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bpNichol was one of Canada's most innovative, eclectic, entertaining, and, yes, enigmatic poets, making startling interventions in the development of poetry and profoundly influencing both his own and subsequent generations of writers. The Alphabet Game: A bpNichol Reader amasses key texts from the very broad spectrum of Nichol's work, including both classic favourites and more obscure treasures. From the early typewriter poetry of Konfessions of an Elizabethan Fan Dancer and the life-long poem The Martyrology to the heartbreaking prose of Journal and the whimsical autobiography of Selected Organs , The Alphabet Game traces the trajectory of this wildly imaginative and prolific poet. This Nichol anthology is an ideal introduction for readers encountering Nichol for the first time, and a much-needed compendium for Nichol fans seeking access to works not readily available. 'His wit, along with the seriousness, was there to keep the language free and untethered, to keep the poem aware of its roots, like a tuxedo worn with bare feet in a muddy river ... No other writer of our time and place was so diverse, attempted so much, and never lost sight of his intent.' - Michael Ondaatje
'All of Nichol's work is stamped by his desire to create texts that are engaging in themselves as well as in context, and to use indirect structural and textual devices to carry meaning. In The Martyrology different ways of speaking testify to a journey through different ways of being. Language is both the poet’s instructor and, through its various permutations, the dominant 'image' of the poem. The [nine] books of The Martyrology document a poet’s quest for insight into himself and his writing through scrupulous attention to the messages hidden in the morphology of his own speech.’ – Frank Davey
A thoughtful and provocative 30-year record of Nichol's approaches to textual production.
Rhymed text and illustrations describe young animals and children in the moments just before they fall asleep.
First Screening Elelctronics is a Red Deer Press title.
Poetry. Edited by Stephen Cain. While bpNichol (1944-1988) has attained iconic status in Canadian literature in recent years, particularly through his lifelong poem THE MARTYROLOGY, and his work in visual and sound poetry, there are numerous early "fugitive" sequences that are often referred to in critical studies, but are long out of print and only available in library special collections or in the hands of rare book collectors. BP: BEGINNINGS brings together these pre-Martyrology materials in one comprehensive collection, including such key texts as Nichol's first chapbooks Beach Head and Cycles Etc., the minimal lyric sequences The Other Side of the Room and The Journeying and the Returns, and various concrete and sound-texts such as Lament, The Year of the Frog and Ballads of the Restless Are. These collected sequences show nichol developing his talents in both visual poetry and lyricism, pointing the way towards the union of the two forms in the later MARTYROLOGY. Combined with THE CAPTAIN POETRY POEMS COMPLETE (published by BookThug in 2011), BP: BEGINNINGS now makes all of Nichol's major poetry sequences available to both the avid nichol specialists and to aficionados of innovative poetry everywhere.
Better break out your sledgehammer – it's time for a little concrete! Concrete poetry, that is. Concrete what? Well, it's poetry that's a lot like art – its meaning comes from what it looks like instead of the order of the words, so it's full of great visual puns and word puzzles. And one of its foremost practitioners is bpNichol, one of Canada's best experimental writers. Konfessions of an Elizabethan Fan Dancer is Nichol's very first book. Originally published in England by Bob Cobbing in 1967, and then in Canada in 1973 by Nelson Ball's Weed/Flower Press, it has been unavailable for a dog's age. This new edition, curated by poet and antiquarian bookseller Nelson Ball, redresses this wrong. One of the few Nichol books that is dedicated entirely to concrete poetry, Konfessions is, like all of Nichol's work, playful, sincere, explorative, intelligent and human.
A study of the Canadian poet bpNichol and his works.
Poetry. The value of THESEUS is as much about its pedigree as the writing itself. The collaboration for this new book began in the autumn of 1966. bpNichol and Wayne Clifford had worked together early in their literary careers; in fact, Clifford had been the editor of Nichol's first trade book, published with Coach House Press. To begin, Nichol had also wanted to include two West Coast poets in the writing process. This didn't work out, so Nichol and Clifford rewrote a section to produce Part One of the present text. Part Two was composed over many years of revisiting and revising. These long gestation periods allowed the writers the space and time to re/consider, knowing the text would always be there to augment. After Nichol's death, Clifford completed the work, adding Part Three--composed of elements of Nichol's MARTYROLOGY--as a means of tribute, eulogy, acceptance and lie. Thematically, the text focuses on the Theseus-Ariadne-Minotaur cycle: in Part One, the authors were young enough to "re=verb=erate" when struck with the myth; Part Two allowed Nichol and Clifford the space to step back in order to devise a way to say 'love' more acutely; finally, Part Three presents a stunning example of one man's grief for a lost friend and collaborator. All told, THESEUS is an important text that, published here for the first time, adds considerable gravitas to Nichol's poetic legacy, and the unique partnership between the two authors allows Nichol's words to be extended beyond the grave.