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With 1855-1927 are issued and bound: Handelingen van de algemeene vergadering.
Much has been written about Vincent van Gogh and his tempestuous relationship with his brother Theo. But few people know that there was a third Van Gogh brother, Cornelis, who was raised in the Netherlands, but worked, married and died in South Africa. The son of a Protestant minister, Cor spent his youth in a series of small Dutch towns, with idyllic holidays walking in the countryside with his artist brother, before troubles and tragedies beset the Van Gogh family. In 1889, the twenty-two-year-old Cor sailed to South Africa, where he worked as an engineer on the gold mines and on the railways. In the Anglo-Boer War he joined the Boers, first as a railway engineer and later on commando in the Free State, where in 1900 he suffered a fate that echoed his famous brother’s tragic end. The Unknown Van Gogh recreates South Africa in the tumultuous last decade of the nineteenth century; reconstructs the personal story of a young immigrant from letters and other archival documents; and explores his relationship with his famous brother Vincent. With new insights based on original research, this book uncovers a figure who has been forgotten by history.
Presents a new approach to heritage formation in Asia, conveying the power of the material remains of the past.
Bibliopolis is an electronic national history of the printed book in the Netherlands, presented by the Koninklijke Bibliotheek. All kinds of subjects are addressed: printing presses, bookbinders, schoolbooks, book burnings, bookshops, hawking, illustrations, publishing companies, readers and newspapers. Text and illustrations are derived from the electronic Bibliopolis system.
Nelson P. Springer and A. J. Klassen edited these two volumes which list information on writings by Mennonites and about Mennonites from 1631 to 1961. Includes more than 28,000 entries totaling 1,176 pages. Catalogs material published over the centuries in North America, Europe, Latin America, Asia, and Africa.
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.