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An ode to the girl with scrapes on her knees and flowers in her hair, and every girl in between, this exquisite treasury will appeal to readers of Dear Girl and I Am Enough and have kids poring over it to find a poem that's just for them. I am a canvas Being painted on By the words of my family Friends And community From Vanessa Brantley-Newton, the author of Grandma's Purse, comes a collection of poetry filled with engaging mini-stories about girls of all kinds: girls who feel happy, sad, scared, powerful; girls who love their bodies and girls who don't; country girls, city girls; girls who love their mother and girls who wish they had a father. With bright portraits in Vanessa's signature style of vibrant colors and unique patterns and fabrics, this book invites readers to find themselves and each other within its pages. "A dynamic, uplifting, and welcoming world of girls."--Kirkus "Thoughtful, inclusive, and celebratory"--Publishers Weekly "Bursting with positivity, this would be a great book to use in primary school classrooms when discussing issues of friendship, diversity, and self-esteem."--Booklist
Bob Marley's songs are known the world over for their powerful message of love, peace, and harmony. Now a whole new generation can discover one of his most joyous songs in this reassuring picture book adaptation written by his daughter Cedella and exuberantly illustrated by Vanessa Brantley-Newton. This upbeat story reminds children that the sun will always come out after the rain and mistakes are easily forgiven with a hug. Every family will relate to this universal story of one boy who won't let anything get him down, as long as he has the help of three very special little birds. Including all the lyrics of the original song plus new verses, this cheerful book will bring a smile to faces of all ages—because every little thing's gonna be all right!
One of the greatest musicals of all time, with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Gypsy is based on the memoirs of Gypsy Rose Lee, a famous burlesque stripper. The musical focuses on her overbearing mother, Rose, the quintessential stage mother, as she pushes Gypsy (then known as Louise) and her sister June into life on the vaudeville circuit, forever trying to break into the big time. The musical contains many songs that have become popular standards, including 'Everything's Coming up Roses' and 'Let Me Entertain You'. Gypsy was premiered on Broadway in May 1959 at The Broadway Theatre (transferring to the Imperial Theatre), directed and choreographed by Jerome Robbins, with Ethel Merman starring as Rose.
This dissertation provides an intertextual examination of selected nonfiction prose by six women writers of the Southern Renaissance. It situates their self-writing within a context of Southern feminism and the more inclusive discourse of modern American liberalism. Chapter One defines the socio-historical role of the "woman of letters" in the twentieth-century South, while Chapter Two explores the ways in which her work has been marginalized by recent intellectual histories. Chapter Three explains the significance of Lillian Smith's confessional tract, Killers of the Dream (1949; revised in 1961). Smith represents a sharp disruption of a conservative critical agenda that has dominated most appraisals of twentieth-century Southern writing. Smith's ethics, her analyses of women and autobiography, racism and sexism, provide useful points of reference for examining the other writers in this study, each of whom speaks with her own voice of dissent regarding gender norms, problems of race, and patriarchal power structures. The remaining chapters focus on connections between specific texts. Chapter Three defines the achievement of Ellen Glasgow's The Woman Within (1954) and Eudora Welty's One Writer's Beginnings (1984), two autobiographies which center on the woman writer's inner life and which demonstrate the legitimacy of making this life the object of public attention. Chapter Four explores the ethical and political positions of Lillian Hellman's Scoundrel Time (1976) and Katherine Anne Porter's The Never-Ending Wrong (1977), two remarkably similar memoirs that define the individual in conflict with reactionary forces in modern American history. Chapter Five considers the nexus of gender, region, nation, and race in Zora Neale Hurston's problematic autobiography, Dust Tracks on a Road (1942; expanded with previously unpublished chapters in 1984). This chapter explores the tensions within a text that combines both liberal and conservative sentiments before showing how this synthesis becomes even more pronounced in Hurston's subsequent essays. By stressing the significance of a liberal tradition in Southern women's self-writing, this dissertation supplements and challenges prevalent attitudes about the Southern Renaissance and the predominant concerns of its women writers
Whether used for thematic story times, program and curriculum planning, readers' advisory, or collection development, this updated edition of the well-known companion makes finding the right picture books for your library a breeze. Generations of savvy librarians and educators have relied on this detailed subject guide to children's picture books for all aspects of children's services, and this new edition does not disappoint. Covering more than 18,000 books published through 2017, it empowers users to identify current and classic titles on topics ranging from apples to zebras. Organized simply, with a subject guide that categorizes subjects by theme and topic and subject headings arranged alphabetically, this reference applies more than 1,200 intuitive (as opposed to formal catalog) subject terms to children's picture books, making it both a comprehensive and user-friendly resource that is accessible to parents and teachers as well as librarians. It can be used to identify titles to fill in gaps in library collections, to find books on particular topics for young readers, to help teachers locate titles to support lessons, or to design thematic programs and story times. Title and illustrator indexes, in addition to a bibliographic guide arranged alphabetically by author name, further extend access to titles.
This eye-opening picture book introduces readers to their five senses and to synesthesia—a condition in which one sense triggers another. For some people, sounds or tastes have colors. And for others, numbers and letters do. Many famous artists have been synesthetes, including Tori Amos, Duke Ellington, Jimi Hendrix, Lady Gaga, Stevie Wonder, Billy Joel, John Mayer, Mozart, and Degas. Imagine that when you hear a bell you see silver or when a dog barks you see red. That’s what it’s like for Jillian—when she hears sounds she sees colors. At first the kids at school make fun of Jillian. Jillian worries about being different until her music teacher shows her that having synesthesia is an amazing thing. This lively, informative picture book makes synesthesia easy to understand and celebrates each person’s unique way of experiencing the world.
Isaac Branscum (1835-1917) was born in Wayne County, Kentucky. The Branscums emigrated into Johnson County, Illinois, where Isaac married Martha Elizabeth Vancleve (1836-1914) in 1857. They raised their family in Illinois until 1875 when they moved to Stone County, Arkansas. Ancestors and descendants lived in Virginia, Kentucky, Illinois, Arkansas, Oklahoma, California, Texas, Idaho, Colorado, Oregon, and elsewhere.