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‘Among the eighteen classic Hindu texts called the Puranas, the Brahmanda Purana recounts the stories and lores associated with Brahma, the creator and one of the trinities of the supreme divinity along with Vishnu and Shiva. A relatively early Purana, its composition can be traced back to approximately 400 to 600 BCE, predating many other Hindu texts. While the first volume talks of the cosmology, creation, and geography, the lineages of rishis and shraddha rites, ending with Parashurama's stoory, the highlight of volume 2 is its emphasis on Lalita's greatness, the slaying of Bhandasura, Madana's rebirth and the glory of Kamakshi. Translated and annotated from the original Sanskrit by Bibek Debroy, this edition of the Brahmanda Purana is a precious and rare volume for the lovers of Hindu mythology and religion. This is the sixth volume in the Purana series; the others include the Bhagavata Purana, the Markandeya Purana, the Brahma Purana, Vishnu Purana, and the Shiva Purana.’
‘Among the eighteen classic Hindu texts called the Puranas, the Brahmanda Purana recounts the stories and lores associated with Brahma, the creator and one of the trinities of the supreme divinity along with Vishnu and Shiva. A relatively early Purana, its composition can be traced back to approximately 400 to 600 BCE, predating many other Hindu texts. Volume 1 of the two-volume set tells stories on creation, cosmology, and geography, with lineages of rishis and shraddha rites, ending with Parashurama's story. Translated and annotated from the original Sanskrit by Bibek Debroy, this edition of the Brahmanda Purana is a precious and rare volume for the lovers of Hindu mythology and religion. This is the sixth volume in the Purana series; the others include the Bhagavata Purana, the Markandeya Purana, the Brahma Purana, Vishnu Purana, and the Shiva Purana.’
Retold in simple language, underlining importance of each Purana, with a lucid summary.
A seamless blend of fable and philosophy, the Bhagavata Purana is perhaps the most revered text in the Vaishnava tradition. It brings to life the legends of gods, asuras, sages and kings-all the while articulating the crucial ethical and philosophical tenets that underpin Hindu spiritualism. The narrative unfolds through a series of conversations and interconnected stories. We are told how the sage Vyasa was inspired by Narada to compose the Bhagavata Purana as a means to illumine the path to a spiritual life. We learn of the devotion of Prahlada, the austerity of Dhruva, and the blinding conceit of Daksha. Also recounted are tales of the many incarnations of Vishnu, especially Krishna, whom we see grow from a beloved and playful child to a fierce protector of the faithful.
This is the first book to examine the same-sex weddings and same-sex couple suicides reported in India over the last two decades. Ruth Vanita examines these cases in the context of a wide variety of same-sex unions, from Fourteenth-century narratives about co-wives who miraculously produce a child together, to Nineteenth-century depictions of ritualized unions between women, to marriages between gay men and lesbians arranged over the internet. Examining the changing legal, literary, religious and social Indian and Euro-American traditions within which same-sex unions are embedded, she brings a fresh perspective to the gay marriage debate, suggesting that same-sex marriage dwells not at the margins but at the heart of culture. Love's Rites by Ruth Vanita is a finalist for a Lambda Literary Award.
"A Companion volume to James Hall’s perennial seller Dictionary of Subjects & Symbols in Art. which deals with the subject matter of Christian and Western art, the present volume includes the art of Egypt, the ancient Near East, Christian and classical Europe, India and the Far East. Flail explores the language of symbols in art showing how paintings, drawings and sculpture express man shades of meaning from simple, everyday hopes and fears to the profoundest philosophical and religious aspirations. The book explains and interprets symbols from many cultures, and over 600 illustrations clarify and complement the text. There are numbered references throughout the text to the sacred Iitcra-1 ture, myths and legends in which the symbols had their origins. Details of English translations of the works are in the bibliography. The book includes an appendix of the transcription of Chinese, notes and references, bibliography, chronological tables and index."
A gorgeous, lucid rendering of the majestic conclusion to the Mahabharata As an epilogue to the greatest epic of all time, the Harivamsha further elaborates on the myriad conflicts of dharma and the struggle between good and evil. Stories abound—from the cosmogony of the universe to the legends of the solar and lunar dynasties and even a foreshadowing of kali yuga in the future. At the centre of all these magnificent tales is the mercurial figure of Krishna, whose miraculous life and wondrous exploits are recounted with vivid detail. In offering a glimpse into Krishna’s life—as a mischievous child, as an enchanting lover, as a discerning prince—this luminous text sheds light on many questions left unanswered in the Mahabharata. Brimming with battles and miracles, wisdom and heroics, philosophical insight and psychological acuity, Bibek Debroy’s splendid translation of the Harivamsha is absolutely essential reading for all those who love the Mahabharata.
A seamless blend of fable and philosophy, the Bhagavata Purana is perhaps the most revered text in the Vaishnava tradition. It brings to life the legends of gods, asuras, sages and kings-all the while articulating the crucial ethical and philosophical tenets that underpin Hindu spiritualism. The narrative unfolds through a series of conversations and interconnected stories. We are told how the sage Vyasa was inspired by Narada to compose the Bhagavata Purana as a means to illumine the path to a spiritual life. We learn of the devotion of Prahlada, the austerity of Dhruva, and the blinding conceit of Daksha. Also recounted are tales of the many incarnations of Vishnu, especially Krishna, whom we see grow from a beloved and playful child to a fierce protector of the faithful.
The beautiful rock-cut Siva temple on Elephanta Island in Bombay Harbor is one of the finest monuments of Indian religion and art. Until now, interpretation of its magnificent sculptured scenes has been neglected. In this book, Collins systematically surveys the pertinent Vedic, Epic, and early Puranic literature as well as the contributions of India's foremost poet and dramatist, Kalidasa, to reveal sources for and interpretations of the subjects of the relief sculptures. This survey shows strong associations with areas formerly controlled by the classical Gupta dynasty in northern India. This book provides the first detailing of this link, intimated by others before, which helps to explain the grandeur of style found in the colossal reliefs. By applying certain aspects of ritual texts of the Lakulisa-Pasupata, the sect that probably used Elephanta originally, exceptional clarity is revealed for the worship of the sculptures in a counterclockwise sequence, quite unusual in India, but appropriate to this particular sect. Lakulisa-Pasupata texts are invoked in Collins' theory of how the cave-temple at Elephanta was used. This area of investigation has been virtually untouched by other scholars for any early Hindu shrine in India.