Download Free Brills Companion To Lucan Book in PDF and EPUB Free Download. You can read online Brills Companion To Lucan and write the review.

The present collection samples the most current approaches to Lucan’s poem, its themes, its dialogue with other texts, its reception in medieval and early modern literature, and its relevance to audiences of all times.
Although it was labeled an anti-epic for trumping the celebratory scope of the Roman national epos, Lucan’s Bellum Civile is a hymn to lost republican liberty composed under Nero’s tyrannical empire. Lucan lost his life in a foiled conspiracy to replace the emperor, but his poem survived the wreckage of antiquity and enjoyed uninterrupted readership. The present collection samples the most current approaches to Lucan’s poem, its themes, its dialogue with other texts, its reception in medieval and early modern literature, and its relevance to audiences of all times.
Only recently have scholars turned their attention to Silius Italicus' Punica, a poem the reputation of which was eclipsed by the emergence of Virgil’s Aeneid as the canonical Latin epos of Augustan Rome. This collection of essays aims at examining the importance of Silius' historical epic in Flavian, Domitianic Rome by offering a detailed overview of the poem's context and intertext, its themes and images, and its reception from antiquity through Renaissance and modern philological criticism. This pioneering volume is the first comprehensive, collaborative study on the longest epic poem in Latin literature.
Brill’s Companion to the Reception of Alexander the Great offers a considerable range of topics, of interest to students and academics alike, in the long tradition of this subject’s significant impact, across a sometimes surprising and comprehensive variety of areas. Arguably no other historical figure has cast such a long shadow for so long a time. Every civilisation touched by the Macedonian Conqueror, along with many more that he never imagined, has scrambled to “own” some part of his legacy. This volume canvasses a comprehensive array of these receptions, beginning from Alexander’s own era and journeying up to the present, in order to come to grips with the impact left by this influential but elusive figure.
The epics of ancient Greece and Rome are unique in that many went unfinished, or if they were finished, remained open to further narration that was beyond the power, interest, or sometimes the life-span of the poet. Such incompleteness inaugurated a tradition of continuance and closure in their reception. Brill’s Companion to Prequels, Sequels, and Retellings of Classical Epic explores this long tradition of continuing epics through sequels, prequels, retellings and spin-offs. This collection of essays brings together several noted scholars working in a variety of fields to trace the persistence of this literary effort from their earliest instantiations in the Iliad and Odyssey of Homer to the contemporary novels of Ursula K. Le Guin and Margaret Atwood.
The Pharsalia, Lucan's epic on the civil wars between Caesar and Pompey, is a document of fundamental importance for students of the history and literature of Rome in the early imperial period. For historians concerned with the defence of Republican traditions under the emperors as much as for literary critics mapping the transformation of epic in the wake of Vergil, it is impossible to ignore this poem.
Brill’s Companion to Valerius Flaccus is the first English-language survey on all key aspects of this Flavian poet and his epic Argonautica (1st century CE). A team of international specialists offers both an account of the state of the art and new insights. Topics covered include textual transmission, language, poetic techniques, main themes, characters, relationship to intertexts and reception. This will be a standard point of departure for anyone interested in Valerius Flaccus or Flavian epic more generally. Contributors are: Antony Augoustakis, Michael Barich, Neil Bernstein, Emma Buckley, Cristiano Castelletti, James Clauss, Robert Cowan, Peter Davis, Alain Deremetz, Attila Ferenczi, Marco Fucecchi, Randall Ganiban, Mark Heerink, Alison Keith, Helen Lovatt, Gesine Manuwald, Ruth Parkes, Tim Stover, Ruth Taylor-Briggs, and Andrew Zissos.
These new essays comprise the first collective study of Lucan and his epic poem that focuses specifically on points of contact between his text and the cultural, literary, and historical environments in which he lived and wrote. The Bellum Civile, Lucan's poetic narrative of the monumental civil war between Julius Caesar and Pompey Magnus, explores the violent foundations of the Roman principate and the Julio-Claudian dynasty. The poem, composed more than a century later during the reign of Nero, thus recalls the past while being very much a product of its time. This volume offers innovative readings that seek to interpret Lucan's epic in terms of the contemporary politics, philosophy, literature, rhetoric, geography, and cultural memory of the author's lifetime. In doing so, these studies illuminate how approaching Lucan and his text in light of their contemporary environments enriches our understanding of author, text, and context individually and in conversation with each other.
Lauded after his death as ‘champion of the English Commonwealth’, but also derided as a ‘most servile wit, and mercenary pen’, the poet, dramatist and historian Thomas May (c.1595–1650) produced the first full translation into English of Lucan’s Bellum Ciuile shortly before a ruinous civil war engulfed his own country. Lucan, whose epic had lamented the Roman Republic’s doomed struggle to preserve liberty and inevitable enslavement to the Caesars, and who was forced to commit suicide at the behest of the emperor Nero, was a figure of fascination in early modern Europe. May’s accomplished rendition of his challenging poem marked an important moment in the history of its English reception. This is a modernized edition of the first complete (1627) edition of the translation. It includes prefatory materials, dedications and May’s own historical notes on the text. Besides an introduction contextualising May’s life and work and the key features of his translation, it offers a full commentary to the text highlighting how May responded to contemporary editions and commentaries on Lucan, and explaining points of literary, political, philosophical interest. There is also a detailed glossary and bibliography, and a set of textual notes enumerating the chief differences between the 1627 edition and the others produced in May’s lifetime. This volume aims not just to provide an accessible path into the dense, sometimes provocative poem May shapes from Lucan, but also a broader appreciation of the translator’s literary merits and the role his work plays in the history of the English reception of Roman literature and culture.
In the ancient Mediterranean world, the sea was an essential domain for trade, cultural exchange, communication, exploration, and colonisation. In tandem with the lived reality of this maritime space, a parallel experience of the sea emerged in narrative representations from ancient Greece and Rome, of the sea as a cultural imaginary. This imaginary seems often to oscillate between two extremes: the utopian and the catastrophic; such representations can be found in narratives from ancient history, philosophy, society, and literature, as well as in their post-classical receptions. Utopia can be found in some imaginary island paradise far away and across the distant sea; the sea can hold an unknown, mysterious, divine wealth below its surface; and the sea itself as a powerful watery body can hold a liberating potential. The utopian quality of the sea and seafaring can become a powerful metaphor for articulating political notions of the ideal state or for expressing an individual’s sense of hope and subjectivity. Yet the catastrophic sea balances any perfective imaginings: the sea threatens coastal inhabitants with floods, tsunamis, and earthquakes and sailors with storms and the accompanying monsters. From symbolic perspectives, the catastrophic sea represents violence, instability, the savage, and even cosmological chaos. The twelve papers in this volume explore the themes of utopia and catastrophe in the liminal environment of the sea, through the lens of history, philosophy, literature and classical reception. Contributors: Manuel Álvarez-Martí-Aguilar, Vilius Bartninkas, Aaron L. Beek, Ross Clare, Gabriele Cornelli, Isaia Crosson, Ryan Denson, Rhiannon Easterbrook, Emilia Mataix Ferrándiz, Georgia L. Irby, Simona Martorana, Guy Middleton, Hamish Williams.