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An American journalist is trapped in Nazi Germany in this variation on the Sleeping Beauty theme.
Briar Rose believes in fairy tales . . . And now, because of a family curse, she’s living one. Doomed to fall asleep for one hundred years on her sixteenth birthday, Briar has woken up in the darkest, most twisted fairy tale she could ever have dreamed of – miles away from the safe, boring small-town life that she has left behind. Briar must fight her way out of the story, but she can’t do it alone. She always believed in handsome princes, and now she’s met one her only chance is to put her life in his hands, or there will be no happy ever after and no waking up . . .
When the steely, practical Captain Lionel Redmayne is shot by unknown killers and left for dead, Rhiannon Fitzgerald finds him and takes him back to her ramshackle gypsy cart to help him heal. As Redmayne's confinement continues, the two attempt to ferret out the would-be killers --and find themselves falling head over heels in love.
An allegorical retelling of Sleeping Beauty. It features a princess who dreams of a succession of kissing princes, and a fairy who inhabits her dreams, regaling her with legends of other sleeping beauties. A look at the power of romantic desire.
Ugly Lady Briar, beautiful Princess Rose, and Jack plot the downfall of the evil giant who plagues their kingdom while the girls face a curse that only true love can break.
Praised by Robbie Robertson of The Band as "a classic & a ticket to ride," The Rose & the Briar assembles an astonishing group of writers and artists: Paul Muldoon, Stanley Crouch, R. Crumb, Jon Langford of the Mekons, Sharyn McCrumb, Luc Sante, Joyce Carol Oates, Dave Marsh, and more than a dozen other novelists, essayists, performers, and critics; to explore the ineffable power of the American ballad. From "Barbara Allen" through "The Wreck of the Old 97" to contemporary ballads by Bob Dylan and Bruce Springsteen, The Rose & the Briar is, as Geoffrey O'Brien hailed in the Los Angeles Times Book Review, "a book full of internal echoes and provocative coincidences," featuring "historical investigation, shamanistic trance-journey, memoir, novella and cartoon," where "names and costumes change, soldiers become cowboys, demon lovers become backwoods murderer; the voices are unmistakably distinct but they share a common ground."
Amy Carmichael wrote Rose from Brier after reflecting that most books of comfort for sick people are written by the well and so miss their mark. Since pain is not always physical, this is a book for all who suffer, as it has been written by the ill, for the ill.
She’s a healer, but a broken church and a broken heart are beyond her skill With the dissolution of the monastery that has been the center of her life imminent, Kate Cressy can’t help but resent Matthew Hartwell, the man sent to her father’s house to value every item of furniture, and his particular attention to her. Without the abbey, she will soon be homeless, and a visit from King Henry VIII himself makes her divided loyalty even more painful. Her one comfort is that among the courtiers will be her secret suitor, Amyas. When Matthew Hartwell bravely saves the King’s life, Kate is called up for her knowledge of healing to aid him. She prefers the sunny charm of Amyas to the dark serious nature of the man who fate keeps putting in her path, but her life is destined to change whatever her choice… A sweet and clean Tudor romance with fascinating historical depth, this story of everyday life in tumultuous religious times will delight fans of Georgette Heyer and Philippa Gregory.
Jules is recovering from a recent failure when her mysterious uncle makes her an offer she can't refuse: restore his bed and breakfast the Briar Rose.When Jules inherits the Briar Rose bed and breakfast from her strange and mysterious uncle, she thinks it will be the opportunity of a lifetime for her and her husband, Paul. But Jules and Paul soon discover that the Briar Rose holds many secrets: one of them about the murders that took place a year prior, when two of the guests never checked out.
This edition contains the English translation and the original text in German. "Sleeping Beauty" (French: "La Belle au bois dormant" - "The Beauty Sleeping in the Wood") by Charles Perrault or "Little Briar Rose" (German: "Dornröschen") by the Brothers Grimm is a classic fairy tale involving a beautiful princess, a sleeping enchantment, and a handsome prince. The version collected by the Grimms was an orally transmitted version of the originally literary tale published by Charles Perrault in "Histoires ou contes du temps passé" in 1697. This in turn was based on Sun, Moon, and Talia by Giambattista Basile (published posthumously in 1634), which was in turn based on one or more folk tales. The earliest known version of the story is Perceforest, composed between 1330 and 1344 and first printed in 1528. "Dornröschen" ist ein Märchen (ATU 410). Es steht in den Kinder- und Hausmärchen der Brüder Grimm ab der 1. Auflage von 1812 an Stelle 50 (KHM 50) und geht durch mündliche Weitergabe über Marie Hassenpflug auf Charles Perraults "La belle au bois dormant" ("Die schlafende Schöne im Wald") zurück. Bei Perrault erschien es 1697 in Contes de ma Mère l'Oye und vorher 1696. Ludwig Bechstein übernahm das Märchen in sein Deutsches Märchenbuch als "Das Dornröschen" (1845 Nr. 63, 1853 Nr. 52).