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When you hear a certain song, where does it take you? What is the secret that connects music to our lives? Heart warming, moving and laugh out loud funny, this title is the truest book you will ever read about music and the things that really matter.
In Bringing Ezra Back, Nathan Fowler returns to rescue his friend who helped him escape danger in this action-packed sequel to Cynthia DeFelice's beloved Weasel. September 1840 marks five months since twelve-year-old Nathan Fowler's life-threatening encounter with Weasel, the heartless man who stalked Nathan like a wild animal through the forest. Nathan hasn't been the same since, wary of every new person he meets - including the visiting peddler Orrin Beckwith. When Beckwith shows Nate and his family a handbill advertising a show with a "white Injun," a man without a tongue, Nathan is sure the man is his friend Ezra, who lost his tongue to Weasel's knife. Determined to save Ezra from this traveling show of "human oddities," Nathan sets out with Beckwith from Ohio to Pennsylvania. On the way, Nathan encounters more people than he's ever met before, and he begins to learn a thing or two about human nature. The biggest shock, however, is Ezra himself, and it will take more than Nathan bargained for to bring him back home.
Since the early 1990s - in the face of outright opposition from government, landowning elites and even some conservation professionals - Derek Gow has imported, quarantined and assisted the reestablishment of beavers in waterways across England and Scotland. 'Bringing Back the Beaver' is farmer-turned-ecologist Gow's inspirational and often riotously funny firsthand account of how the movement to rewild the British landscape with beavers has become the single most dramatic and subversive nature conservation act of the modern era.
An illustrated A-to-Z tribute to old-fashioned items worth rediscovering: “Wistful . . . charming . . . like a stroll down memory lane.” —Elle Whatever happened to cuckoo clocks? Or bed curtains? Why do we have so many “friends” while doing away with the much more useful word “acquaintance”? All of these things, plus hot toddies, riddles, proverbs, corsets, calling cards, and many more, are due for a revival. Throughout this whimsical, beautifully illustrated encyclopedia of nostalgia, Lesley M.M. Blume breathes new life into the elegant, mysterious, and delightful trappings of bygone eras, honoring the timeless tradition of artful living along the way. Inspired by her much loved Huffington Post column of the same name and featuring entries from famous icons of style and culture, Let’s Bring Back leads readers to rediscover the things that entertained, awed, beautified, satiated, and fascinated in eras past. “Witty . . . recommended reading.” —Country Living “If you’re feeling lousy and you read this book, it awakens you to things that have made you happy in your life. It reminds you of a time when certain things ideas, gestures got you through . . . and revels in an idea of life that’s lived in 3-D, not 2-D.” —Sally Singer, editor, T: The New York Times Magazine
Papers from a conference held at Mount Kisco, N.Y., Feb. 1982, sponsored by the Committee on States and Social Structures, the Joint Committee on Latin American Studies, and the Joint Committee on Western European Studies of the Social Science Research Council. Includes bibliographies and index.
The intrepid Texas jungle adventurer Frank Buck spent his life capturing alive every kind of animal, and enthralled generations of readers with the stories of danger and daring collected here.
THE NEW TWISTY, GRIPPING READ FROM B.A. PARIS, THE AUTHOR OF THE INSTANT NEW YORK TIMES AND USA TODAY BESTSELLING NOVELS BEHIND CLOSED DOORS AND THE BREAKDOWN “We’re in a new Golden Age of suspense writing now, because of amazing books like Bring Me Back, and I for one am loving it.” —Lee Child "[An] outstanding Hitchcockian thriller.” —Publishers Weekly (starred review) She went missing. He moved on. A whole world of secrets remained—until now. Finn and Layla are young, in love, and on vacation. They’re driving along the highway when Finn decides to stop at a service station to use the restroom. He hops out of the car, locks the doors behind him, and goes inside. When he returns Layla is gone—never to be seen again. That is the story Finn told to the police. But it is not the whole story. Ten years later Finn is engaged to Layla’s sister, Ellen. Their shared grief over what happened to Layla drew them close and now they intend to remain together. Still, there’s something about Ellen that Finn has never fully understood. His heart wants to believe that she is the one for him...even though a sixth sense tells him not to trust her. Then, not long before he and Ellen are to be married, Finn gets a phone call. Someone from his past has seen Layla—hiding in plain sight. There are other odd occurrences: Long-lost items from Layla’s past that keep turning up around Finn and Ellen’s house. Emails from strangers who seem to know too much. Secret messages, clues, warnings. If Layla is alive—and on Finn’s trail—what does she want? And how much does she know? A tour de force of psychological suspense, Bring Me Back will have you questioning everything and everyone until its stunning climax.
The story of a friendship between two "opposites" & of Nettie's illness.
If you could bring back just one animal from the past, what would you choose? It can be anyone or anything from history, from the King of the Dinosaurs, T. rex, to the King of Rock 'n' Roll, Elvis Presley, and beyond. De-extinction – the ability to bring extinct species back to life – is fast becoming reality. Around the globe, scientists are trying to de-extinct all manner of animals, including the woolly mammoth, the passenger pigeon and a bizarre species of flatulent frog. But de-extinction is more than just bringing back the dead. It's a science that can be used to save species, shape evolution and sculpt the future of life on our planet. In Bring Back the King, scientist and comedy writer Helen Pilcher goes on a quest to identify the perfect de-extinction candidate. Along the way, she asks if Elvis could be recreated from the DNA inside a pickled wart, investigates whether it's possible to raise a pet dodo, and considers the odds of a 21st century Neanderthal turning heads on public transport. Pondering the practicalities and the point of de-extinction, Bring Back the King is a witty and wry exploration of what is bound to become one of the hottest topics in conservation – if not in science as a whole – in the years to come. READ THIS BOOK – the King commands it.
How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib Sampling—incorporating found sound and manipulating it into another form entirely—has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention. Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music’s DJ-born beginnings; Prince Paul as an early champion of sampling’s potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists’ histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it.