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Reissue in paperback (with new Introduction) of the 1951 classic analysis of the crucial years leading up to the Meiji restoration in which Britain provided Japan with its wealth and power model.
Brill Research Perspectives in Biblical Interpretation (RPBI) The growth of scholarly literature continues to accelerate at an exponential rate. Staying current on a variety of subjects is becoming increasingly difficult. RPBI brings a substantial range of contemporary methodological conversations about biblical literature to a wide readership. The main goal of each book is to address a particular contemporary question and/or problem of interpretive importance as it intersects with biblical scholarship, raising the issues and suggesting further directions. Race, class, gender, nationality, sexuality, geography, and ecology are examples of lenses that the authors incorporate into these discussions. These books are perfect for keeping abreast of conversations in the field, updating college and graduate-level courses with cutting-edge biblical scholarship, and exploring new and alternative approaches to long-standing questions in the field.
Comprehensive coverage of the diplomatic history in Japan of H.M. Representatives and the events that marked their period of office.
This sixth volume in the Britain and Japan series contains a total of thirty-three entries, thoughtfully and painstakingly compiled and edited by Hugh Cortazzi. The volume is divided up thematically and includes an Index of Biographical Portraits published to date by the Japan Society.
A further 20 studies of key personalities, including Edmund Morel, Alexander Shand, Lafcadio Hearn, Rev. Dr. John Batchelor and, more recently, Shigeru Yoshida and Christmas Humphreys.
The continuing success of this series, highly regarded by scholars and the general reader alike, has prompted The Japan Society to commission this fourth volume, devoted as before to the lives of key people, both British and Japanese, who have made significant contributions to the development of Anglo-Japanese relations. The appearance of this volume brings the number of portraits published to over one hundred. The portraits cover diplomats (from Mori Arinori to Sir Francis Lindley), businessmen (from William Keswick to Lasenby Liberty), engineers and teachers (from W. E. Ayrton to Henry Spencer Palmer), scholars and writers (from Sir Edwin Arnold to Ivan Morris), as well as journalists, judo masters and the aviator Lord Semphill. In all, there are a total of 34 contributions.
This book by a leading authority on Anglo-Japanese relations reconsiders the circumstances which led to the unlikely alliance of 1902 to 1922 between Britain, the leading world power of the day and Japan, an Asian, non-European nation which had only recently emerged from self-imposed isolation. Based on extensive original research the book goes beyond existing accounts which concentrate on high politics, strategy and simple assertions about the two countries’ similarities as island empires. It brings into the picture cultural factors, particularly the ways in which Japan was portrayed in Britain, and ambivalent British attitudes to race and supposed European superiority which were overcome but remained difficulties. It charts how the relationship developed as events unfolded, including Japan’s wars against China and Russia, and in addition looks at royal diplomacy, where the Japanese Court came eventually to be treated as a respected equal. Overall, the book provides a major reassessment of this important subject.
A Familiar Compound Ghost explores the relationship between allusion and the uncanny in literature. An unexpected echo or quotation in a new text can be compared to the sudden appearance of a ghost or mysterious double, the reanimation of a corpse, or the discovery of an ancient ruin hidden in a modern city. In this scholarly and suggestive study, Brown identifies moments where this affinity between allusion and the uncanny is used by writers to generate a particular textual charge, where uncanny elements are used to flag patterns of allusion and to point to the haunting presence of an earlier work. A Familiar Compound Ghost traces the subtle patterns of connection between texts centuries, even millennia apart, from Greek tragedy and Latin epic, through the plays of Shakespeare and the Victorian novel, to contemporary film, fiction and poetry. Each chapter takes a different uncanny motif as its focus: doubles, ruins, reanimation, ghosts and journeys to the underworld.