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The war was over, new technologies and fashions were springing up; it was to be the beginning of a new and prosperous era and all was to be bright and joyous in Britain again. In many ways it was: women were granted new freedoms and rights, motorcars became more accessible and houses were filled with electric gadgets. But that was only one side of the story. High unemployment led to extreme poverty, workers were badly done by and inflation was high. However, there was a cure for all: jazz, that new upbeat music from across the Atlantic with its infectious rhythms and sensuous tones. Jazz took Britain by the hand and swung it well and truly into the twentieth century. This book explores many different aspects of an amazing decade through its highs and lows; from innovations in swimwear to the invention of Winnie-the-Pooh, from the Great Strike of 26 to the Wall Street crash of 29 and the beginning of the Great Depression. Whether your interests are in fashion or politics there is something of interest for everyone in this accessible and entertaining work on all things related to Britain in the 1920s.
For nearly 100 years, Hollywood has provided not only the majority, but also the most popular of films shown on British Screens. For many Britons, Hollywood films are not considered to be foreign films. Whether seen in the cinema or on television, they are regarded as normal screen fare and a part of everyday life. Hollywood and the Americanization of Britain is the first book to take a wide ranging view of this phenomenon and to explore the impact of American films on their audiences and the reception of them by these audiences from early days to the present. Mark Glancy investigates Hollywoo.
Christopher Lawrence's critical overview of medicine's place in the development of modern Britain examines the significance of the clinical encounter in contemporary society. * first short synoptic study of its kind * breaks new ground by bringing together specialised scholarship into a broad argument * shows how the medical profession created a very specific role for itself * relates medicine to general social policy
Opera in the Jazz Age: Cultural Politics in 1920s Britain explores the interaction between opera and popular culture at a moment when there was a growing imperative to categorize art forms as "highbrow," "middlebrow," or "lowbrow." In this provocative and timely study, Alexandra Wilson considers how the opera debate of the 1920s continues to shape the ways in which we discuss the art form, and draws connections between the battle of the brows and present-day discussions about elitism.
Literature from the 'political' 1930s has often been read in contrast to the 'aesthetic' 1920s. This collection suggests a different approach. Drawing on recent work expanding our sense of the political and aesthetic energies of interwar modernisms, these chapters track transitions in British literature. The strains of national break-up, class dissension and political instability provoked a new literary order, and reading across the two decades between the wars exposes the continuing pressure of these transitions. Instead of following familiar markers - 1922, the Crash, the Spanish Civil War - or isolating particular themes from literary study, this collection takes key problems and dilemmas from literature 'in transition' and reads them across familiar and unfamiliar cultural works and productions, in their rich and contradictory context of publication. Themes such as gender, sexuality, nation and class are thus present throughout these essays. Major writers such as Woolf are read alongside forgotten and marginalised voices.
This collection examines the complex struggle for supremacy conducted between the United States and Britain in the decade following World War I. The aim is to throw light on a crucial period in the history of British and American foreign policy and on 20th-century international affairs.
This book presents a study of the development of the feminist movement in Britain and America during the 19th century. Acknowledging the similar social conditions in both countries during that period, the author suggests that a real sense of distinctiveness did exist between British and American feminists. American feminists were inspired by their own perception of the superiority of their social circumstances, for example, whereas British feminists found their cause complicated by traditional considerations of class. Christine Bolt aims to show that the story of the American and British women's movement is one of national distinctiveness within an international cause. This book should be of interest to students and teachers of American and British political history and women's studies.
The methods developed by British intelligence in the early twentieth century continue to resonate today. Much like now, the intelligence activity of the British in the pre-Second World War era focused on immediate threats posed by subversive, clandestine networks against a backdrop of shifting great power politics. Even though the First World War had ended, the battle against Britain's enemies continued unabated during the period of the 1920s and 1930s. Buffeted by political interference and often fighting for their very survival, Britain's intelligence services turned to fight a new, clandestine war against rising powers Soviet Russia and Nazi Germany. Using recently declassified files of the British Security Service (MI5), The Secret War Between the Wars details the operations and tradecraft of British intelligence to thwart Communist revolutionaries, Soviet agents, and Nazi sympathizers during the interwar period. This new study charts the development of British intelligence methods and policies in the early twentieth century and illuminates the fraught path of intelligence leading to the Second World War. An analysis of Britain's most riveting interwar espionage cases tells the story of Britain's transition between peace and war. The methods developed by British intelligence in the early twentieth century continue to resonate today. Much like now, the intelligence activity of the British in the pre-Second World War era focused on immediate threats posed by subversive, clandestine networks against a backdrop of shifting great power politics. As Western countries continue to face the challenge of terrorism, and in an era of geopolitical change heralded by the rise of China and the resurgence of Russia, a return to the past may provide context for a better understanding of the future. Kevin Quinlan received his PhD in History from the University of Cambridge. He works in Washington, DC.
"Socialist Women explores what it meant to be a socialist woman against the backdrop of the pioneering days of the socialist movement, the growth of the Edwardian women's suffrage campaign and the enormous political and social upheaval caused by the First World War. The viewpoint of these women brings a new perspective to both socialist and feminist politics, which will make this book absorbing reading for anyone interested in gender history or the politics of this period."--BOOK JACKET.