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This book contains the synopses and reviews of the darkest films in Brian Yuzna’s filmography. The movies are ranked.
 The birth and rise of popular Italian cinema since the early 1950s can be attributed purely to necessity. The vast number of genres, sub-genres, currents and crossovers and the way they have overlapped, died out or replaced each other has been an attempt, in postwar years, to contain the invasion of U.S. product while satisfying the demands the American industry had created in Italy. The author explores one of the most multi-faceted and contradictory industries cinema has ever known through the careers of those most closely associated with it. His recorded interviews were conducted with directors and actors both well-known and upcoming.
Controversial yet beloved among audiences, Christmas-themed horror movies emerged in the early 1970s and gained a notorious reputation with Silent Night, Deadly Night (1984), depicting Santa as an ax-wielding maniac. Some parents and conservative groups condemned the film, while others embraced the portrayal of Yuletide as a backdrop for fear and dread. Drawing on interviews with directors, producers, special effects artists, photographers and actors, this book celebrates the sordid, colorful history of the Christmas horror subgenre. Psycho Santa films such as Christmas Evil (1980) and 3615 code Pere Noel (1989) are examined, along with "Yule-Die" slashers like The Dorm that Dripped Blood (1982), Black Christmas (1974) and Silent Night, Bloody Night (1972). Commercial successes like Gremlins (1984) and Rare Exports: A Christmas Tale (2010) are covered, as well as more recent releases such as Better Watch Out (2016), Red Christmas (2016) and Deathcember (2019). Rare photographs, promotional materials and an annotated filmography are provided.
This book contains the synopses and reviews of the darkest films in Stuart Gordon’s filmography. The movies are ranked.
What makes a cult filmmaker? Whether pioneering in their craft, fiercely and undeniably unique, or critically divisive, cult filmmakers come in all shapes and guises. Some gain instant fame, others instant notoriety, and more still remain anonymous until a chance change in fashion sees their work propelled into the limelight. Cult Filmmakers handpicks 50 notable figures in the world of cinema and explores the creative genius that earned them the 'cult' label, while celebrating the movies that made their names. The book features both industry heavyweights like Tim Burton and David Lynch to the strange and surreal imaginings of filmmakers such as Alejandro Jodorowsky and Ana Lily Amirpour. Discover the minds behind such beloved features as Melancholia, Easy Rider, Lost in Translation and more. From little knowns with small, devout followings, to superstars walking the red carpet, each is special in their individuality and their ability to inspire, antagonise and delight. Cult Filmmakers is an essential addition to any film buff's archive, as well as an entertaining introduction to the weird and wonderful world of cinema. The filmmakers: Ana Lily Amirpour, Kenneth Anger, Gregg Araki, Darren Aronofsky, Mario Bava, Kathryn Bigelow, Anna Biller, Lizzie Borden, Tim Burton, John Carpenter, Park Chan-Wook, Benjamin Christensen, Vera Chytilova, Sofia Coppola, Roger Corman, Alex Cox, David Cronenberg, Claire Denis, Amat Escalante, Abel Ferrara, Georges Franju, Lucio Fulci, Terry Gilliam, Lucile Hadzihalilovic, Dennis Hopper, King Hu, Jim Jarmusch, Jean-Pierre Jeunet, Alejandro Jodorowsky, Harmony Korine, Barbara Loden, David Lynch, Guy Maddin, Russ Meyer, Oscar Micheaux, Takashi Miike, Gaspar Noe, Gordon Parks, George A. Romero, Ken Russell, Susan Seidelman, Seijun Suzuki, Larisa Shepitko, Quentin Tarantino, Melvin van Peebles, Lars von Trier, John Waters, Nicolas Winding Refn, Edward D. Wood Jr., Brian Yuzna.
This book contains the synopses and reviews of the darkest movies in the filmography of ten legendary masters of terror: Stephen King, Wes Craven, Clive Barker, John Carpenter, George A. Romero, Tobe Hooper, Charles Band, Brian Yuzna, Lloyd Kaufman, and Stuart Gordon. The movies are ranked.
Participants: Lindsey Adelman, Laurie Anderson, Ei Arakawa/Aki Takahashi/Sergei Tcherepnin, Aranda/Lasch, Carlos Benaim, Best Made Company®, Zach Blas, Other Means, Blue Bottle Coffee, Scott Bodenner, Boxart Inc., Boym Partners Inc., The Brasslab, Lady Bunny, A.K. Burns & Katherine Hubb, Rafael de Cárdenas / Architecture at Large, Aisen Caro Chacin, Joseph Cavalieri, Chen Chen & Kai Williams, Nicole Cherubini, Ryan Matthew Cohn, Tommy Coleman, CONFETTISYSTEM, Keetra Dean Dixon & JK Keller, Mark Dion, Faye Driscoll, Miriam Ellner, The, Extrapolation Factory, Karen Finley, Ben-Gal founder of FLATCUT_, Flavor Paper, Fodera Guitars, Fort Standard, FPOAFM Studios, Fredericks & Mae, Benjamin Fredrickson, David Galbraith, Brett Ginsburg, Charles Goldman,Marvin Goldman, Phil Groman, Surya Mattu, Robin Reid, and Federico Zannier, Harriet Rosebud, John Hatleberg, Paula Hayes, H E I D I L E E (Heidi Lee), Hood by Air, Natalie Jeremijenko, J&M Special Effects,Misha Kahn, Victoria Keddie, Kings County Distillery, Ana Kraš, Steven & William Ladd, Jeffrey Landman, Eckhaus Latta, Let There Be Neon, littleBits, Phillip Low, Martinez Hand Rolled Cigars, Ohad Meromi, Les Métalliers Champenois Corp., Metropolitan Opera, MILGO/BUFKIN and Haresh Lalvani, Marilyn Minter, Donald Moffett, Meredith Monk, Arnaldo Morales, Raúl De Nieves, Michele Oka Doner, papabubble New York, Sally Ann Parsons, Chris Pellettieri, Gaetano Pesce, Jason Polan, Ralph Pucci, Isa Rodrigues, Jason Sapan, Miriam Simun, SITU Studio, Spectacle Theater, Specular, Jesse Hlebo / Swill Children, Ginger Brooks Takahashi, Lower East Side Printshop/Hank Willis Thomas, Thunder Horse Video, Elaine Tin Nyo, UM Project, Amanda Wachob, Leslie Wayne, Richard Webber, Sylvia Weinstock, Welcome to Night Vale, Paul Wong / Dieu Donné, Caroline Woolard and BFAMFAPhD, Naomi Yasuda, Yemenwed, YOKO ONO PLASTIC ONO BAND, Jeff Zimmerman, Or Zubalsky
The "Phantom of the Movies", aka Joe Kane, has been avidly watching "B" movies since the 1960s and chronicling their mainstreaming over the past decade. His new book contains 3,000 reviews of thrillers and action flicks, horror, camp and comedy classics, sexploitation, sci-fi, and westerns, and incorporates exclusive celebrity interviews with genre heavyweights Gary Oldham, Jackie Chan, and Pamela Grier, and directors John Waters and Wes Craven. 100 illustrations.
The horror genre harbors a number of films too bold or bizarre to succeed with mainstream audiences, but offering unique, startling and often groundbreaking qualities that have won them an enduring following. Beginning with Victor Sjostrom's The Phantom Carriage in 1921, this book tracks the evolution and influence of underground cult horror over the ensuing decades, closing with William Winckler's Frankenstein vs. the Creature from Blood Cove in 2005. It discusses the features that define a cult film, trends and recurring symbols, and changing iconography within the genre through insightful analysis of 88 movies. Included are works by popular directors who got their start with cult horror films, including Oliver Stone, David Cronenberg and Peter Jackson.
If blockbusters make money no matter how bad they are, then why not make a good one for a change? How can 3-D be the future of cinema when it's been giving audiences a headache for over a hundred years? Why pay to watch films in cinemas that don't have a projectionist but do have a fast-food stand? And, in a world where Sex and the City 2 was a hit, what are film critics even for? Outspoken, opinionated and hilariously funny, The Good, The Bad and The Multiplex is a must for anyone who has ever sat in an undermanned, overpriced cinema and wondered: 'How the hell did things get to be this terrible?'