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In a landscape at once the brutal American South as it is the brutal mind, Boy with Thorn interrogates the genesis of all poetic creation—the imagination itself, questioning what role it plays in both our fascinations with and repulsion from a national history of racial and sexual violence. The personal and political crash into one language here, gothic as it is supple, meditating on visual art and myth, to desire, the practice of lynching and Hurricane Katrina. Always at its center, though, is the poet himself—confessing a double song of pleasure and inevitable pain.
Gardens are where man and nature meet. They change by the hour, day-to-day, and with the seasons. They carry associations about the status, approach to life, and sometimes even the political affiliations of their creator. Gardens can be intended for public enjoyment or private delectation; they can be open to the masses or closed to all but a few. They may be places of scientific study; havens for the solitary thinker; spaces for frolicking and games, for flirtation and for love. Presented with the many faces of the garden, artists in Western Europe have looked at the garden in different ways, extracting and emphasising those facets of the garden unique to their culture and their time. At the same time individual elements drawn from the garden whether architectural or botanic have at certain periods come to the fore and taken their place in the decorative arts of Western Europe. This book explores the way in which the garden has inspired artists and craftsmen in Europe between 1500 and 1900. "
At sixteen, Keith Fleming is so miserably defiant that he is locked in an adolescent mental hospital. Filled with despair, Keith's life is literally saved by his uncle, the writer Edmund White. Keith soon finds himself transformed as Uncle Ed arranges treatment for Keith's disfiguring acne, enrolls him in prep school, and instructs his nephew in a worldly view of life and love. Meanwhile, Uncle Ed is both strapped for cash and completely caught up in the beehive of social and sexual activity of 1970s gay Manhattan. By turns lyrical, funny, and poignant, The Boy with the Thorn in His Side is full of fascinating characters and unexpected twists -- at once an odyssey into the extremes of the American 1970s, a universal tale of star-crossed teenage love, and an account of a deeply sensitive young person's struggle to find his place in the world.
BOOK ONE IN THE BROKEN EMPIRE TRILOGY “Prince of Thorns deserves attention as the work of an iconoclast who seems determined to turn that familiar thing, Medievalesque Fantasy Trilogy, entirely on its head.”—Locus When he was nine, he watched as his mother and brother were killed before him. By the time he was thirteen, he was the leader of a band of bloodthirsty thugs. By fifteen, he intends to be king... It’s time for Prince Honorous Jorg Ancrath to return to the castle he turned his back on, to take what’s rightfully his. Since the day he hung pinned on the thorns of a briar patch and watched Count Renar’s men slaughter his mother and young brother, Jorg has been driven to vent his rage. Life and death are no more than a game to him—and he has nothing left to lose. But treachery awaits him in his father’s castle. Treachery and dark magic. No matter how fierce his will, can one young man conquer enemies with power beyond his imagining?
One of the most beloved novels of all time, Colleen McCullough's magnificent saga of dreams, struggles, dark passions, and forbidden love in the Australian outback has enthralled readers the world over. The Thorn Birds is a chronicle of three generations of Clearys—an indomitable clan of ranchers carving lives from a beautiful, hard land while contending with the bitterness, frailty, and secrets that penetrate their family. It is a poignant love story, a powerful epic of struggle and sacrifice, a celebration of individuality and spirit. Most of all, it is the story of the Clearys' only daughter, Meggie, and the haunted priest, Father Ralph de Bricassart—and the intense joining of two hearts and souls over a lifetime, a relationship that dangerously oversteps sacred boundaries of ethics and dogma.
Twelve-year-old Simon Thorn's life has never been normal--especially since he's been keeping a big secret: he can talk to animals. But when his mom is suddenly kidnapped by a herd of New York City rats, Simon finds out that he, his mom, and his uncle are all Animalgams--someone born with the ability to change into an animal at will--and suddenly talking to animals doesn't seem so crazy after all. In search of his mom, Simon discovers that Animalgams belong to an ancient world made up of Five Animal Kingdoms (Mammals, Birds, Insects, Reptiles, and Underwater) which are now under attack . . . and Simon just may be the only one who can save them all. Imaginative and vivid with themes of bravery, loyalty, and finding one's true self, this exciting, five-book adventure series is perfect for fans of the Spirit Animals and The School of Good and Evil series.
Your childhood crush turned movie star. Now set to play the leading role in a book he doesn't know you wrote about him. Jason Thorn is a name everyone recognises. A famous actor with the big house, nice car and the bad boy reputation to match. But Olive knows him as her brother's childhood friend and the boy who broke her heart. But years later, he should be easy to avoid even if he's impossible to ignore. That is until Olive's first novel suddenly becomes a bestseller and the film rights get sold to the highest bidder. In an instant, she's sitting across the table from a team of executives and Jason Thorn himself. Jason hasn't long re-entered her life before she finds himself being whisked around in his car and - inexplicably - being talked into a fake dating plot to restore his damaged reputation.
“A wonderful tale . . . It crackles with suspense and excitement from start to finish.”—Terry Brooks Two thousand years ago, the Born Queen defeated the Skasloi lords, freeing humans from the bitter yoke of slavery. But now monstrous creatures roam the land—and destinies become inextricably entangled in a drama of power and seduction. The king’s woodsman, a rebellious girl, a young priest, a roguish adventurer, and a young man made suddenly into a knight—all face malevolent forces that shake the foundations of the kingdom, even as the Briar King, legendary harbinger of death, awakens from his slumber. At the heart of this many-layered tale is Anne Dare, youngest daughter of the royal family . . . upon whom the fate of her world may depend. Praise for The Briar King “Starts off with a bang, spinning a snare of terse imagery and compelling characters that grips tightly and never lets up. . . . A graceful, artful tale from a master storyteller.”—Elizabeth Haydon, bestselling author of Prophecy: Child of Earth “The characters in The Briar King absolutely brim with life. . . . Keyes hooked me from the first page,and I’ll now be eagerly anticipating sitting down with each future volume of the Kingdoms of Thorn and Bone series.”—Charles de Lint, award-winning author of Forests of the Heartand The Onion Girl “A thrill ride to the end, with plenty of treachery, revelation, and even a few bombshell surprises.”—Monroe News-Star (LA)
Simon, a young kitchen boy and magician's apprentice, finds his dreams of great deeds and heroic wars becoming an all too shocking reality in a terrifying civil war.
Two sworn enemies start to fall in love through anonymous notes in How to Speak Boy, a fun and charming YA novel from Tiana Smith. Quinn and Grayson have been fierce speech and debate rivals for years. They can't stand one another, either in competition or in real life. But when their AP Government teacher returns their school assignments to the wrong cubbies, they begin exchanging anonymous notes without knowing who the other one is. Despite their differences, the two come together through their letters and find themselves unknowingly falling for the competition. Before the state tournament, the two of them need to figure out what they want out of life, or risk their own future happiness. After all, what’s the point of speech and debate if you can't say what's in your heart?