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This book explores the ideas of the neglected English aesthetician and art historian, Adrian Stokes. Stokes's Kleinian-based concepts of carving and modelling are analysed in relation to film, arguing that they replace the traditional notions of realism and montage in film theory and provide a set of aesthetics which encompasses mainstream and 'art' cinema. This Kleinian psychoanalytic approach is offered to the films of Eisenstein, Rossellini, Hitchcock and others.
The subject of the book is representation in the three major novels of the late phase of James's work: The Ambassadors, The Wings of the Dove, and The Golden Bowl. A chapter is also devoted to a discussion of The Tragic Muse written some ten years earlier, which shows James's schematic focus on this question at the middle stage of his career.
Otto Weininger illustrates the manifestations of unconscious phantasy in children - normal, neurotic or psychotic - in various settings such as playgroups, ordinary schools or special schools for disturbed children, the family milieu or play therapy. He uses Melanie Klein's developmental theory and shows the evolutions of phantasies in their content, in the way they are symbolizes, and their functioning in terms of the child's evolution from the paranoid-schizoid position to the depressive position and Oedipus complex.
Part 1. Mystery is the negation of common sense, just as metaphysics is a kind of poetry. Ten axiomatic propositions of eastern philosophy. Part 2. There are two kinds of seership, spiritual and sensuous. Spiritual seership is pellucid vistas of cosmic splendour; sensuous, hazy glimpses of Truth distorted by matter. Part 3. The exercise of Will-power is the highest form of prayer, followed by an instant response. Eight Vedantic precepts of man’s mystic powers, and their appellations. Part 4. An illusionary “double” or doppelganger can be projected to any location. There are three kinds of “doubles” or astral bodies. Part 5. Feats and wonders by learned thaumaturgists, skilled in occult science. Conjuration, ceremonies, circle-making, and incense-burning are as ridiculous as they are useless. Part 6. The adept-magician can release the astral soul from the cremated remains and thus facilitate the withdrawal of the astral soul of the deceased, which otherwise might remain stupefied for an indefinite period within the ashes. Part 7. The disappearance from sight of a flame, symbol of Divine Light, does not imply its actual extinction. The spirit of the flame is inextinguishable. Part 8. Pure Buddhism possesses all the breadth that can be claimed from a doctrine, at once religious and scientific. Its tolerance excites the jealousy of none. Part 9. Magnetism is the alphabet of magic. The glorified human spirit is far more beauteous than its physical capsule. Part 10. The Todas resemble the statue of the Grecian Zeus, in majesty and beauty of form. Part 11. Shamanism is the heathenism of Mongolia, and one of the oldest religions of India. In is an offshoot of primitive theurgy, a practical blending of the visible with the invisible world. Part 12. The philosopher’s stone is no stone, it is Triune Unity and the end of all philosophers. Man is also a stone, potentially, a living foundation upon which he can build a temple, pure as flaming diamond, fit for his Higher Self to shine through him and become a beneficent power on earth. Part 13. The longevity of Lamas and the Talapoins of Siam is proverbial. Part 14. To deride wonders is easy; to explain them, troublesome; to dissect scientifically, impossible. How the brave warrior’s feet proved less nimble than his tongue. Part 15. Shamanism and its spirit-worship, is the most despised of all surviving religions. Still, many Russians are convinced of the Shamans’ supernatural powers. Part 16. The Kurdish rites and doctrines are purely magical and magian. They unify the mysticism of the Hindu with the practices of the Assyrio-Chaldean magians. Part 17. The plastic power of imagination, when impregnated with the potentiality of good or bad, generates a current which attaches itself to anyone who comes within it. “Evil eye” is the effect of venomous thoughts from the spell a malicious person. Part 18. The subjective end of matter, is pure spirit; the objective end, crystallised spirit. There being but One Truth, man requires but One Church, which is the Temple of God within us, walled-in by dense matter. Part 19. Modern Spiritualism is neither a science, nor a religion, not even a philosophy. To the spiritualists we offer philosophical deduction, instead of unverifiable hypothesis; scientific analysis and demonstration, instead of undiscriminating faith. Part 20. Our work is done. The enemies of Truth have been all counted, and paraded for all to see. Modern science, powerless to satisfy the aspirations of the race, makes the future a void, and bereaves man of hope. Paganism is ancient wisdom replete with Deity. And today, it rules the world in secret. Part 21. If ye love me, keep my commandments. Commentary on John xiv, 15–17. Appendix A. The Fire which devours itself is more mighty than ordinary fire. Appendix B. Biography of Francis Gerry Fairfield.
Helena Blavatsky's 'There is no Religion Higher than the Truth' is a groundbreaking esoteric work that delves into the philosophies of Theosophy and spiritualism. Blavatsky's literary style is rich in symbolism and mysticism, making this book a significant contribution to the occult literature of the late 19th century. The content of the book explores the idea that ultimate reality can only be found through personal spiritual experience, rejecting the notion of religious dogma and emphasizing the importance of universal truths. This book is a must-read for those interested in the intersection of spirituality, philosophy, and metaphysics. Blavatsky's use of ancient wisdom and her own metaphysical experiences come together to create a compelling narrative that challenges conventional beliefs and encourages readers to seek their own spiritual path. Helena Blavatsky was a prolific writer and influential spiritual leader who co-founded the Theosophical Society. Her vast knowledge of Eastern and Western spiritual traditions, as well as her personal experiences with the esoteric, inspired her to write this book. Blavatsky's unique perspective and deep insights into metaphysical concepts make her a pioneer in the spiritual literature genre. 'There is no Religion Higher than the Truth' is recommended for readers seeking a deeper understanding of universal truths and the spiritual journey towards enlightenment.