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In 1939, Brazil seemed a world away from the chaos overtaking Europe. Yet despite its bucolic reputation as a distant land of palm trees and pristine beaches, Brazil’s natural resources and proximity to the United States made it strategically invaluable to both the Allies and the Axis alike. As acclaimed historian Neill Lochery reveals in The Fortunes of War, Brazil’s wily dictator Getúlio Dornelles Vargas keenly understood his country’s importance, and played both sides of the escalating global conflict off against each other, gaining trade concessions, weapons shipments, and immense political power in the process. Vargas ultimately sided with the Allies and sent troops to the European theater, but not before his dexterous geopolitical machinations had transformed Rio de Janeiro into one of South America’s most powerful cities and solidified Brazil’s place as a major regional superpower. A fast-paced tale of diplomatic intrigue, The Fortunes of War reveals how World War II transformed Brazil from a tropical backwater into a modern, global power.
In the English-speaking world, it is generally unknown that a volunteer Brazilian Expeditionary Force (FEB) fought alongside the US Army in Italy from mid-1944 until the end of the war. This was in effect a light infantry division, consisting of three infantry regiments augmented with artillery and light armour. It was supported by a Brazilian Air Force contingent of a light reconnaissance squadron as well as a P-47 Thunderbolt-equipped fighter squadron. Although all weapons, uniform, kit and equipment were either American-supplied or American models, there were distinctive Brazilian adaptations to uniforms and other key pieces of kit. This is a seriously researched volume on a little-studied subject matter complete with a range of previously unpublished photographs and specially commissioned artwork plates.
DIVExamines the role of the Brazilian government as it attempted to create a national culture during a fifteen-year period of authoritarian cultural management./div
"This book compares the U.S. Civil War to the Paraguayan War of 1864-70, particularly with regard to the wars' impact on state-building and race relations"--Provided by publisher.
The War of the Triple Alliance is the largest single conflict in the history of South America. Drawing Argentina, Brazil, Uruguay and Paraguay into conflict the war was characterized by extraordinarily high casualty rates, and was to shape the future of an entire continent – depopulating Paraguay and establishing Brazil as the predominant military power. Despite the importance of the war, little information is available in English about the armies that fought it. This book analyzes the combatants of the four nations caught up in the war, telling the story of the men who fought on each side, illustrated with contemporary paintings, prints, and early photographs.
In this history of right-wing politics in Brazil during the Cold War, Benjamin Cowan puts the spotlight on the Cold Warriors themselves. Drawing on little-tapped archival records, he shows that by midcentury, conservatives--individuals and organizations, civilian as well as military--were firmly situated in a transnational network of right-wing cultural activists. They subsequently joined the powerful hardline constituency supporting Brazil's brutal military dictatorship from 1964 to 1985. There, they lent their weight to a dictatorship that, Cowan argues, operationalized a moral panic that conflated communist subversion with manifestations of modernity, coalescing around the crucial nodes of gender and sexuality, particularly in relation to youth, women, and the mass media. The confluence of an empowered right and a security establishment suffused with rightist moralism created strongholds of anticommunism that spanned government agencies, spurred repression, and generated attempts to control and even change quotidian behavior. Tracking how limits to Cold War authoritarianism finally emerged, Cowan concludes that the record of autocracy and repression in Brazil is part of a larger story of reaction against perceived threats to traditional views of family, gender, moral standards, and sexuality--a story that continues in today's culture wars.
"Detailed study of the political, economics, and social changes carried out by Brazil's twenty-year military regime, in the context of a South American era of military rule during the Cold War"--Jacket flap.
An apocalyptic prophet in the Brazilian backlands creates the state of Canudos. In it there is no money, property, marriage, income tax, decimal system, or census.
From the first encounters between the Portuguese and indigenous peoples in 1500 to the current political turmoil, the history of Brazil is much more complex and dynamic than the usual representations of it as the home of Carnival, soccer, the Amazon, and samba would suggest. This extensively revised and expanded second edition of the best-selling Brazil Reader dives deep into the past and present of a country marked by its geographical vastness and cultural, ethnic, and environmental diversity. Containing over one hundred selections—many of which appear in English for the first time and which range from sermons by Jesuit missionaries and poetry to political speeches and biographical portraits of famous public figures, intellectuals, and artists—this collection presents the lived experience of Brazilians from all social and economic classes, racial backgrounds, genders, and political perspectives over the past half millennium. Whether outlining the legacy of slavery, the roles of women in Brazilian public life, or the importance of political and social movements, The Brazil Reader provides an unparalleled look at Brazil’s history, culture, and politics.
In Brazil, the United States, and the Good Neighbor Policy: The Triumph of Persuasion during World War II, Alexandre Busko Valim studies the use of cinema in Brazil as an instrument of political persuasion by the United States during the period of the so-called Good Neighbor policy during World War II by examining extensive documentation found in the National Archives in College Park, Maryland. In doing so, Valim demonstrates the modus operandi of media imperialism: its mapping strategies and control of the market, its actions, and its objectives of domination. When thinking about the place of images as a means of convincing and imposing an ideological project, the author notes the methods necessary to examine this relationship between art and politics, a problem that is central in the contemporary world. Scholars of Latin American Studies, international relations, history, political science, and media studies will find this book particularly useful.