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Karl N. Llewellyn was one of the founders and major figures of legal realism, and his many keen insights have a central place in American law and legal understanding. Key to Llewellyn’s thinking was his conception of rules, put forward in his numerous writings and most famously in his often mischaracterized declaration that they are “pretty playthings.” Previously unpublished, The Theory of Rules is the most cogent presentation of his profound and insightful thinking about the life of rules. This book frames the development of Llewellyn’s thinking and describes the difference between what rules literally prescribe and what is actually done, with the gap explained by a complex array of practices, conventions, professional skills, and idiosyncrasies, most of which are devoted to achieving a law’s larger purpose rather than merely following the letter of a particular rule. Edited, annotated, and with an extensive analytic introduction by leading contemporary legal scholar Frederick Schauer, this rediscovered work contains material not found elsewhere in Llewellyn’s writings and will prove a valuable contribution to the existing literature on legal realism.
John C. Yoder examines political culture and behavior in the book of Judges. Although the Deuteronomistic editor portrayed the "judges" as moral champions, the men and women of valor were preoccupied with the problem of gaining and maintaining political power. They were ambitious, at times ruthless; they might be labeled chiefs, strongmen, or even warlords in today's world, using violence, patronage, and the control of the labor and reproductive capacity of subordinates, as well as other strategies that did not require the constant exercise of force.
The law of Equity, a latecomer to the field of private law theory, raises fundamental questions about the relationships between law and morality, the nature of rights, and the extent to which we are willing to compromise on the rule of law ideal to achieve social goals. In this volume, leading scholars come together to address these and other questions about underlying principles of Equity and its relationship to the common law: What relationships, if any, are there between the legal, philosophical, and moral senses of 'equity'? Does Equity form a second-order constraint on law? If so, is its operation at odds with the rule of law? Do the various theories of Equity require some kind of separation of law and equity-and, if they do, what kind of separation? The volume further sheds light on some of the most topical questions of jurisprudence that are embedded in the debate around 'fusion'. A noteworthy addition to the Philosophical Foundations series, this volume is an important contribution to an ongoing debate, and will be of value to students and scholars across the discipline.
Dangerous. Sensual. Handsome as sin. Meet Hayden Rothwell, the shamelessly erotic hero of The Rules of Seduction and author Madeline Hunter’s most irresistible alpha male yet: a man of extraordinary passion and power, a man who can bring out the seductress in any woman.… He enters her home without warning or invitation–a stranger of shadowy motives and commanding sensuality. Within hours, Alexia Welbourne is penniless, without any hope of marriage. Until Hayden Rothwell takes her to bed. When one impulsive act of passion forces Alexia to marry the very man who has ruined her, Hayden’s seduction of Alexia is nearly complete. What Alexia doesn’t know is that her irresistible new husband is driven by a secret purpose–and a debt of honor he will risk everything to repay. Alexia is the wild card. Reluctant to give up their nightly pleasures, Hayden must find a way to keep Alexia by his side...only to be utterly, thoroughly seduced by a woman who is now playing by her own rules.
In the past twenty years our understanding of the novel's emergence in eighteenth-century Britain has drastically changed. Drawing on new research in social and political history, the twelve contributors to this Companion challenge and refine the traditional view of the novel's origins and purposes. In various ways each seeks to show that the novel is not defined primarily by its realism of representation, but by the new ideological and cultural functions it serves in the emerging modern world of print culture. Sentimental and Gothic fiction and fiction by women are discussed, alongside detailed readings of work by Defoe, Swift, Richardson, Henry Fielding, Sterne, Smollett, and Burney. This multifaceted picture of the novel in its formative decades provides a comprehensive and indispensable guide for students of the eighteenth-century British novel, and its place within the culture of its time.