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Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
This text examines the representation and staging of chance in literature through the study of a specific case - the work of the 20th-century French writer Georges Perec (1936-82).
This sumptuous collector's volume showcases, at actual size, over 600 objects and drawings from Cartier's vast archives-many for the first time. The text recounts how this collection of over 1,200 items, dating from the 1860s to the present, was formed; explains the antique jewelry market; and imparts the artistic genius that places Cartier among the world's premier jewelers. Devoted to fine jewelry, this book presents pieces that were designed for the Duchess of Windsor, Daisy Fellowes, and Barbara Hutton alongside the Maharadjah of Patiala's recently restored necklace that once contained the famous De Beers diamond. Fascinating stories and complete technical details present Cartier's most artful creations, from glittering tiaras to pieces from the famous "bestiary" of panthers, dragons, chimera, birds, and crocodiles, as well as rare brooches, necklaces, and bracelets. With its lavish slipcase, over a dozen gatefolds, extensive documentation, illustrated chronology, and index, this book is a must for specialists in the decorative arts and jewelry, and a publishing event for the quality of its design and reproductions.
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.