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The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.
Spencer Tracy simply was every character he played on the silver screen. He was known as the actors-actor, a master of his craft. As members of the Tracy Family, we arte grateful to Brenda Loew for putting together this amazing photo book of Spencer Tracy for all the world to enjoy. His memory and legacy live on in this intimate portrait of a man and a life that was fully lived. - Cyndi Tracy & the Spencer Tracy Family The minute you see Spencer Tracy on the screen you are immediately transfi xed on his humanity. Whether he plays a poor man, a wise-cracking sportswriter, the father of the bride, or the defender of a great cause, in the end, Spencer Tracy truly is the heroic Santiago from Hemingway's Old Man and the Sea, courageously battling the sharks that would tear apart his dignity and life's work. No other actor had his gift. - Upton Bell, New England radio and television talk show host whose mother, Broadway actress and comedienne Frances Bell, starred with Eddie Cantor in Whoopee! and the Ziegfeld Follies of 1928, in the early talkie Night Work, and in one of the first experimental television broadcasts in New York City with Gertrude Lawrence and Lionel Atwill. She was a great admirer of Tracy when he was on the New York stage. _______________ Spencer Tracy, A Life in Pictures: Rare, Candid and Original Photos of the Hollywood Legend, His Family, and Career presents a unique and compelling portrait of the man, his career, and family, including rare imagesof his marriage to actress Louise Treadwell and their two children: John, who was born deaf, and Susie. More than 300 rare, candid and original images in this edition illustrate how Spencer Tracy's life, family and career touched people in every corner of the world. Combining a unique mixture of original news service photographs, celebrity stills, and rare, candid, and unique snapshots, this dazzling collection of over three hundred images, Spencer Tracy, A Life in Pictures: Rare, Candid and Original Photos of the Hollywood Legend, His Family and Career captures the life and legacy of a Golden Age Hollywood legend, onscreen and off. One of the most versatile and popular movie stars of the twentieth century, Spencer Tracy's life and career spanned sixty-seven tumultuous years of twentieth-century American history, including two world wars, the Great Depression, technological advances, the emergence of the nuclear age, the cold war, and the rise of the women's and civil rights movements. Behind the scenes, two-time Academy Award-winner Spencer Tracy faced personal and professional challenges without parallel or precedent. Books and articles are still being written today in an attempt to explain the mystique surrounding the Spencer Tracy legend. His story is an inspiring legacy.
Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.
“Delightful . . . an engrossing oral history . . . As an enthusiastic ode to colorful, seat-of-your-pants filmmaking, this one’s hard to beat.” —Booklist (starred review) “Fantastic—a treasure.” —Stephen King Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses is an outrageously rollicking account of the life and career of Roger Corman—one of the most prolific and successful independent producers, directors, and writers of all time, and self-proclaimed king of the B movie. As told by Corman himself and graduates of “The Corman Film School,” including Peter Bogdanovich, James Cameron, Francis Ford Coppola, Robert De Niro, and Martin Scorsese, this comprehensive oral history takes readers behind the scenes of more than six decades of American cinema, as now-legendary directors and actors candidly unspool recollections of working with Corman, continually one-upping one another with tales of the years before their big breaks. Crab Monsters is supplemented with dozens of full-color reproductions of classic Corman movie posters; behind-the-scenes photographs and ephemera (many taken from Corman’s personal archive); and critical essays on Corman’s most daring films—including The Intruder, Little Shop of Horrors, and The Big Doll House—that make the case for Corman as an artist like no other. “This new coffee table book, brimming with outrageous stills from many of Corman’s hundreds of films, looks at the wild career of the starmaker who was largely responsible for so much of the Hollywood we know today.” —New York Post “Vividly illustrated.” —People “It includes in-depth aesthetic appreciations of ten of Corman’s movies, which, taken together, make a compelling case for Corman as an artist.” —Hollywood.com “Outrageously entertaining.” —Parade “Endlessly fascinating.” —PopMatters
When first published, Marshall McLuhan's Understanding Media made history with its radical view of the effects of electronic communications upon man and life in the twentieth century.
Screenwriter Robert Riskin (1897-1955) was a towering figure even among the giants of Hollywood's Golden Age. Known for his unique blend of humor and romance, wisecracking and idealism, Riskin teamed with director Frank Capra to produce some of his most memorable films. Pat McGilligan has collected six of the best Riskin scripts: Platinum Blonde (1931), American Madness (1932), It Happened One Night (1934), Mr. Deeds Goes to Town (1936), Lost Horizon (1937), and Meet John Doe (1941). All of them were directed by Capra, and although Capra's work has been amply chronicled and celebrated, Riskin's share in the collaboration has been overlooked since his death. McGilligan provides the "backstory" for the forgotten half of the team, indispensable counterpoint to the director's self-mythologizing autobiography--and incidentally the missing link in any study of Capra's career. Riskin's own career, although interrupted by patriotic duty and cut short by personal tragedy, produced as consistent, entertaining, thoughtful, and enduring a body of work as any Hollywood writer's. Those who know and love these vintage films will treasure these scripts. McGilligan's introduction offers new information and insights for fans, scholars, and general readers.
A unique exploration of the history of the bicycle in cinema, from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films. Cycling and Cinema explores the history of the bicycle in cinema from the late nineteenth century through to the present day. In this new book from Goldsmiths Press, Bruce Bennett examines a wide variety of films from around the world, ranging from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films, to consider the complex, shifting cultural significance of the bicycle. The bicycle is an everyday technology, but in examining the ways in which bicycles are used in films, Bennett reveals the rich social and cultural importance of this apparently unremarkable machine. The cinematic bicycles discussed in this book have various functions. They are the source of absurd comedy in silent films, and the vehicles that allow their owners to work in sports films and social realist cinema. They are a means of independence and escape for children in melodramas and kids' films, and the tools that offer political agency and freedom to women, as depicted in films from around the world. In recounting the cinematic history of the bicycle, Bennett reminds us that this machine is not just a practical means of transport or a child's toy, but the vehicle for a wide range of meanings concerning individual identity, social class, nationhood and belonging, family, gender, and sexuality and pleasure. As this book shows, two hundred years on from its invention, the bicycle is a revolutionary technology that retains the power to transform the world.
The Wheel Spins is the novel about young and bright Iris Carr, who is on her way back to England after spending a holiday somewhere in the Balkans. After she is left alone by her friends, Iris catches the train for Trieste and finds company in Miss Froy, chatty elderly English woman. When she wakes up from a short nap, she discovers that her elderly travelling companion seems to have disappeared from the train. After her fellow passengers deny ever having seen the elderly lady, the young woman is on the verge of her nerves. She is helped by a young English traveler, and the two proceed to search the train for clues to the old woman's disappearance. Ethel Lina White (1876-1944) was a British crime writer, best known for her novel The Wheel Spins, on which the Alfred Hitchcock film, The Lady Vanishes, was based.