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Examines gender issues that appear in the heroic epics Nibelungenlied, Diu Dlage, and Kudrun, all of which revolve around women. Reviews the conventional scholarship, and discusses property and power, intimate conversations and political strategies, Teuton as Amazon, sovereignty and class, and other topics. Annotation copyright by Book News, Inc., Portland, OR
As the co-owner of The Rose in Bloom, Audrey Bloom creates magnificent flower arrangements for brides to be. Though helping to plan a wedding can be stressful, it’s nothing compared to the groom turning up dead. A designer of eye-catching bridal bouquets—many of them based on the Victorian meanings behind each flower—Audrey Bloom is used to celebrations that end with happily ever after. In fact, every couple she’s worked with is still together, living in wedded bliss. But her perfect record is about to be broken. Her childhood friend Jenny Whitney has reeled in the most eligible bachelor in Ramble, Virginia, and she’s hired Audrey to design the bouquet. But before Jenny can walk down the aisle clutching her blend of anemone, scabious, and pussy willow (a floral disaster in Audrey’s mind), the groom is found dead—sprinkled with bits of a bouquet. This is bad for business—not to mention for Jenny, who has become the prime suspect. So Audrey decides to do a little digging herself, hoping she won’t be the next Ramble resident pushing up daisies…
She can't skip town until her aunt makes it to the altar. When a killer crashes the party, can she save the bride-to-be from honeymooning in jail?Glory Wells thinks her life can't get much worse after her con artist husband runs away with her money and her pride. Low on self-respect and high on misery, she reluctantly returns to her small hometown for her eccentric aunt's fourth trip down the aisle. But she finds herself in hot oil when the wedding planner is discovered dangling from the ship's mast like the fresh catch of the day.With her food-loving aunt as the prime suspect, Glory sets out to cook up the truth. But a pirate-themed wedding, a bedazzled chicken, and a zany cast of characters from her past may be a recipe for disaster. And as Glory struggles to manage this homicidal mutiny, the culprit simmers frighteningly close to home.Can she pick up the pieces of her life, survive two weeks of Southern-fried family time, and solve the puzzle before she's the next overcooked victim?The Bride and Doom is the hilarious first entry in the Wedding Crashers humorous mystery series. If you like outrageous hijinks, small-town gossip, and a sprinkle of Southern charm, you'll love this lighthearted whodunit.
JO LAROUCHE HAS lived her 13 years in the California desert with her Aunt Lily, ever since she was dropped on Lily’s doorstep with this note: This is Jo. Please take care of her. But beware. This is a dangerous baby. At Lily’s annual Christmas costume party, a variety of strange events take place that lead Jo and Lily out of California forever—and into the mysterious, strange, fantastical world of Eldritch City. There, Jo learns the scandalous truth about who she is, and she and Lily join the Order of Odd-Fish, a collection of knights who research useless information. Glamorous cockroach butlers, pointless quests, obsolete weapons, and bizarre festivals fill their days, but two villains are controlling their fate. Jo is inching closer and closer to the day when her destiny is fulfilled, and no one in Eldritch City will ever be the same.
Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire, a satirical tale from the mind of Sunday Times bestselling writer Neil Gaiman, has been strikingly adapted for the first time by illustrator and comic book artist Shane Oakley. For fans of Alan Moore, Dave McKean and Sandman... SOMEWHERE IN THE NIGHT, A RAVEN CAWS, AN AUTHOR'S PEN SCRATCHES AND THUNDER CLAPS. The author wants to write serious non-fiction: stories about frail women in white nightgowns, mysterious bumps in the night and the undead rising to collect old debts. But he keeps getting interrupted by the everyday annoyances of talking ravens, duels to the death and his sinister butler.
Doomed to Fail explores the heaviest music the world has ever heard, tracing doom, sludge, and post-metal as their own distinct (and incredibly loud) traditions. Anselmi covers the bands and musicians that have impacted those styles most--Black Sabbath, Candlemass, Melvins, Eyehategod, Godflesh, Neurosis, Saint Vitus, and many others--while diving into the cultural doom that has spawned such music, from the bombing of Birmingham and hurricane devastation of New Orleans to glaring economic inequality, industrial alienation, climate change, and widespread addiction. Along the way, Anselmi interweaves the musical experiences that have led him to proudly identify as one of the doomed.
Eleven year-old Wyatt Flynn had something amazing happen to him: he got superpowers! The only problem? Wyatt got his superpowers totally by mistake and his dad thinks he's too young to have superpowers. Plus his dad also worries what would happen if everyone found out ... so he makes Wyatt hide them. In graphic novel format.
The study takes the received view among scholars that women in the Middle Ages were faced with sustained misogyny and that their voices were seldom heard in public and subjects it to a critical analysis. The ten chapters deal with various aspects of the question, and the voices of a variety of authors - both female and male - are heard. The study opens with an enquiry into violence against women, including in texts by male writers (Hartmann von Aue, Gottfried von Straßburg, Wolfram von Eschenbach) which indeed describe instances of violence, but adopt an extremely critical stance towards them. It then proceeds to show how women were able to develop an independent identity in various genres and could present themselves as authorities in the public eye. Mystic texts by Hildegard of Bingen, Marie de France and Margery Kempe, the medieval conduct poem known as Die Winsbeckin, the Devout Books of Sisters composed in convents in South-West Germany, but also quasi-historical documents such as the memoirs of Helene Kottaner or Anna Weckerin's cookery book, demonstrate that far more women were in the public gaze than had hitherto been assumed and that they possessed the self-confidence to establish their positions with their intellectual and their literary achievements.