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Text by Carolyn Lanchner.
Offers information on the Romanian sculptor Constantin Brancusi (1876-1956), presented as part of the Artchive Web site of Mark Harden. Highlights Brancusi's techniques and contains images and descriptions of some of his sculptures.
"Though enjoying the pose of a canny peasant, he was, in fact, a sophisticated artist who distilled a multitude of sources into his highly complex work."--BOOK COVER.
The Endless Column Ensemble, by famed Romanian sculptor Constantin Brancusi (1876-1957), has been hailed as one of the great works of twentieth-century public art. Commissioned by the National League of Gorj Women to honour the soldiers who had defended the town of Târgu Jiu against a German force in 1916, the tripartite ensemble, erected between 1937 and 1938, is composed of the Endless Column, a 30-metre-high column of zinc and brass-clad, cast-iron modules, and two stone monuments: the Gate of the Kiss and Table of Silence. Over the years the elements took their toll on the sculpture, and although the Column's modules had been replated several times since its construction, by the 1990s it was in dire need of conservation. This stunningly llustrated volume celebrates the history of this extraordinary work of art and tells the story of its recent restoration, landscaping and presentation, supported in large part by the World Monuments Fund (WMF). Brancusi s Endless Column Ensemble launches a series of books co-published by Scala and the WMF, the foremost private organisation dedicated to the preservation of cultural heritage around the globe through a programme of fieldwork, advocacy, training and grantmaking. Since its founding in 1965, WMF has worked to stem the loss of more than 430 irreplaceable sites in 83 countries. AUTHOR: Ernest Beck is a New York-based freelance writer and editor. Formerly at The Wall Street Journal, he has been widely published in The New York Times and other arts magazines. Sorana Georgescu-Gorjan, born in Romania, is the curator of the Endless Column archives and editor of the Târgu Jiu journals: Brancusi and Portal Maiastra. She has also authored many books on Brancusi. Richard Newton practised as an architect in the UK prior to moving to the US. He has been a landscape architect with the Olin Partnership since 1993, and managed the landscape restoration of this project. Alexandra Parigoris is Visiting Research Fellow in the School of Fine Arts, History of Art and Cultural Studies, at the University of Leeds. She has taught at Queens University in Canada, and at the Universities of York and of Leeds, where she was a Henry Moore Fellow. Mihai Radu was born in Romania and moved to the US in the 1980s. A successful architect, he eventually become a founding partner of the practice Lauster & Radu Architects (now known as Radu Architects). William Tucker, born in Cairo, spent most of his early life the UK. After studying sculpture in London, he moved to New York in the 1970s. He has since built on his success as a widely acclaimed sculptor, with exhibitions in the US and abroad. 63 colour & 35 b/w illustrations
"The starting point for this book is the work of Constantin Brancusi (1876-1957), as expressed in his reduction of volume to tease out formal essence. Some thirty-five exemplary works by Brancusi, among them 'The Kiss' and the 'Column of the Infinite', thus initiate a line of inquiry into the essence and the possibilities of sculpture, the discussion of which continues with a selection of works from different periods by Richard Serra (born 1939), whose art opens up new 'ways of seeing' to his viewers. The resulting juxtaposition of Brancusi's sensuous modeling of marble, bronze, wood, and plaster with Serra's minimalist steel sculptures set in motion a fascinating dialogue. The essays by Friedrich Teja Bach, Alfred Pacquement, Oliver Wick, and others conspire with the concentrated selection of works to underscore not only the contrasts between these two pioneering artists, but also their common ground enabling the reader to experience anew the universal power of sculpture." --Jacket.
This catalogue is published to accompany the exhibition of the same name in Museum Boijmans Van Beuningen, Rotterdam (8 February-11 May 2014). The exhibition is a unique meeting of the work of three of the most influential artists of the twentieth century: Constantin Brancusi (1876-1957), Medardo Rosso (1858-1928) and Man Ray (1890-1976). The works exhibited and discussed in the catalogue, forty-five sculptures and some hundred photographs they took of them, offer a glimpse over the shoulders of these artists.Not only were Brancusi, Rosso and Man Ray all crucial in the development of modern sculpture, they were innovators in the way they involved photography in their work-not so much for recording it, but as a means of explaining how viewers should look at and interpret their sculptures. They played with the possibilities of the medium-experimental for the time-using overexposure, innovative camera angles and blurring the foreground or background.
For this in-depth examination of artist Sherrie Levine, Howard Singerman surveys a broad range of sources to assess an artist whose work was understood from the outset to oppose the values of the art world in the 1980s but who, by the end of the decade, was exhibiting in some of the most successful commercial galleries in New York.
New York New York combines the talents of renowned photographer Harry Benson with text by society columnist Hilary Geary Ross to create a stunning portrait of New York's best-known citizens. From captains of industry, politicians, movie stars, dancers, artists, and best-selling authors to celebrated athletes and society doyennes, New York New York captures the glamour of Manhattan from the early 60s to today in hundreds of black-and-white and color photographs. Subjects include Diane Sawyer, Halston, Truman Capote, Robert Redford, Neil Simon, Tom Wolfe, Norman Mailer, Spike Lee, Malcolm Forbes, Al Pacino, Lauren Hutton, Lena Horne, Andy Warhol, Yogi Bera, Jackie Kennedy, Gerard Butler, Cindy Lauper, Daryl Hannah, Mario Cuomo, Birdie Bell, Donald Trump, Brooke Astor, Yoko Ono, Woody Allen, and Michael Kors, among many, many others.
Acknowledged as one of the major sculptors and avant-garde artists of the twentieth century, Constantin Brancusi (1876–1957) was also one of the most elusive, despite his fame. His mysterious nature was not only due to his upbringing in Romania—which, at the time, was still regarded by much of Europe as a backward country haunted by vampires and werewolves—but also because Brancusi was aware that myth and an aura of otherness appealed to the public. His self-mythology remained intact until the publication of Brancusi in 1986 by Romanian artists Alexandre Istrati and Natalia Dumitresco, who made available a small selection of the archive of Brancusi’s correspondence. And in 2003, a comprehensive catalogue, which made the bulk of Brancusi’s private correspondence public for the first time, was published by the Centre Pompidou to accompany a retrospective on Brancusi’s work. In Constantin Brancusi, Sanda Miller employs these extensive new resources to better assess Brancusi’s life and work in relationship to each other, providing valuable and innovative insights into his relationships with friends, collectors, dealers and lovers. Miller’s perceptive book allows Brancusi to finally take his rightful place among the most important of the intellectual personalities who shaped twentieth-century modernism.