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Read Along or Enhanced eBook: Turtle loves to dance and play the flute. But her exuberance puts her at risk when her music attracts the attention of a brave hunter who brings her home to make turtle stew. After she is caught, her only hope for escape is the hunter's children ... and her own wit. This folktale, first told by the indigenous people of Brazil, is now told throughout Latin America. Like the people of Latin America, Turtle always seems to survive any challenge by using her courage and wit. Beautiful watercolors radiant with the dense foliage and hardy wildlife of the Amazon rain forest, guides the reader through this timeless adventure story.
Provides folktales from Amazonian fishermen, hunters, lodgers, small plot farm gardeners, and villagers in Venezuela, Guyana, Brazil, Bolivia, Peru, Colombia and Ecuador. The kinds of tales are as follows: Tales of origin, Tales about anacondas and boas, Tales about dolphins and other Aquatic Seducers, Tales of beasts and Forest Defenders, Tales of dark and malevolent Shamans, Tales of Punishment for ill behavior, and Tales of special places, plants, and Birds.
Longlisted for the National Book Award for Translated Literature Urgent investigative essays covering a wide range of humanity in Brazil, from the Amazon to the favelas Eliane Brum is a star journalist in Brazil, known for her polyphonic writing that gives voice to people often underrepresented in popular literature. Brum’s reporting takes her into Brazil’s most marginalized communities: she visits the Amazon to understand the practice of indigenous midwives, stays in São Paulo’s favelas to witness the joy of a marriage and the tragedy of young men dying due to drugs and guns, and wades through the mud to capture the boom and bust of modern-day gold rushes. Brum is an enormously sensitive and perceptive interlocutor, and as she visits these places she provides intimate glimpses into both everyday and extraordinary lives: a poor father on the way to bury his son, a street performer who eats glass, a woman living out her final 115 days, and a hoarder rescuing the “leftover souls” of the city. The Collector of Leftover Souls showcases the best of Brum’s work from two books, combining short profiles with longer reported pieces. These vibrant missives range across current issues such as the human cost of exploiting natural resources, the Belo Monté Dam’s eradication of a way of life for those on the banks of the Xingu River, and the contrast between urban centers and remote villages. Told in the vibrant and idiomatic language of the people Brum writes about, The Collector of Leftover Souls is a vital work of investigative journalism from an internationally acclaimed author.
This early work by Arthur Conan Doyle was originally published in 1898 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'The Brazilian Cat' is a short story about an enormous and captivating black cat. Arthur Conan Doyle was born in Edinburgh, Scotland, in 1859. It was between 1876 and 1881, while studying medicine at the University of Edinburgh, that he began writing short stories, and his first piece was published in 'Chambers's Edinburgh Journal' before he was 20. In 1887, Conan Doyle's first significant work, iA Study in Scarlet', appeared in 'Beeton's Christmas Annual'. It featured the first appearance of detective Sherlock Holmes, the protagonist who was to eventually make Conan Doyle's reputation. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
A brave young princess sets out on a dangerous adventure to rescue both her mother and her baby son in this traditional tale from Brazil new in our series of first chapter books for early readers. AGES: 6+ AUTHOR: Mary Finch has loved folk and fairy stories since she was a child. She has also written 'The Little Red Hen' and 'The Three Billy Goats Gruff' for Barefoot Books. She has two daughters and two grandchildren, and lives in Bath, UK. ILLUSTRATOR Martina Peluso was born and grew up in Naples, Italy and now lives in Scotland. She's wanted to be an illustrator since childhood, and dreams of opening windows onto the world with her drawings and paintings. This is her first project with Barefoot Books. SELLING POINTS: * Brazilian folktale: traditional Brazilian story brought to life against lush rainforest background * Strong women: princess stories series features clever, courageous princesses of all kinds from cultures around the world * Multigenerational: tale spans three generations and celebrates family bonds * Early reader series: carefully chosen vocabulary and simple sentences, combined with vibrant and fun illustrations, ease emerging readers into the world of chapter books Colour illustrations
The fairy tales and legends of olden China have in common with the "Thousand and One Nights" an oriental glow and glitter of precious stones and gold and multicolored silks, an oriental wealth of fantastic and supernatural action. And yet they strike an exotic note distinct in itself. The seventy-three stories here presented after original sources, embracing "Nursery Fairy Tales," "Legends of the Gods," "Tales of Saints and Magicians," "Nature and Animal Tales," "Ghost Stories," "Historic Fairy Tales," and "Literary Fairy Tales," probably represent the most comprehensive and varied collection of oriental fairy tales ever made available for American readers. There is no child who will not enjoy their novel color, their fantastic beauty, their infinite variety of subject. Yet, like the "Arabian Nights," they will amply repay the attention of the older reader as well. Some are exquisitely poetic, such as "The Flower-Elves," "The Lady of the Moon" or "The Herd Boy and the Weaving Maiden"; others like "How Three Heroes Came By Their Deaths Because Of Two Peaches," carry us back dramatically and powerfully to the Chinese age of Chivalry. The summits of fantasy are scaled in the quasi-religious dramas of "The Ape Sun Wu Kung" and "Notscha," or the weird sorceries unfolded in "The Kindly Magician." Delightful ghost stories, with happy endings, such as "A Night on the Battlefield" and "The Ghost Who Was Foiled," are paralleled with such idyllic love-tales as that of "Rose of Evening," or such Lilliputian fancies as "The King of the Ants" and "The Little Hunting Dog." It is quite safe to say that these Chinese fairy tales will give equal pleasure to the old as well as the young. They have been retold simply, with no changes in style or expression beyond such details of presentation which differences between oriental and occidental viewpoints at times compel. It is the writer's hope that others may take as much pleasure in reading them as he did in their translation.
The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by João Guimarães Rosa. The remaining 34 authors include Mário de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry. The anthology is divided into four major periods, "Tropical Belle-Époque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mário de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubião), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nélida Piñón), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.