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On its first appearance in 1891, Brahms' Clarinet Quintet was immediately recognised as a remarkable achievement, and a century later it still has the power to claim the hearts and minds of players and audiences alike. Widely regarded as Brahms' supreme achievement in the field of chamber music, the Clarinet Quintet is here placed in the context of the history of the clarinet and its repertory, and of Brahms' own compositions before 1891. The influence of the Meiningen clarinet virtuoso Richard Mühlfeld unleashed a new vein of creativity in Brahms, and this forms a basis for discussion, together with questions of performance practice (in relation to both clarinet and string quartet) and the legacy of Brahms' clarinet music. These chapters are complemented by a comprehensive analysis of the music.
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Yard sales can bring out the worst in people. So when Scumble River school psychologist Skye Denison organizes a 100-mile yard sale, otherwise neighborly folk get downright nasty: her own mother creams a woman, and a battle of the sexes breaks out. But when her former boss is found murdered, nobody knows for sure how this cookie will crumble.
(Music Minus One). This book provides an easy way to learn and perform compositions with a full ensemble, in the comfort of your own home! "Blue Bossa" offers a unique opportunity to take off on a happy bossa nova tune that has a relatively simple harmonic progression. "The Girl from Ipanema" is another of those Jobim tunes that has a great feel and very relaxed approach to melodic interpratation. "No More Blues" serves as an example that personal interpretation of a song does indeed inform one's playing, and is a great tune for improvisation. These classic bossa novas, 10 in all, will provide the clarinetist with countless hours of enjoyment. This Music Minus One edition includes a newly engraved transcription of the solo part, along with a CD containing the complete performance of each piece in digital stereo, followed by a second version minus the clarinet for you, the soloist, to play with.
The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.
Written for students, performers, and music lovers.
This book is a collection of essays on various aspects of the life and work of Brahms. There are three main areas of focus - biographical, documentary and analytical. Some essays concentrate on one element, others blend all three.
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Johannes Brahms was a consummate professional musician, and a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making.
Within his broad historical narrative Professor Smallman provides descriptive analyses of key works, many with music examples, and also comments perceptively on local trends and developments.