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There has been a major resurgence of braiding in worldwide manufacturing and new testing technologies using imaging processes are now being employed. This has allowed significant findings and a better understanding of braided materials. The Handbook of Advances in Braided Composite Materials, Second Edition extensively reviews the properties, design, and manufacturing, testing and next generation applications of braided composite materials. Following the introductory chapter and the opening topic of working with the enclosed composite apps, Part One discusses manufacturing processes and advanced testing of braided composite materials. Part Two then looks at predicting properties and designing braided composite materials, including mechanics for braided composite materials such as micromechanics, macromechanics and ply mechanics. Advances in 2D and 3D modeling, as well as design of braided composite materials, are also covered. Finally, Part Three provides information on the applications of Next Generation braided composite materials. These topics consist of shape memory composites, nanostructures in braids, electrospinning, braidtrusion and green braids. The book presents up-to-date technology developments and recent research findings, along with an android and IPhone App to support design criteria, which is available via an online open source platform provided by the editor. Industrial manufacturers of braided composites, academic researchers working in the design and development of braided composites, professional engineers and postgraduate students will find this book an essential read. - Covers new developments in advanced testing methods and imaging technology - Presents new findings in manufacturing and material properties - Discusses new developments in sustainable green braided composites, and in 3D braiding
The braid and the sari are the quintessential hairstyle and garment that women in India don every day. They are both texture and text. The braid—often kept long and styled with flowers (especially in South India) or lengthened with extensions (as in North India)—is a prized possession with both aesthetic and spiritual meanings. The sari is a length of untailored cloth material that has been the traditional everyday garb of Indian women for millennia. Using the braid and sari as the framework and defining tropes that unify the collection, the poems of Memory Braids and Sari Texts: Weaving Migration Journeys carry the memory of independent India, which turned seventy-five in 2022. These verses draw from poet Pushpa Naidu Parekh’s distinct and entangled memories of migrant and diaspora experiences of journeying from India to the United States, the space of one homeland to another, spanning the inexplicable accruing of physical, emotional, and spiritual self and their many iterations. The braid and the sari both embody the draping of oneself and the unraveling of many selves. Richly layered and textured, this poetry collection explores one woman’s vivid and sometimes muted memories of her life in India, her move to the US, and her diaspora experiences there.
In this evocative and emotional work, the poet, novelist, and human rights activist Marjorie Agosin pays homage to her great-grandmother, Helena Broder. As a young woman, Helena escaped Vienna to seek refuge in Chile, leaving shortly after the Night of Broken Glass in 1938 when the Nazi regime unleashed a campaign of violence, terror and destruction against the Jewish population. This book takes readers on Marjorie's journey through time and space, and across thresholds between life, death and dreams, to discover Helena's lost voice. This is not a linear journey, but one that braids together the past, the present, and the future, allowing Marjorie to give Helena, an exiled woman, a third home in the liminal space of memory and literature; a safe haven where she can be complete rather than fragmented, a place where her "exhausted suitcase" can finally rest. This touching collection of poems, in Marjorie Agosin's native Spanish together with Alison Ridley's delicate English translation, is accompanied by evocative images from the Chilean photographer Samuel Shats, as well as poignant memorabilia of Helena herself.
What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed it? These are just some of the questions developed in this collection of essays analysing memory and memory shapes, which explores the different ways in which past time and its elaboration have been, and still are, elaborated, discussed, written or filmed, and contested, but also shared. By gathering together scholars from different fields of investigation, this book explores the cultural, social and artistic tensions in representing the past and the present, in understanding our legacies, and in approaching historical time and experience. Through the analysis of different representations of memory, and the investigation of literature, anthropology, myth and storytelling, a space of theories and discourses about the symbolic and cultural spaces of memory representation is developed.
Braiding is a very old textile manufacturing technology that traditionally has been used to produce items like ropes, shoe laces, and cables. Recently, braiding has gained attention in the medical, aerospace, transportation, and civil engineering communities, among others, due to its ability to produce structures that can fulfill the explicit deman
This book is an indispensable guide for anyone seeking to familarize themselves with research in braid groups, configuration spaces and their applications. Starting at the beginning, and assuming only basic topology and group theory, the volume's noted expositors take the reader through the fundamental theory and on to current research and applications in fields as varied as astrophysics, cryptography and robotics. As leading researchers themselves, the authors write enthusiastically about their topics, and include many striking illustrations. The chapters have their origins in tutorials given at a Summer School on Braids, at the National University of Singapore's Institute for Mathematical Sciences in June 2007, to an audience of more than thirty international graduate students.
The first complete edition of the writings of James Braid, the man who coined the term "hypnotism" and founded hypnotherapy. Also includes Braid's "lost manuscript," written just before his death, in which he reviews his life's work for the French Academy of Sciences. Excerpts from the writings of his most devoted follower, Dr. John Milne Bramwell, are also included, which describe Braid's life and work. The current editor provides detailed prefatory essays and commentary for the modern reader.
This book discusses how American literary modernism and postmodernism interconnect memory and identity and if, and how, the intertwining of memory and identity has been related to the dominant socio-cultural trends in the United States or the specific historical contexts in the world. The book’s opening chapter is the interrogation of the narrator’s memories of Jay Gatsby and his life in F. Scott Fitzgerald’s The Great Gatsby. The second chapter shows how in William Faulkner’s Light in August memory impacts the search for identities in the storylines of the characters. The third chapter discusses the correlation between memory, self, and culture in Tennessee Williams’s A Streetcar Named Desire. Discussing Robert Coover’s Gerald’s Party, the fourth chapter reveals that memory and identity are contextualized and that cognitive processes, including memory, are grounded in the body’s interaction with the environment, featuring dehumanized characters, whose identities appear as role-plays. The subsequent chapter is the analysis of how Jonathan Safran Foer’s Everything Is Illuminated deals with the heritage of Holocaust memories and postmemories. The last chapter focuses on Thomas Pynchon’s Against the Day, the reconstructive nature of memory, and the politics and production of identity in Southeastern Europe.