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¿Alguna vez te has preguntado si es posible optimizar tu cerebro para un mejor rendimiento? ¿Estás ansioso por aprender cómo mejorar tu crecimiento personal a través de técnicas mentales simples? ¿Está interesado en estrategias comprobadas para maximizar sus capacidades cognitivas? Este libro ofrece un viaje atractivo y esclarecedor a través de los últimos descubrimientos en neuroplasticidad y superación personal. Sirve como una guía esencial para cualquier persona que quiera explorar su potencial mental y dar el siguiente paso en el desarrollo personal. Puntos clave: · Fundamentos neurocientíficos: Comprender los principios científicos detrás de la capacidad del cerebro para cambiar y adaptarse. · Técnicas de hackeo mental: Aprende métodos prácticos para alterar tus procesos de pensamiento, mejorar la memoria y aumentar la concentración. · Estrategias de Crecimiento Personal: Descubre cómo aplicar los conocimientos neurocientíficos para desarrollar habilidades para la vida y aumentar tu efectividad personal. · Ejercicios prácticos: Participa con ejercicios simples pero poderosos que puedes incorporar a tu rutina diaria. Con una combinación de investigación de vanguardia y consejos prácticos, este libro es más que una simple lectura; Es una herramienta para transformar tu pensamiento y tus acciones. Si estás listo para desbloquear nuevos reinos de potencial dentro de tu mente y mejorar significativamente tu vida personal y profesional, este libro representa tu hoja de ruta hacia una nueva frontera de posibilidades. No pierdas la oportunidad de convertirte en la versión más poderosa de ti mismo. Descubre el poder oculto de tu cerebro con esta guía transformadora.
Bonded to a synthetic symbiote from another reality, Ghost-Spider, a.k.a. Gwen Stacy of Earth-65, is unique among the webslingers of the multiverse! But when Knull descends on her adopted home, his gravity well of dark psychic energy unleashes unforeseen consequences on Gwen! And her bandmate Mary Jane Watson is about to be pulled into this ordeal with a symbiote of her own. The ensuing madness can only be described as Gwenom vs. Carnage! They've been at each other's throats in The Mary Janes for years, but this battle of the bands will really shred! Plus, Andi Benton returns, but does Scream have what it takes to put a dent in Knull's armor? And what does this latest symbiotic nightmare mean for Spider-Man?! COLLECTING: King In Black: Gwenom vs. Carnage (2021) 1-3, King in Black: Scream (2021) 1, King in Black: Spider-Man (2021) 1
Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences. In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion. "A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice "An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES "Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature
The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.Gouk explores these relationships in several ways. She adopts the methods of social geography to discuss the disciplinary, social, and intellectual overlapping of music, science, and natural magic. She gives a historical account of the emergence of acoustics in English science, the harmonically based physics of Robert Hooke, and the position of harmonics within Newton's transformation of natural philosophy. And she provides a gallery of images in which contemporary representations of instruments, practices, and concepts demonstrate the way in which,musical models informed and transformed those of natural philosophy. Gouk shows that as the "occult" features of music became subject to the new science of experimentation, and as their causes became evident, so natural magic was pushed outside the realms of scientific discourse.
These thirteen essays by noted philosophers and social theorists continue a timely celebration and examination of Jürgen Habermas's unfinished project of reconstructing enlightenment rationality. Focusing on the cultural and political aspects of Habermas's work, the essays take up critical theory and political practice, the sociology of political practice, historical-philosophical reflections on culture, moral development in childhood and society, and the foundations of critical social theory. Essays in a companion volume, Philosophical Interventions in the Unfinished Project of Enlightenment, look at the metaphysical aspects of Habermas's work. Together, the two volumes underscore the richness and variety of Habermas's project. Contributors Johann P. Amason, Andrew Arato, Seyla Benhabib, Hauke Brunkhorst, Cornelius Castoriadis, Jean Cohen, Helmut Dubiel, Klaus Eder, Günter Frankenberg, Hans-Georg Gadamer, Axel Honneth, Johann Baptist Metz, Gertrud Nunner-Winkler, Claus Offe
The idea of intelligent machines has become part of popular culture. Tracing the history of the actual science of machine intelligence reveals a rich network of cross-disciplinary contributions, and the origins of ideas now central to artificial intelligence, artificial life, cognitive science and neuroscience.
As you are reading this, you are finding yourself in the ubiquitous public sphere that is the Web. Ubiquitous, and yet not universally accessible. This volume addresses this dilemma of the public sphere, which is by definition open to everyone but in practice often excludes particular groups of people in particular societies at particular points in time. The guiding questions for this collection of articles are therefore: Who has access to the public sphere? How is this access enabled or disabled? Under what conditions is it granted or withheld, and by whom? We regard the public sphere as the nodal point for the discourses of business, politics and media, and this basic assumption is also s reflected in the structure of the volume. Each of these three macro-topics comprises chapters by international scholars from a variety of disciplines and research traditions who each combine up-to-date overviews of the relevant literature with their own cutting-edge research into aspects of different public spheres such as corporate promotional communication, political rhetoric or genre features of electronic mass media. The broad scope of the volume is perhaps best reflected in a comprehensive discussion of communication technologies ranging from conventional spoken and written formats such as company brochures, political speeches and TV shows to emerging ones like customer chat forums, political blogs and text messaging. Due to the books' wide scope, its interdisciplinary approach and its clear structure, we are sure that whether you work in communication and media studies, linguistics, political science, sociology or marketing, you will find this handbook an invaluable guide offering state-of-the -art literature reviews and exciting new research in your field and adjacent areas.
Examines scientific theories pertaining to the measurement of earth's history.
Thomas Hankins and Robert Silverman investigate an array of instruments from the seventeenth through the nineteenth century that seem at first to be marginal to science--magnetic clocks that were said to operate by the movements of sunflower seeds, magic lanterns, ocular harpsichords (machines that played different colored lights in harmonious mixtures), Aeolian harps (a form of wind chime), and other instruments of "natural magic" designed to produce wondrous effects. By looking at these and the first recording instruments, the stereoscope, and speaking machines, the authors show that "scientific instruments" first made their appearance as devices used to evoke wonder in the beholder, as in works of magic and the theater. The authors also demonstrate that these instruments, even though they were often "tricks," were seen by their inventors as more than trickery. In the view of Athanasius Kircher, for instance, the sunflower clock was not merely a hoax, but an effort to demonstrate, however fraudulently, his truly held belief that the ability of a flower to follow the sun was due to the same cosmic magnetic influence as that which moved the planets and caused the rotation of the earth. The marvels revealed in this work raise and answer questions about the connections between natural science and natural magic, the meaning of demonstration, the role of language and the senses in science, and the connections among art, music, literature, and natural science. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.