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Brave Dave the Platypus is the bush animals hero, nothing is too much trouble or dangerous for Our Dave. He always comes up with inventive ideas to solve the problems, that the animals who live near the waterfall, often get themselves into. In this book, Scud the water rat, in a freak accident during the flood, is trapped under a log in the creek. Can Brave Dave save him in time?
Brave Dave the Platypus is the bush animals Hero, nothing is too much trouble or too dangerous for Our Dave. He always comes up with inventive ideas to solve the problems that the animals who live near the waterfall often get themselves into. In this book Little Pete the turtle floats over the waterfall while he is asleep. Can Brave Dave get him back to his family who live above the waterfall? How will Brave Dave do it? Discover how Brave Dave always helps others in need.
Chronicles the life of Dave, a nineteenth-century slave who went on to become an influential poet, artist, and potter.
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Platypus Police Squad: The Frog Who Croaked is the first in a series of zany, action-packed middle grade mysteries featuring platypus police detectives Rick Zengo and Corey O’Malley. When a call comes in about a crime down at the docks involving a missing schoolteacher and a duffle bag full of illegal fish, Zengo and O’Malley are going to have to learn to set their differences aside if they want to get to the bottom of this. Especially when the clues all point to Frank Pandini Jr., Kallamazoo’s first son and its most powerful, well-respected businessman. Fans of Adam Rex, Jon Scieszka, and Jarrett J. Krosoczka’s own Lunch Lady graphic novels will flip for Jarrett’s series of funny illustrated Platypus Police Squad middle grade novels!
Dragon has a busy and fun-filled Halloween, turning six small pumpkins into one big jack-o-lantern, going to a costume party, and taking a spooky walk in the woods.
At once funny, wistful and unsettling, Sum is a dazzling exploration of unexpected afterlives—each presented as a vignette that offers a stunning lens through which to see ourselves in the here and now. In one afterlife, you may find that God is the size of a microbe and unaware of your existence. In another version, you work as a background character in other people’s dreams. Or you may find that God is a married couple, or that the universe is running backward, or that you are forced to live out your afterlife with annoying versions of who you could have been. With a probing imagination and deep understanding of the human condition, acclaimed neuroscientist David Eagleman offers wonderfully imagined tales that shine a brilliant light on the here and now.
This Handbook is the first to explore the emergent field of ‘placemaking’ in terms of the recent research, teaching and learning, and practice agenda for the next few years. Offering valuable theoretical and practical insights from the leading scholars and practitioners in the field, it provides cutting-edge interdisciplinary research on the placemaking sector. Placemaking has seen a paradigmatic shift in urban design, planning, and policy to engage the community voice. This Handbook examines the development of placemaking, its emerging theories, and its future directions. The book is structured in seven distinct sections curated by experts in the areas concerned. Section One provides a glimpse at the history and key theories of placemaking and its interpretations by different community sectors. Section Two studies the transformative potential of placemaking practice through case studies on different places, methodologies, and theoretical frameworks. It also reveals placemaking’s potential to nurture a holistic community engagement, social justice, and human-centric urban environments. Section Three looks at the politics of placemaking to consider who is included and who is excluded from its practice and if the concept of placemaking needs to be reconstructed. Section Four deals with the scales and scopes of art-based placemaking, moving from the city to the neighborhood and further to the individual practice. It juxtaposes the voice of the practitioner and professional alongside that of the researcher and academic. Section Five tackles the socio-economic and environmental placemaking issues deemed pertinent to emerge more sustainable placemaking practices. Section Six emphasizes placemaking’s intersection with urban design and planning sectors and incudes case studies of generative planning practice. The final seventh section draws on the expertise of placemakers, researchers, and evaluators to present the key questions today, new methods and approaches to evaluation of placemaking in related fields, and notions for the future of evaluation practices. Each section opens with an introduction to help the reader navigate the text. This organization of the book considers the sectors that operate alongside the core placemaking practice. This seminal Handbook offers a timely contribution and international perspectives for the growing field of placemaking. It will be of interest to academics and students of placemaking, urban design, urban planning and policy, architecture, geography, cultural studies, and the arts.
Little Dot had lost her way in the bush. She knew it, and was very frightened. She was too frightened in fact to cry, but stood in the middle of a little dry, bare space, looking around her at the scraggy growths of prickly shrubs that had torn her little dress to rags, scratched her bare legs and feet till they bled, and pricked her hands and arms as she had pushed madly through the bushes, for hours, seeking her home. Sometimes she looked up to the sky. But little of it could be seen because of the great tall trees that seemed to her to be trying to reach heaven with their far-off crooked branches. She could see little patches of blue sky between the tangled tufts of her way in the and was very drooping leaves, and, as the dazzling sunlight had faded, she began to think it was getting late, and that very soon it would be night.