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(Book). Professional harpist Anne Roos draws upon her years of experience working with wedding planners and brides to guide the reader every step of the way to becoming a successful wedding musician. Readers will also get insider advice from internationally recognized wedding planning professionals, comprehensive worksheets, and checklists that provide all they need to know to plan their business and performances, and even sheet music arrangements of traditional wedding music. This is a must-have book for musicians and bands who want to keep their calendar full with high-paying wedding ceremonies and receptions.
The Pocket Idiot s Guide to Being the Father of the Bride, Second Edition, covers everything every bride s father needs to know to make it from engagement to honeymoon with his sanity – and, if he s lucky, his wallet – intact. As a book that will likely be purchased by the bride-to-be or her mother, this book is written with the interests of the bride in mind. Coverage will include: • •Viewing the wedding from your daughter s point of view. •Wedding-speak translator: from calligraphy to tussy-mussies – what is this stuff? •Show me the money: who pays for what? •Traditional father-of-the-bride roles and responsibilities. •Dealing with stress and resolving conflict. •The fine art of compromise. •Blended families: from seating to snapshots, fathers, stepfathers, the ex-wife and other problems. •Meet the parents: tradition and etiquette when dealing with future in-laws. •Fine frocks: the most up-to-date information about what to wear on wedding day. •Wedding day duties: from the receiving line to the father-daughter dance.
Yus and Kelly first meet as Malaysian scholarship students – he a college sophomore, she a prep student – in California, USA. Challenged by a friend, Yus pursues Kelly. His interest in her is superficial: he’s always after looks and money. Kelly by the way has a great body. Moreover, as Yus is always in debt, her more generous allowance affords him an avenue to borrow money. The two remain together until Yus loses his scholarship and is forced to part ways with Kelly. Too late for him, he discovers his feelings for her aren’t skin deep. Years later, they reconnect in Kuala Lumpur. Yus’s love for Kelly remains strong and so he attempts to ruin her marriage to win her back. (Buku Fixi)
Sensible answers to essential premarital questions are answered in a guide for mothers trying to survive their daughter's wedding, including hilarious anecdotes, practical advice, and information and tips on reception preparation, ceremony protocol, and more. 40,000 first printing.
A whimsical but practical guide for the prospective bridesmaid covers everthing from how to throw the perfect bridal shower to the best ways to support the bride on her wedding day.
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A comprehensive, full-color guide to planning a wedding The average engagement lasts for eighteen months. During that time the bride and groom will most certainly stress over every last detail to make their Big Day the most Perfect Day. The Bridal Bible is the bride’s new best friend as it helps the couple navigate their way through the world of invitation designs, ceremony styles, cake flavors, flower bouquets, and much, much more. The only book you need to plan a wedding, The Bridal Bible offers up an abundance of expert information complete with helpful tips on stress-free planning and step-by-step DIY information and tops it off with stunning visuals and photo galleries that will both inspire and educate the new couple as they make their journey to the altar.
Most people visit the Sunshine State for its theme parks and beaches, but there is another side to Florida, an underbelly few tourists ever see, a periphery most residents know about but--out of decorum or discomfort--prefer not to discuss. In Fringe Florida, Lynn Waddell explores the frequently exotic, often sensational, and sometimes illicit worlds of the oddest state in the nation. Waddell takes the reader on a colorful journey to meet the most unconventional of Floridians in unbelievable and spectacular places. At Fetish Con, she befriends furries and pony girls. She travels to Cassadaga, the oldest active Spiritualist community in the South, where trained mediums converse with the dead, and to the Holy Land Experience theme park in Orlando, where one can eat a hot dog while watching a reenactment of the Crucifixion. She interviews the founder of the Leather & Lace Motorcycle Club, a Daytona Beach-area grandmother who hosts the club's annual gathering at her subdivision home where scores of lady bikers camp out on her lawn. At an Animal Amnesty Day outside Busch Gardens, Waddell meets exotic reptile owners who give up their beloved-but no-longer-manageable pets and others who vie to take home the cast-offs. If you've ever wanted to parade around on a pimped-out swamp buggy amidst a couple thousand beer-swigging mud boggers or fall asleep with a python hissing in your ear, been tempted to bring a Capuchin monkey in a stroller to a Little League game, or contemplated sitting on the beach waiting to be picked up by a UFO but couldn’t quite bring yourself to such extremes, Fringe Florida is for you.
For Elena del R�o, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also constitutes a critique of the socio-moral system that produces (in every sense of the word) such violence. Drawing inspiration from Deleuze's ethics of immanence, Spinoza's ethology of passions and Nietzsche's typology of forces, The Grace of Destruction examines the affective extremities common in much of global, contemporary cinema from the affirmative perspective of vital forces and situations-extremities such as moral/religious oppression, biopolitical violence, the pain involved in gender relations, the event of death and planetary extinction. Her analysis diverges from the current literature on extreme cinema through its selection of films, which include key international examples, and through its foregrounding of relational, affective politics over representations of sexuality and graphic violence. Detailed formal and philosophical analyses of films like The White Ribbon, Dogville, Code Unknown, Battle in Heaven, Sonatine, Fireworks, Dolls, Takeshis', Inland Empire and Melancholia are meant to move us away from the moral appraisal of violence and destruction, and to compose an ethological philosophy of cinema based on Deleuze's idea that, ?when truth and judgment crumble, there remain bodies, which are... nothing but forces.?
Joel Edward Goza dismantles the deep-seated myths that perpetuate white supremacy—and makes the case that reparations are necessary to heal America’s racial wounds and live up to our democratic ideals. Like many well-intentioned white people, Goza once believed that he could support Black America’s struggle for equality without supporting reparations. Reparations, he thought, were altogether irrelevant to the real work of racial justice. This is a book about why he was wrong. In fact, any effort to heal our nation’s wounds will fail without reparations. In Rebirth of a Nation, Goza exposes lesser-known aspects of racism in American history and how Black people have consistently been depicted as responsible for their own oppression to justify slavery, Jim Crow, mass incarceration and gross inequality. Goza’s iconoclastic and incisive account exposes how revered figures like Thomas Jefferson and Abraham Lincoln embedded white supremacy deep into our nation’s consciousness—and how Ronald Reagan manipulated this ideology so that society cheered as he advanced a set of policies that wounded our nation and intensified Black America’s suffering. But Rebirth of a Nation is not merely about accountability. It is also about hope. A reparations process is not a utopian dream; Goza offers a practical path toward closing the racial wealth gap. Rebirth of a Nation shows readers how they can join the reparative process, working toward the creation of a more perfect union.