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Alun Evans explores war films with alphabetically arranged entries on more than 3,000 war films, set in every period from ancient Greece through today. Entries list the date, director, cinematographer, original book (if any), and actors, with a brief description and appreciation. User-friendly appendix material cross-references entries by period and subgenre. Includes: ALL QUIET ON THE WESTERN FRONT ANTONY AND CLEOPATRA APOCALYPSE NOW THE BATTLE OF ALGIERS BATTLESHIP POTEMKIN THE SANDS OF IWO JIMA SAVING PRIVATE RYAN
The Second World War was the greatest social, political, and economic upheaval of the 20th century. As a popular Hollywood subject, WWII still enthralls viewers six decades after Allied commanders affixed their signatures on the victory document in Tokyo Bay. Recreating flag-waving charges, frontal beachhead assaults, commando raids, and even home front heroics, these motion pictures_for better or worse_provide the primary learning experience for postwar generations. After scrutinizing hundreds of screenplays, Robert Fyne has written an in-depth study of World War II films, analyzing the different storylines, points-of-view, and contemporary events found in each. In Long Ago and Far Away: Hollywood and the Second World War, Fyne examines WWII films from 1941 to the present, explaining how the content and mood in these productions paralleled national mores and politics. Some titles are laudatory, even chauvinistic, while others are frivolous or sophomoric. Biographical screenplays both glorify and damn various leaders. Some films bombard viewers with horrific experiences, while others, such as goofy science fiction titles with their wraiths and flying saucers, seem inappropriate. Love stories are examined, as well as films revealing Japanese prisoner of war deprivations and Nazi concentration camp atrocities. From Above and Beyond to Zone Troopers and The Best Years of Our Lives to Flags of Our Fathers, this is a compelling look at how filmmakers have dramatized this pivotal period in history. For historians, movie watchers, or social commentators, Long Ago and Far Away, complete with an elaborate filmography, offers new information about Hollywood's diverse interpretations of the Good War.
"The first history of cinema's treatment of terrorism from the birth of film to today"--
Dana Andrews, arguably the finest minimalist actor of his generation, as one critic commented, could convey more with one look than many actors could with a soliloquy. In a film career spanning nearly five decades, Andrews appeared in some of Hollywood's most prestigious productions, including The Ox-Bow Incident (1943) and The Best Years of Our Lives (1946). His unique screen presence was shown at its best in such film noir classics as Laura (1944) and Where the Sidewalk Ends (1950). Beginning with an absorbing biographical chapter, this critical survey of Dana Andrews' screen career features a complete filmography with synopses, reviews, behind-the-scenes anecdotes and insightful comments from Andrews and his coworkers. A chronological list of television, radio and theater credits is included.
This research collection provides a comprehensive study of important strategic, cultural, ethical and philosophical aspects of modern warfare. It offers a refreshing analysis of key issues in modern warfare, not only in terms of the conduct of war and the wider complexities and ramifications of modern conflict, but also concepts of war, the crucial shifts in the structure of warfare, and the morality and legality of the use of force in a post-9/11 age.
When Eagles Dared is a salute to the men and women who participated in World War II and the filmmakers who have immortalised their stories on screen. It tells both the story of the historical events of this first truly 'world war' and of the films that have depicted these events - comparing the cinematic myth with the historical reality - as a guide to history through cinema. When Eagles Dared portrays the people who participated in the war, from the evacuation of the Allied forces from France at Dunkirk through to the battle for Berlin and beyond. Each chapter discusses a theatre of war, an event, a campaign or battle by explaining the historical events as they unfold and then examines how filmmakers have represented them. Chapters discuss the war in the skies (Battle of Britain and The Dam Busters), the sea (Sink the Bismarck! and The Cruel Sea) and the North African desert (The Battle of El Alamein and Tobruk). There are 'special mission' movies including Where Eagles Dare and The Dirty Dozen, classic tales of ingenuity (The Great Escape), valour (Saving Private Ryan), and human endurance (The Bridge on the River Kwai). Offering a unique view of war through the lenses of over 150 diverse films that have shaped our perceptions of the conflict, When Eagles Dared is illustrated with rare stills and posters from this ever popular genre.
America and World War I, the first volume in the new Routledge Research Guides to American Military Studies series, provides a concise, annotated guide to the vast amount of resources available on the Great War. With over 2,000 entries selected from a wide variety of publications, manuscript collections, databases, and online resources, this volume will be an invaluable research tool for students, scholars, and military history buffs alike. The wide range of topics covered include war films and literature, to civil-military relations, to women and war. Routledge Research Guides to American Military Studies will include concise, easy-to-use bibliographic volumes on different American military campaigns throughout history, as well as tackling timely subjects such as women in the military and terrorism.
Film moves audiences like no other medium; both documentaries and feature films are especially remarkable for their ability to influence viewers. Best-selling author James Brady remarked that he joined the Marines to fight in Korea after seeing a John Wayne film, demonstrating how a motion picture can change the course of a human life—in this case, launching the career of a major historian and novelist. In Why We Fought: America's Wars in Film and History, editors Peter C. Rollins and John E. O'Connor explore the complexities of war films, describing the ways in which such productions interpret history and illuminate American values, politics, and culture. This comprehensive volume covers representations of war in film from the American Revolution in the 18th century to today's global War on Terror. The contributors examine iconic battle films such as The Big Parade (1925), All Quiet on the Western Front (1930), From Here to Eternity (1953), and Platoon (1986), considering them as historical artifacts. The authors explain how film shapes our cultural understanding of military conflicts, analyzing how war is depicted on television programs, through news media outlets, and in fictional and factual texts. With several essays examining the events of September 11, 2001, and their aftermath, the book has a timely relevance concerning the country's current military conflicts. Jeff Chown examines controversial documentary films about the Iraq War, while Stacy Takacs considers Jessica Lynch and American gender issues in a post-9/11 world, and James Kendrick explores the political messages and aesthetic implications of United 93. From filmmakers who reshaped our understanding of the history of the Alamo, to Ken Burns's popular series on the Civil War, to the uses of film and media in understanding the Vietnam conflict, Why We Fought offers a balanced outlook— one of the book's editors was a combat officer in the United States Marines, the other an antiwar activist—on the conflicts that have become touchstones of American history. As Air Force veteran and film scholar Robert Fyne notes in the foreword, American war films mirror a nation's past and offer tangible evidence of the ways millions of Americans have become devoted, as was General MacArthur, to "Duty, honor, and country." Why We Fought chronicles how, for more than half a century, war films have shaped our nation's consciousness.
A team of leading American military historians here investigate the factors that shaped the United States Army in the nineteenth century. Throwing new light on its history, this deeply researched book explores a mulitplicity of themes. These include the social structure, command system and relationship with civil power which are all important in assessing its efficiency and behaviour in war; and the way the army is depicted in military literature and cinema which affects its social portrait. Deliberately exploring neglected themes, this key work includes discussion on: * the roles of the many volunteer colonels in the Mexican War, 1846-48 * Robert Wettemann and the alleged 'isolation' of the US Army in the nineteenth century * John Ford's famous 'cavalry trilogy' of motion pictures. Containing so much food for thought, for students of US history and military history this is an entertaining as well as instructional book.
Global in scope and a practical tool for students and teachers of history, this work includes description and analysis of over 300 historical films. This critical reference selects movies that represent aspects of world history from the Middle Ages through the 20th century.