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Considers (74) S. 3058.
The first critical edition of Smollett's 1776 translation of Bishop Fénelon's 1699 "Mirror of Princes," one of the most popular and revered works of the eighteenth century, written especially for Duc de Burgogne, heir presumptive to Louis XIV, and meant to teach him the proper way to rule.
Made in Yugoslavia: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of popular music in Yugoslavia and the post-Yugoslav region across the twentieth and twenty-first centuries. The book consists of chapters by leading scholars and covers the major figures, styles, and social contexts of music in the region that for most of the past century was known as Yugoslavia. Exploring the role played by music in Yugoslav art, culture, social movements, and discourses of statehood, this book offers a gateway into scholarly explanation of a key region in Eastern Europe. An introduction provides an overview and background on popular music in Yugoslavia, followed by chapters in four thematic sections: Zabavna-Pop; Rock, Punk, and New Wave; Narodna (Folk) and Neofolk Music; and the Politics of Popular Music Under Socialism.
A History of Central European Women's Writing offers a unique survey of literature from the Czech Republic, Poland, Hungary, Croatia, Slovakia, and Slovenia. It illustrates the development of women's writing in the region from the middle ages to the present day, placing individual writers in their social and political context and showing how processes shaping their lives are reflected in their works.
Here at long last in English, almost five decades after the publication of the original, is the classic of European modernism that established Serbian writer Milos Crnjanski as one of the great voices of the 20th century. The novel follows an aging Russian émigré, Nikolai Repnin, as he attempts to make a life in the British capital in the 1940s.
The first comprehensive study of the modern movement in Serbian architecture.