden has since been credited as an inspiration for numerous authors, including John Le Carré, Graham Greene, and Raymond Chandler. The latter in particular was especially impressed, writing in 1950, “There are no other great spy stories—none at all. I have been searching and I know.” This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Prologue: lives, interrupted -- Fathers and sons -- Moses and Phoebe -- Son of Linonia -- The unhappy misunderstanding -- More extensive public service -- A very genteel looking fellow -- The terrible crisis of my earthly fate -- Post mortem
A TIMES BOOK OF THE YEAR'A deeply human read, wonderfully written, on the foibles of a fascinating, flawed, treacherous and sort of likeable character.' Philippe SandsThose people who were betrayed were not innocent people. They were no better nor worse than I am. It's all part of the intelligence world. If the man who turned me in came to my house today, I'd invite him to sit down and have a cup of tea.George Blake was the last remaining Cold War spy. As a Senior Officer in the British Intelligence Service who was double agent for the Soviet Union, his actions had devastating consequences for Britain. Yet he was also one of the least known double agents, and remained unrepentant.In 1961, Blake was sentenced to forty-two years imprisonment for betraying to the KGB all of the Western operations in which he was involved, and the names of hundreds of British agents working behind the Iron Curtain. This was the longest sentence for espionage ever to have been handed down by a British court.On the surface, Blake was a charming, intelligent and engaging man, and most importantly, a seemingly committed patriot. Underneath, a ruthlessly efficient mole and key player in the infamous 'Berlin Tunnel' operation. This illuminating biography tracks Blake from humble beginnings as a teenage courier for the Dutch underground during the Second World War, to the sensational prison-break from Wormwood Scrubs that inspired Hitchcock to write screenplay.Through a combination of personal interviews, research and unique access to Stasi records, journalist Simon Kuper unravels who Blake truly was, what he was capable of, and why he did it.
When Eugenie Davies is killed by a driver on a quiet London street, her death is clearly no accident. Someone struck her with a car and then deliberately ran over her body before driving off, leaving nothing behind but questions. What brought Eugenie Davies to London on a rainy autumn night? Why was she carrying the name of the man who found her body? Who among the many acquaintances in her complicated and tragic life could have wanted her dead? And could her murder have some connection to a twenty-eight-year-old musical wunderkind, a virtuoso violinist who several months earlier suddenly and inexplicably lost the ability to play a single note? For Detective Inspector Thomas Lynley, whose own domestic life is about to change radically, these questions are only the first in an investigation that leads him to walk a fine line between personal loyalty and professional honor. Assigned to the case by his superior, Superintendent Malcolm Webberly, Lynley learns that Webberly's first murder investigation as a DI over twenty years ago involved Eugenie Davies and a sensational criminal trial. Yet what is truly damaging is what Webberly already knows and no doubt wants Lynley to keep concealed. Now the pressure is on Lynley to find Eugenie Davies' killer. For not only is he putting his own career into jeopardy, but he is also attempting to safeguard the careers of his longtime partners Barbara Havers and Winston Nkata. Together, they must untangle the dark secrets and darker passions of a family whose history conceals the truth behind a horrific crime.
In The Making of Modern Britain, Andrew Marr paints a fascinating portrait of life in Britain during the first half of the twentieth century as the country recovered from the grand wreckage of the British Empire. Between the death of Queen Victoria and the end of the Second World War, the nation was shaken by war and peace. The two wars were the worst we had ever known and the episodes of peace among the most turbulent and surprising. As the political forum moved from Edwardian smoking rooms to an increasingly democratic Westminster, the people of Britain experimented with extreme ideas as they struggled to answer the question ‘How should we live?’ Socialism? Fascism? Feminism? Meanwhile, fads such as eugenics, vegetarianism and nudism were gripping the nation, while the popularity of the music hall soared. It was also a time that witnessed the birth of the media as we know it today and the beginnings of the welfare state. Beyond trenches, flappers and Spitfires, this is a story of strange cults and economic madness, of revolutionaries and heroic inventors, sexual experiments and raucous stage heroines. From organic food to drugs, nightclubs and celebrities to package holidays, crooked bankers to sleazy politicians, the echoes of today's Britain ring from almost every page.