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This volume is a guide to the legacy of the philosophical work of Jean-Luc Marion. A leading phenomenologist and philosopher of religion, Marion’s work addresses questions on the nature and knowledge of God, love, consciousness, art, psychology, and spirituality. Here, leading Marion scholars explain the development of his key concepts, while critically mining the philosopher’s ideas for relevant implications and applications to contemporary issues in various fields of study, including philosophy, theology, art, psychology and literature. The first volume to cover Marion’s wider corpus, this book opens with an original essay by Marion himself, and goes on to present a comprehensive view of Marion’s ideas. Though largely anchored in philosophy, the essays are interdisciplinary and explore the various questions central to Marion’s work, including the visibility and invisibility of God, the constitutive force of the horizon of consciousness, the gift and givenness, eroticism and love, art and painting, psychology, literature, memory, iconography, and spirituality.
This book explores the threshold between phenomenology and lived religion in dialogue with three French luminaries: Michel Henry, Jean-Luc Marion, and Jean-Yves Lacoste. Through close reading and critical analysis, each chapter touches on how a liturgical and ritual setting or a spiritual vision of the body can shape and ultimately structure the experience of an individual’s surrounding world. The volume advances debate about the scope and limits of the phenomenological analysis of religious themes and disturbs the assumption that theology and phenomenology are incapable of constructive interdisciplinary dialogue.
Despite the accepted fact that a substantial part of the risk and return of any portfolio comes from asset allocation, we find today that the majority of investment professionals worldwide are focused on security selection. Multi-Asset Investing: A Practitioner’s Framework questions this basic structure of the investment process and investment industry. Who says we have to separate alpha and beta? Are the traditional definitions for risk and risk premium relevant in a multi-asset class world? Do portfolios cater for the ‘real risks’ in their investment processes? Does the whole Emerging Markets demarcation make sense for investing? Why do active Asian managers perform much poorer compared to developed market managers? Can you distinguish how much of a strategy’s performance comes from skill rather than luck? Does having a performance fee for your manager create alignment or misalignment? Why is the asset management transitioning from multi-asset strategies to multi-asset solutions? These and many other questions are asked, and suggestions provided as potential solutions. Having worked together for fifteen years, the authors’ present implementable solutions which have helped them successfully manage large asset pools. The Academic Perspective “Multi-Asset Investing asks fundamental questions about the asset allocation investment processes in use today, and can have a substantial impact on the future structure of the finance industry. It clarifies and distils the techniques that investment professionals need to master to add value to client portfolios.” —Paul Smith, President & CEO, CFA Institute “Pranay Gupta, Sven Skallsjo, and Bing Li describe the essential concepts and applications of multi-asset investing. Their treatment is far ranging and exceptionally lucid, and always with a nod to practical application. Buy this book and keep it close at hand.” —Mark Kritzman, MIT Sloane School of Management “Innovative solutions to some of the most difficult investment problems we are faced with today. Multi-asset Investing tackles investment issues which don’t have straight forward solutions, but nevertheless are faced by every investment professional. This book sets the standard for investment processes of all asset managers.” —SP Kothari, MIT Sloane School of Management The Asset Owner Perspective “Multi-asset means different things to different people. This is the first text that details a comprehensive framework for managing any kind of multi-asset investment problem. Further, its explanation of the commercial aspects of managing a multi-asset investment business for an asset manager, private bank or asset owner make it an indispensable tool” —Sadayuki Horie, Dy. Chairman - Investment Advisory Comm., Government Pension Investment Fund, Japan “Multi-Asset Investing shows the substantial scope there is to innovate the asset allocation process. With its novel approaches to allocation, portfolio construction and risk management it demonstrates the substantial value that can be added to any portfolio. The solutions proposed by Multi-Asset Investing are creative, thought provoking, and may well be the way all portfolios need to be managed in the future.” —Mario Therrien, Senior Vice President, Caisse de Depot et Placement du Quebec, Canada The Asset Manager’s Perspective “Never has astute asset allocation and diversification been more crucial than today. Asset Managers which are able to innovate their investment processes and products in this area, are more likely to be the winners. Multi-Asset Investing provides both simple and sophisticated, tested and implementable techniques for successfully managing multi-asset portfolios.” —Vincent Camerlynck, former CEO BNP Paribas Investment Partners, Asia Pacific The Investment Strategist Perspective “For plan sponsors, portfolio managers, analysts and risk managers, Multi-Asset Investing is an unparalleled guide for portfolio management. Its approach to blending the quantitative and fundamental, top-down and bottom up and the risk and return frameworks makes it a valuable tool for any kind of investment professional. It clarifies a complex subject into a series of practical ideas to help add value to any portfolio.” —Ajay S. Kapur, Chief Strategist, BOA Merrill Lynch Asia
“I’ll go as far as I need to and as high as I want, even if it means tearing through time and space so we can be together” In the world’s most sophisticated skyscraper on the island city of Galatea, people are taking blind ambition to a whole new level. Newly-crowned leader Augusta Maars rises from the dead to start a war she can’t win. Out-of-his-depth client journalist Max Relpek is dazzled by his own beauty. Starstruck student-with-a-secret Zayden Nero can’t bear to look into his past. And red rocket Alexis Straker’s been seeing Martian mist ever since she was fired. Now it’s the day after the election and these towering egos need to watch their steps to stay alive, as sinister forces human and artificial conspire to drive them all over the edge. The smartest will be those who learn to look down and deep within. For something truly out of this world is making its way to the top, and everyone’s vision will be getting a little stranger… In his thrilling second novel, Philip Parrish crafts a mind-bending story of art, adventure, automation and the distances people go in pursuit of power – and in the name of love.
Throughout the second half of the twentieth century, sacramental theology has evolved as a discipline advancing comprehensive theories of sacraments and sacramentality as integral to the Christian faith while also studying the history and theology of the particular rites. Now, in the twenty-first century, the need for attention to the actual performance and specific social settings of sacramental worship has become well established. This makes the work of sacramental theology necessarily engaged with multiple, cross-disciplinary theories attentive to particular contexts, whether local, national, or global. Still, the divine human encounter at the heart of Christian symbol and ritual likewise beckons to philosophical–theological reflection. The essays in this volume begin with profound philosophical perspectives on the personal and communal sacramental experience, expanding from traditional cosmology to evolutionary and chaos theories of our planetary existence, continuing with shifts, especially among youth, to interreligious and non-institutional perspectives, consideration of change in popular notions of guilt, and social–ethical issues in relation to liturgical theology and practice, so as finally to return to fundamental theological reflection on human sacramentality and divine revelation.
Slavoj Žižek’s critical engagement with Christian theology goes much further than his seminal The Fragile Absolute (2000), or his The Puppet and the Dwarf (2003), or even his discussion with noted theologian John Milbank in The Monstrosity of Christ (2009). His reading of Christianity, utilising his signature elements of Lacanian psychoanalysis and Hegelian philosophy with modern philosophical currents, can be seen as a genuinely original contribution to the philosophy of religion. This book focuses on these aspects of Žižek’s thought with either philosophy and cultural theory, or Christian theology, serving as starting points of enquiry. Written by a panel of international contributors, each chapter teases out various strands of Žižek’s thought concerning Christianity and religion and brings them into a wider conversation about the nature of faith. These essays show that far from being an outright rejection of Christian thought and intellectual heritage, Žižek’s work could be seen as a perverse affirmation thereof. Thus, what he has to say should be of direct interest to Christian theology itself. Touching on thinkers such as Badiou, Lacan, Chesterton and Schelling, this collection is a dynamic reading and re-reading of Žižek’s relationship to Christianity. As such, scholars of theology, the philosophy of religion and Žižek more generally will all find this book to be of great interest.
Anthropology revolves round answers to problems about the nature, development and unity of mankind; problems that are both philosophical and scientific. In this book, first published in 1984, Professor Jarvie applies Popper’s philosophy of science to understanding the history and theory of anthropology. Jarvie describes how the ancient view that the aim of science and philosophy was to get at the truth is challenged in anthropology by the doctrine of cultural relativism; that is, that truth varies with the cultural framework. He shows how philosophers as various as Peter Winch, W.V.O. Quine, W.T. Jones, Nelson Goodman and Richard Rorty were influenced by this doctrine. Yet these philosophers also accept the value of rational argument. Jarvie believes that there is a contradiction between relativism and any notion of human rationality that centres around argument. Forced by the contradiction to choose between rationality and relativism, he argues strongly that logical, scientific and moral considerations favour rationality and urge repudiation of relativism. The central argument of the book is that relativism is intellectually disastrous and has fostered intellectual attitudes from which anthropology still suffers.
A fully revised and updated new edition of the classic history of western America The newly revised second edition of this concise, engaging, and unorthodox history of America’s West has been updated to incorporate new research, including recent scholarship on Native American lives and cultures. An ideal text for course work, it presents the West as both frontier and region, examining the clashing of different cultures and ethnic groups that occurred in the western territories from the first Columbian contacts between Native Americans and Europeans up to the end of the twentieth century.
Interweaving art history, patristics, theology, and aesthetics, this original phenomenological study develops a fresh new approach to the icon.