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The earliest traditions around the narrative of Jesus' resurrection are considered in this landmark work by Dale C. Allison, Jr, drawing together the fruits of his decades of research into this issue at the very core of Christian identity. Allison returns to the ancient sources and earliest traditions, charting them alongside the development of faith in the resurrection in the early church and throughout Christian history. Beginning with historical-critical methodology that examines the empty tomb narratives and early confessions, Allison moves on to consider the resurrection in parallel with other traditions and stories, including Tibetan accounts of saintly figures being assumed into the light, in the chapter “Rainbow Body”. Finally, Allison considers what might be said by way of results or conclusions on the topic of resurrection, offering perspectives from both apologetic and sceptical viewpoints. In his final section of “modest results” he considers scholarly approaches to the resurrection in light of human experience, adding fresh nuance to a debate that has often been characterised in overly simplistic terms of “it happened” or “it didn't”.
With bibliography of globes made in the Low Countries, ca. 1525-1800.
John Preston (1587-1628) stands as a key figure in the development of English Reformed orthodoxy in the courts of ElizabetháI and JamesáVI. Often cited as a favorite of the English and American Puritans who came after him, he nevertheless stood as a bridge between the crown and the nonconformists. Jonathan D. Moore retrieves Preston from his traditional place as one of the "Calvinists against Calvin," provides a convincing argument for Preston's unique hypothetical universalism, and calls into question common misperceptions about Reformed theology and Puritanism.
These essays by one of America's foremost historians of art and architecture range over theory and criticism, the search for connections between art and science in the Renaissance, and specific works of Renaissance architecture. The largest group of essays, dealing with the character of Renaissance architecture, are models of art historical scholarship in their direct approach to identifying the essentials of a building and the social and intellectual context in which they should be viewed. Another group of essays explores encounters between the traditions of artistic practice and early optics and color theory. The three essays that begin this collection bring to light the intellectual and moral concerns that underlie all of Ackerman's art historical work.
'A Flower Wedding: Described by Two Wallflowers' by Walter Crane is an exquisitely illustrated poem that transports readers to a joyous wedding celebration in 1905. Immerse yourself in the charming tale of Lad's Love and Miss Meadow Sweet as their love blossoms amidst a garden filled with a kaleidoscope of flowers. Crane's masterful artistry brings each page to life, with intricate illustrations capturing the essence of every bloom.
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Part of the widespread reassessment of the foundations of the modern world in Europe, arguing that in Scotland, humanism and Calvinism made the moral function of scholarship a major debate, which shaped the course of the Enlightenment there. Distributed in the US by Columbia U. Press. Annotation copyright by Book News, Inc., Portland, OR