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Presents a collection of articles about professional boxing and boxers, which were written in 2009.
Throughout its history, boxing has thrilled, outraged and elevated fans with its intoxicating combination of primal violence, gutwrenching drama and stirring courage. That potent mix has attracted many of the world's finest writers. The Book of Boxing is a collection of their most powerful efforts.
Boxing is no cakewalk! Azumah Ring Professor Nelson in the Social History of Ghanaian Boxing explores the social history of boxing in Ghana and its interesting nexus with the biography of Azumah Nelson, unquestionably Ghanas most celebrated boxer. The book posits that sports constitute more than mere games that people play. They are endowed with enormous political, cultural, economic and social power that can influence peoples lives in various ways. Boxing is no cakewalk! interrogates the social meaning and impact of boxing within the colonial and postcolonial milieux of popular culture in Ghana. Consequently, it reconsiders the prevailing conception of boxing as adversative to enlightened human culture by arguing that it is a positive formulator of individual and national identities. The historicising of sports and the lives of sportspersons in Ghana provides an eloquent backdrop for an understanding of the past social dynamics and their effect in the present. The books analytical narrative offers an intellectual contribution to the promising areas of social and cultural history in Ghanas historiography and the scholarly discourse on identity formation and social empowerment through the popular culture of sports.
It's no wonder that photographer Howard Schatz, trained as an ophthalmologist, has an unwavering eye for the human form. Well known for his series of improvisional portraits of actors for Vanity Fair, the acclaimed photographer now takes on the ultimate theatre of sport and physique in At the Fights. Over the last six years Schatz has entrenched himself in the world of boxing, photographing and interviewing the game's biggest stars and newest players as well as managers, trainers, promoters, club fighters and many others. In 256 oversized pages, Schatz's remarkably powerful images are paired with insightful commentary to provide a truly unique look into the sport. As promoter Lou DiBella tells Schatz, "Boxing is a sport in its purest, most basic form. No sport is more theatrical, dramatic or real." At the Fights beautifully captures all of those aspects in a striking, deluxe package that includes introductory comments by HBO commentator Jim Lampley. Howard Schatz's award-winning photography has been featured in Sports Illustrated, ESPN Magazine, The Ring magazine, The New York Times Magazine and Vanity Fair. He is a well-known and regular ringside presence. At the Fights will be his 19th book.
The author reports on the many young Jewish fighters who began boxing for the money. In the 1920s and 1930s, "Jews were represented in almost every aspect of the sport, from manufacturing equipment to management."--Jacket.
Boxing is one of the most popular sports in Cuba and its fighters are recognized the world over for their skills and finesse. The Cuban national team holds more Olympic medals in the sport than any other country, making the nation a hotbed of emerging global champions. State-sanctioned and promoted since the revolution, amateur boxing's potential for fame and relative wealth makes it a beacon for impoverished youth yearning for a better life. Shot all across the Republic of Cuba,Havana Boxing Clubdocuments amateur boxing schools and the aspiring, determined boys studying the sweet science. Compiled over the course of eight years, French photographer Thierry Le Goues spent countless hours in the complex network of training facilities that abound in the island nation, developing relationships with the coaches and their young progeny, following the rise and fall of countless talents and wannabes. The resulting images are of young fighters struggling, sweating, and fighting to overcome anything thrown in their way--inside the ring and out. Le Goues' luscious tritone black and white photographs depict rigorous training camps, boxing rings erected in the streets of small villages in the Cuban countryside, the lows of these young boxers struggling with abject poverty and crushing defeat, and the ultimate highs of rising up victorious over all obstacles and challengers. The pure instinct to survive against overwhelming odds and to realize their dreams of boxing on the national team is both startling and beautiful.Havana Boxing Clubcaptures the sport's arresting beauty and unrelenting brutality.
Boxing : Photographs by Larry Fink is a quiet masterpiece drawn from the blue-collar, workaday world of the sport. From reflective prefight meditations to ringside flurries of feints and jabs, from jocular pstfight camaraderie to a handler's sweet consolation of a swollen combatant, Fink registers the grace, beauty and paternal love that belie this brutal American pastime, capturing fighters and their managers in surprisingly candid repose.
Critical and radical perspectives have been central to the emergence of the sociology of sport as a discipline in its own right. This ground-breaking new book is the first to offer a comprehensive theory and method for a critical sociology of sport. It argues that class, political economy, hegemony and other concepts central to the radical tradition are essential for framing, understanding and changing social and political relations within sport and between sport and society. The book draws upon the disciplines of politics, sociology, history and philosophy to provide a critical analysis of power relations throughout the world of sport, while offering important new case studies from such diverse sporting contexts as the Olympics, world football, boxing, cricket, tennis and windsurfing. In the process, it addresses key topics such as: * nations and nationalism * globalisation * race * gender * political economy. Power Games can be used as a complete introduction to the study of sport and society. And will be essential reading for any serious student of sport. At the same time, it is a provocative book that by argument and example challenges those who research and write about sport to make their work relevant to social and political reform.
The steady rise of Clint Eastwood’s career parallels a pressing desire in American society over the past five decades for a figure and story of purpose, meaning, and redemption. Eastwood has not only told and filmed that story, he has come to embody it for many in his public image and film persona. Eastwood responds to a national yearning for a vision of individual action and initiative, personal responsibility, and potential for renewal. An iconic director and star for his westerns, urban thrillers, and adventure stories, Eastwood has taken film art to new horizons of meaning in a series of masterpieces that engage the ethical and moral consciousness of our times, including Unforgiven, Million Dollar Baby, and Mystic River. He revolutionized the war film with the unprecedented achievement of filming the opposing sides of the same historic battle in Flags of Our Fathers and Letters from Iwo Jima, using this saga to present a sharply critical representation of the new America that emerged out of the war, a society of images and spectacles. This timely examination of Clint Eastwood’s oeuvre against the backdrop of contemporary America will be fascinating reading for students of film and popular culture, as well as readers with interests in Eastwood’s work, and American film and culture.