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A “sensual, brutal . . . ambitious, dazzling, disturbing, and memorable” retelling of Jason and the Argonauts seen through the eyes of Medea (Financial Times). International bestselling and multi-prize-winning author David Vann transports readers to the Mediterranean and Black Sea, 3,250 years ago, for “[a] stunning depiction of one of mythology’s most complex characters” (The Australian). It is thirteenth century BC, and the Argo is bound for its epic return journey across the Black Sea from Persia’s Colchis with the valiant Jason, the equally heroic Argonauts, and the treasured symbol of kingship, the Golden Fleece. Aboard as well is Medea, semi-divine priestess, and a believer in power, not gods. Having fled her father, and butchered her brother, she is embarking on a conquest of her own. Rejected for her gender, Medea is hungry for revenge, and to right the egregious fate of being born a woman in a world ruled by men. In Bright Air Black, “David Vann blow[s] away all the elegance and toga-clad politeness . . . around our idea of ancient Greece . . . to reveal the bare bones of the Archaic period in all their bloody, reeking nastiness (The Times, London), and to deliver a bracing alternative to the long-held notions of Medea as monster or sorceress. We witness Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, the cataclysmic repercussions of betrayal, and the drive of an impassioned woman—victim, survivor, and ultimately, agent of her own destiny. The most intimate and corporal version of Medea’s story ever told, Bright Air Black “a compelling study of human nature stripped to its most elemental” (The Guardian).
The author takes the reader on a tour that covers such topics as computers, evolution, Descartes, Schrodinger, and the nature of perception, language, and invididuality. He argues that biology provides the key to understanding the brain. Underlying his argument is the evolutionary view that the mind arose at a definite time in history. This book ponders connections between psychology and physics, medicine, philosophy, and more. Frequently contentious, Edelman attacks cognitive and behavioral approaches, which leave biology out of the picture, as well as the currently fashionable view of the brain as a computer.
She stood panting on the narrow ledge, pressing herself back against the hard surface of the rock ... heard a voice, far below, calling her name. She tried to answer, but her throat was parched and no sound came. They had heard the stone, clattering down the cliff to the sea, and now they knew where she was... On a cliff-face in New Zealand, two...
Beyond Permanence: The Great Ideas of the West covers the full range of Western thought. Th e fi rst part reviews Western thought from its earliest beginnings in the civilization of Sumer through the philosophy of Hegel. After Sumer, it covers Egypt, Judaism, Classical philosophy focusing on Plato and Aristotle, Christianity and the Gnostics, the medieval church and the mystics, and the fi nal attempt by philosophers like Rene Descartes and Immanuel Kant to “pin down” the world in a comprehensive philosophy. Th e aim was permanence of explanation describing a world of permanence whose actions refl ected the essential nature of its constituents. Th e second part moves into the modern age with the new physics and biology and the philosophies of William James and Alfred North Whitehead. It shows, for example, how the mind is not the permanent soul, but is rather the manifestation of the body, particularly the brain. Th rough the work of John Dewey and others, it outlines a new activism whereby people don’t accept society as a permanent order, but think of it as constantly subject to improvement. We are not “in” society, but society is in us, and is open to our needs and desires.
Is contemporary continental philosophy making a break with Kant? The structures of knowledge, taken for granted since Kant's Critique of Pure Reason, are now being called into question: the finitude of the subject, the phenomenal given, a priori synthesis. Relinquish the transcendental: such is the imperative of postcritical thinking in the 21st century. Questions that we no longer thought it possible to ask now reemerge with renewed vigor: can Kant really maintain the difference between a priori and innate? Can he deduce, rather than impose, the categories, or justify the necessity of nature? Recent research into brain development aggravates these suspicions, which measure transcendental idealism against the thesis of a biological origin for cognitive processes. In her important new book Catherine Malabou lays out Kant's response to his posterity. True to its subject, the book evolves as an epigenesis – the differentiated growth of the embryo – for, as those who know how to read critical philosophy affirm, this is the very life of the transcendental and contains the promise of its transformation.
"Built on her ... Modern Love column, 'When a Couch is More Than a Couch' (9/23/2016), a ... memoir of living meaningfully with 'death in the room' by the 38-year-old great-great-great granddaughter of Ralph Waldo Emerson--mother to two young boys, wife of 16 years--after her terminal cancer diagnosis"--
2022 National Book Awards Longlist for Nonfiction Essays about migration, displacement, and the hope for connection in a time of emotional and geopolitical disruption by a Soviet-born writer and former war correspondent. Called a “chronicler of a world on the move” by The New York Review of Books, Anna Badkhen seeks what separates and binds us at a time when one in seven people has left their birthplace, while a pandemic dictates the direst season of rupture in humankind’s remembering. Her new essay collection, Bright Unbearable Reality, comprises eleven essays set on four continents—roving everywhere from Oklahoma to Azerbaijan—and united by a common thread of communion and longing. In these essays, Badkhen addresses the human condition in the era of such unprecedented dislocation, contemplates the roles of memory and wonder in how we relate to one another, and asks how we can soberly and responsibly counter despair and continue to develop—or at least imagine—an emotional vocabulary against depravity. The subject throughout the collection is bright unbearable reality itself, a translation of Greek enargeia, which, says the poet Alice Oswald, is “when gods come to earth not in disguise but as themselves.” Essays include: • In “The Pandemic, Our Common Story,” which takes place in the Great Rift Valley of Ethiopia, one of the locations where humankind originated, the onset of the global pandemic catches Badkhen mid-journey, researching human dispersal 160,000 years ago and migration in modern times. • In “How to Read the Air,” set mostly in Philadelphia, Badkhen looks to the ancient Greeks for help pondering our need for certainty at a time of racist violence, political upheaval, and environmental cataclysm. • “Ways of Seeing” and the title essay “Bright Unbearable Reality” wrestle with complications of distance and specifically the bird’s eye view—the relationship between physical distance, understanding, and engagement. • “Landscape with Icarus” examines how and why children go missing, while “Dark Matter” explores how violence always takes us by surprise.
Facing the prospect of fatherhood, disillusioned by his fledgling teaching career, and mourning the loss of a fraught former relationship, 25-year-old Francis Mason is a prisoner of his past mistakes. But when his second-grade class discovers a dead body during a field trip to a San Francisco beach, Francis spirals into unbearable grief and all-consuming paranoia. As his behavior grows increasingly erratic, and tensions arise with the school principal and the parents of his students, he faces the familiar urge to flee — a choice that forces him to confront the character weaknesses that have shattered his life again and again — and to accept the wrenching truth about the past he’s never been able to move beyond.