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Shakespeare was, as Caesar says of Cassius, "a great observer," able to see and depict patterns of events and character. He understood how politics is shaped by the clash of men with various colorings of self-interest and idealism, how violence breeds violence, how fragile human beings create masks and disguises for protection, how schemers do the same for advancement, how love can grow out of hate and hate out of love. Dare anyone say that these insights are irrelevant to living in the real world? For many in an older generation, the Bible and the Collected Shakespeare were the two indispensable books, and thus their sense of life and history was shaped by the best and best-told stories. And they were the wiser for it. Literature abstracts from the complex events of life (just as we all do in everyday life) and can reveal patterns that are like the patterns of events in the real world. Studying literature can give us sensitivity to those patterns. This sensitivity to the rhythm of life is closely connected with what the Bible calls wisdom.
This book gives close attention to the poetry and plotting of six Shakespeare plays, three tragedies (Coriolanus, Richard III, and King Lear) and three comedies (Midsummer Night's Dream, Twelfth Night, The Merchant of Venice), paying particular attention to biblical imagery and theological themes of the plays.
As one of the supreme Christian epic poems, Dante's Divine Comedy provides not only far more personality and emotional depth than the pagan epics, it also opens up all the issues on which Western history turns - truth, beauty, goodness, sin, sanctification, and triumph. For all that, C.S. Lewis loved the Comedy for its seemingly effortless poetry. In this guide Peter Leithart uses a biblical angle to open up the Comedy for students, high school and up. He begins his discussion by examining the meaning and place of the courtly love tradition and then introduces us to the varied levels of meaning throughout the work. In the heart of the guide, Leithart walks us carefully through the craft and symbolism of each progressive stage - Inferno, Purgatorio, and Paradiso. Each section contains helpful study questions.
What does baptism do to the baptized? Nothing? Something? In this study, Peter Leithart examines this single question of baptismal efficacy. He challenges several common but false assumptions about God, man, the church, salvation, and more that confuse discussions about baptism. He aims to offer a careful and simple discussion of all the central biblical texts that speak to us about baptism, the nature of signs and rites, the character of the church as the body of Christ, and the possibility of apostasy. In the end, the author urges us to face up to the wonderful conclusion that Scripture attributes an astonishing power to the initiation rite of baptism.
Argues that human freedom is threatened by systems of intelligent persuasion developed by tech giants who compete for our time and attention. This title is also available as Open Access.
How could a conservative Christian-an ordained minister with a beard, no less-be against not only Christianity, but theology, sacraments, and ethics as well? Yet that is the stance Peter Leithart takes in this provocative "theological bricolage." Seeking to rethink evangelical notions of culture, church, and state, Leithart offers a series of short essays, aphorisms, and parables that challenge the current dichotomies that govern both Christian and non- Christian thinking about church and state, the secular and the religious. But his argument isn't limited to being merely "against." Leithart reveals a much larger vision of Christian society, defined by the stories, symbols, rituals, and rules of a renewed community-the city of God.
In this short but stimulating work, Peter Leithart draws upon insights from history, theology, philosophy, and literature to connect two of the most glorious and unique truths of Christianity its hopeful eschatology and its doctrine of a dynamic, personal Trinity. First, Leithart shows that the biblical view of history is essentially comic and hopeful, in contrast to the classical Greco-Roman view, which is essentially and irredeemably tragic. Then he develops the same point by examining Greek philosophy and its descendants (including postmodernism) in contrast to orthodox Trinitarian theology. Finally, he shows how the tragic and comic worldviews have been reflected in literature, with discussions of Greek epics and two Shakespearean plays. The result is a tour through three thousand years of intellectual history that celebrates the living power of orthodoxy."
The best stories subtly weave themes and characters and symbols into a stunning final tapestry. This Old Testament survey, written for family and classroom reading, reveals the rich weave that makes Scripture the Story of stories.