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This collection offers students and scholars of Eliot’s work a timely critical reappraisal of her corpus, including her poetry and non-fiction, reflecting the latest developments in literary criticism. It features innovative analysis ­exploring the relation between Eliot’s Victorian intellectual sensibilities and those of our own era. A comprehensive collection of essays written by leading Eliot scholars Offers a contemporary reappraisals of Eliot’s work reflecting a broad range of current academic interests, including religion, science, ethics, politics, and aesthetics Reflects the very latest developments in literary scholarship Traces the revealing links between Eliot’s Victorian intellectual ­concerns and those of today
The question of whether or not George Eliot was what would now be called a feminist is a contentious one. This book argues, through a close study of her fiction, informed by examination of her life's story and by a comparison of her views to those of contemporary feminists, that George Eliot was more radical and more feminist than commonly thought.
George Eliot and Her Women argues that the Victorian writer George Eliot (1819 – 1880) was not only keenly aware of women’s issues but more deeply engaged with them than she has yet received credit for. Proposing that her work is still misread and misunderstood because of her unusual and complex relationship to gender and an inattention to the complexity of her female characters and their representation, the book examines Eliot’s construction and treatment of female characters throughout her prose fiction and her poetry to show that she was very much attuned to and supportive of women’s issues. Demonstrating that Eliot was unable to speak publicly on women’s issues because of her complicated private life, George Eliot and Her Women demonstrates that she nonetheless advocated for women’s rights, particularly access to education, through her fiction and poetry, using her creative works to inspire sympathy and promote awareness about women’s struggles in nineteenth-century Britain.
Presents a brief biography of George Eliot, critical views and plot summaries of four of her novels, and an index of themes and ideas.
This carefully crafted ebook: "The Complete Novels of George Eliot: Adam Bede + The Lifted Veil + The Mill on the Floss + Silas Marner + Romola + Brother Jacob + Felix Holt the Radical + Middlemarch + Daniel Deronda" is formatted for your eReader with a functional and detailed table of contents. Table of Contents: Adam Bede (1859) The Lifted Veil (1859) The Mill on the Floss (1860) Silas Marner (1861) Romola (1863) Brother Jacob (1864) Felix Holt, the Radical (1866) Middlemarch (1871/72) Daniel Deronda (1876) Mary Ann (Marian) Evans (1819 – 1880), better known by her pen name George Eliot, was an English novelist, journalist and translator. She was one of the leading writers of the Victorian era. Her novels, largely set in provincial England, are well known for their realism and psychological insight.
Focusing on three of Eliot's most influential and widely read novels, this guide traces recent critical interpretations of her work as well as revisiting some of the perspectives offered by original reviewers and early critics.
This study shows how aesthetics and economics have been combined in a great work of literature. Frost examines the history of Middlemarch’s composition and publication within the context of Victorian demand, then goes on to consider the interpretation, reception and consumption of the book.
In this study Nancy Henry introduces a set of facts that place George Eliot's life and work within the contexts of mid-nineteenth-century British colonialism and imperialism. Henry examines Eliot's roles as an investor in colonial stocks, a parent to emigrant sons, and a reader of colonial literature. She highlights the importance of these contexts to our understanding of both Eliot's fiction and her situation within Victorian culture. Henry argues that Eliot's decision to represent the empire only as it infiltrated the imaginations and domestic lives of her characters illuminates the nature of her Realism. The book also re-examines the assumptions of postcolonial criticism about Victorian fiction and its relation to empire.