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The world sees Britain through the antics of Monty Python’s Flying Circus, the stiff-lipped, painfully class-conscious societies depicted in Gosford Parkand Remains of the Day, and the scathing diatribes of American Idol’s Simon Cowell. The images being projected from the island nation of England are so disparate these days that it’s hard to know what to think of the British. Chris Rojek explores this dilemma, looking at the myths, misconceptions, and stereotypes of the British. Drawing upon a wide range of sources in pop culture, politics, art, and history, Rojek examines how Britons are viewed both at home and abroad. From Austin Powers to King Arthur and Albion, and from Big Brother to international opinion polls, Rojek investigates what it means to be British in a globalized, multicultural world. Brit-Myth deftly avoids extreme nationalism or abstract scholarship, offering a new conception of Britishness that transcends race and emphasizes the integral role of individualism and nonconformity in British identity. Full of thought-provoking insights and engaging anecdotes, Brit-Myth will entertain both Anglophiles and those who want to learn more about the land under the Union Jack.
Roman Britain is usually thought of as a land full of togas, towns and baths with Britons happily going about their Roman lives under the benign gaze of Rome. This is, to a great extent, a myth that developed after Roman control of Britain came to an end, in particular when the British Empire was at its height in the late nineteenth and early twentieth centuries. In fact, Britain was one of the least enthusiastic elements of the Roman Empire. The northern part of Britain was never conquered at all despite repeated attempts. Some Britons adopted Roman ways in order to advance themselves and become part of the new order, of just because they liked the new range of products available. However, many failed to acknowledge the Roman lifestyle at all, while many others were only outwardly Romanised, clinging to their own identities under the occupation. Britain never fully embraced the Empire and was itself never fully accepted by the rest of the Roman world. Even the Roman army in Britain became chronically rebellious and a source of instability that ultimately affected the whole Empire. As Roman power weakened, the Britons abandoned both Rome and almost all Roman culture, and the island became a land of warring kingdoms, as it had been before.
Scholars have become increasingly interested in how modern national consciousness comes into being through fictional narratives. Literature is of particular importance to this process, for it is responsible for tracing the nations evolution through glorious tales of its history. In nineteenth-century Britain, the legends of King Arthur and Robin Hood played an important role in construction of contemporary national identity. These two legends provide excellent windows through which to view British culture, because they provide very different perspectives. King Arthur and Robin Hood have traditionally been diametrically opposed in terms of their ideological orientation. The former is a king, a man at the pinnacle of the social and political hierarchy, whereas the latter is an outlaw, and is therefore completely outside conventional hierarchical structures. The fact that two such different figures could simultaneously function as British national heroes suggests that nineteenth-century British nationalism did not represent a single set of values and ideas, but rather that it was forced to assimilate a variety of competing points of view.
The main purpose of this book is to show that there is no good reason why the British monarchy should be popular as it is and no argument adequate to justify its existence.
"Geoffrey Ashe's lavishly illustrated Mythology of the British Isles retells the legendary history of Britain and uncovers a national mythology which is comparable to that of the Greeks in its richness and cohesiveness. Recounting stories and legends from the dark centuries of British prehistory to the ninth century AD - tales of giants and fairies, druids and saints, King Lear, King Arthur and Old King Cole - he shows how they all interrelate and take on fresh significance from historical and archaeological research"--Back cover.
In 'The Mythology of the British Islands' by Charles Squire, readers are taken on a fascinating journey through the rich tapestry of myths and legends that have shaped the cultural landscape of the British Isles. Squire delves into the ancient tales of gods, heroes, and folklore from Ireland, Scotland, Wales, and England, providing a comprehensive look at the literary heritage of the region. His writing style is both informative and engaging, making this book a valuable resource for those interested in British mythology and its influence on literature and culture. The inclusion of original texts and translations adds depth to Squire's analysis, offering readers a deeper understanding of the stories and their significance. Charles Squire's meticulous research and scholarly approach to the subject make 'The Mythology of the British Islands' a must-read for anyone interested in delving into the enchanting world of Celtic and British folklore.
1940 was the most significant year in European history this century, this book examines what it meant for the people of Britain then and now. Malcolm Smith details the resultant influences that have constructed our national consciousness.
THE BRITISH ISLES have a long tradition of tales of gods, heroes and marvels, hinting at a mythology once as relevant to the races which settled the islands as the Greek and Roman gods were to the classical world.The tales drawn together in this book, from a wide range of medieval sources, span the centuries from the dawn of Christianity to the age of the Plantagenets. The Norse gods which peopled the Anglo-Saxon past survive in Beowulf/I>; Cuchulainn, Taliesin and the magician Merlin take shape from Celtic mythology; and saints include Helena who brought a piece of the True Cross to Britain, and Joseph of Arimathea whose staff grew into the Glastonbury thorn. Tales of the British Arthur are followed by legends of later heroes, including Harold, Hereward and Godiva. These figures and many others were part of a familiar national mythology on which Shakespeare drew for Lear, Macbeth and Hamlet, creating the famous versions that are known today. Here the original stories are presented again. RICHARD BARBER's other books include King Arthur: Hero and Legend, Arthurian Legends: An Anthology, and The Knight and Chivalry; he is currently working on a study of the legend of the Holy Grail.Borders.com: England and the British Isles have a rich and still thriving tradition of myths and legends - and this wonderful volume collects together more than thirty of the best from a number of sources... an incredible insight into the fascinating yet complex history of the British Isles and its peoples... Those fascinated by mythology will want to add this wonderful book to their collections.
An intriguing case study on how popular images of Oceania, mediated through a developing culture of celebrity, contributed to the formation of British identity both domestically and as a nascent imperial power in the eighteenth century.