Download Free Bovo Dantona By Elye Bokher Book in PDF and EPUB Free Download. You can read online Bovo Dantona By Elye Bokher and write the review.

Bovo d'Antona by Elye Bokher (Elyiahu ben Asher haLevi Ashkenazi, 1469-1549) is a chivalry poem written in Yiddish in Padoa, in the year 1507, and printed under the author's supervision in Isny (Germany) in the year 1541. The present book intends to present a critical edition of this poem, together with a commentary. An introduction will focus on various related questions, such as the place of the Bovo d'Antona in European literature and in Italian literature, Bovo d'Antona and the chivalric genre in Old Yiddish literature, the analysis of the manuscript versions in comparison with the printed edition, the relationship with the Italian source and the readership. An appendix will deal with later transformations of the Bovo-Bukh. "Bovo Bukh is an excellent example of the relationship between romances and folktales,and Rosenzweigʼs introduction and edition of this important early Yiddish text will be appreciated by scholars of early Modern literature and folk narrative." - Dr. David Elton Gay, Indiana University, in: Fabula 59:1-2 (2018)
This is a 16th century Yiddish verse romance which relates the adventures of the hero Bovo d'Antona. The poet spins an episodic tale of friendship and betrayal, of disguise and discovery, and of knightly battles. Professor Smith's prose translation makes this little book accessible to the English-speaking public for the first time.
This Handbook of Jewish Languages is an introduction to the many languages used by Jews throughout history, including Yiddish, Judezmo (Ladino) , and Jewish varieties of Amharic, Arabic, Aramaic, Berber, English, French, Georgian, Greek, Hungarian, Iranian, Italian, Latin American Spanish, Malayalam, Occitan (Provençal), Portuguese, Russian, Swedish, Syriac, Turkic (Karaim and Krymchak), Turkish, and more. Chapters include historical and linguistic descriptions of each language, an overview of primary and secondary literature, and comprehensive bibliographies to aid further research. Many chapters also contain sample texts and images. This book is an unparalleled resource for anyone interested in Jewish languages, and will also be very useful for historical linguists, dialectologists, and scholars and students of minority or endangered languages. This paperback edition has been updated to include dozens of additional bibliographic references.
Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.
The translation of the Bible into the vernacular is a venerable Jewish tradition, more than two thousand years old. Ashkenazi Jewish culture was a latecomer to the vernacular Bible, and it was only in the sixteenth century that the Yiddish Bible made its appearance in print. Almost one hundred years ago, Wilhelm Staerk and Albert Leitzmann's survey of Early Modern Yiddish Bible translations was the first attempt to define this genre of Early Modern Yiddish literature. In the intervening century there has been relatively little scholarly interest in these texts. The purpose of the present study is to survey the present state of research in this field and place these works in the context of the popular religious culture of Ashkenazi Jewry, which is defined by its use of Yiddish as a means of both oral communication and literary production. The subject of this study is every Yiddish work from the sixteenth and seventeenth centuries that is directly or indirectly related to the Bible. The survey begins with the Mirkevet ha-Mishneh, the first published Yiddish book, which is a biblical concordance, published in Cracow, 1534-36, and concludes with the two competing translations of the entire Bible into Yiddish by Yekutiel Blitz and Joseph Witzenhausen, published in Amsterdam, 1676-86. (These were translations without any accompanying commentaries, and were modeled on Protestant Bibles, like the English King James, or the German Luther Bible.) The study includes not only translations of biblical books, but also adaptations, reworkings, and paraphrases of biblical texts, appearing in diverse literary styles, by a wide variety of authors. King David, for example, is presented in the Shmuel Bukh as a combination of medieval chivalric hero and rabbinic scholar who is careful to observe the strictures of Halakhah. The story of Jonah is retold through a midrashic lens, and concludes with a kabbalistic parable that analogizes Jonah's journey to that of the soul from conception through life, death, and return to its heavenly source. Some authors take great liberties with the biblical text. The author of the paraphrase of Isaiah only includes what he considers to be prophetic utterances and disregards the rest of the book. Another author decides that the second half of the Torah is too legalistic and not worth retelling, so he ends his commentary after the giving of the Torah on Mount Sinai. As for the Five Scrolls, Lamentations is too depressing so he ignores it. There are also surprising inclusions in these volumes, such as the books of Judith and Susanna from the Apocrypha, and the very colorful medieval version of the Book of Ben Sira, which is considered by modern scholars to be a parody.
In Yiddish Writers in Weimar Berlin, Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers—Dovid Bergelson, Der Nister, and Moyshe Kulbak—working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new understanding of the political resonances that result from it. Yiddish Writers in Weimar Berlin reveals how Yiddish literature participated in the culture of Weimar-era modernism, how active Yiddish writers were in the literary scene, and how German-speaking Jews read descriptions of Yiddish-speaking Jews to uncover the emotional complexity of what they managed to create even in the midst of their confusion and ambivalence in Germany. Caplan's masterful narrative affords new insights into literary form, Jewish culture, and the philosophical and psychological motivations for aesthetic modernism.
Caribbean Jewish Crossings is the first essay collection to consider the Caribbean's relationship to Jewishness through a literary lens. Although Caribbean novelists and poets regularly incorporate Jewish motifs in their work, scholars have neglected this strain in studies of Caribbean literature. The book takes a pan-Caribbean approach, with chapters addressing the Anglophone, Francophone, Hispanophone, and Dutch-speaking Caribbean. Part 1 traces the emergence of a Caribbean-Jewish literary culture in Suriname, St. Thomas, Jamaica, and Cuba from the late eighteenth century through the early twentieth century. Part 2 brings into focus Sephardic and crypto-Jewish motifs in contemporary Caribbean literature, while Part 3 turns to the question of colonialism and its relationship to Holocaust memory. The volume concludes with the compelling voices of contemporary Caribbean creative writers.
This volume brings together the latest scholarship on Jewish literary products and the ways in which they can be interpreted from three different perspectives. In part 1, contributors consider texts as literature, as cultural products, and as historical documents to demonstrate the many ways that early Jewish, rabbinic, and modern secular Jewish literary works make meaning and can be read meaningfully. Part 2 focuses on exegesis of specific biblical and rabbinic texts as well as medieval Jewish poetry. Part 3 examines medieval and early modern Jewish books as material objects and explores the history, functions, and reception of these material objects. Contributors include Javier del Barco, Elisheva Carlebach, Ezra Chwat, Evelyn M. Cohen, Naftali S. Cohn, William Cutter, Yaacob Dweck, Talya Fishman, Steven D. Fraade, Dalia-Ruth Halperin, Martha Himmelfarb, Marc Hirshman, Tamar Kadari, Israel Knohl, Susanne Klingenstein, Katrin Kogman-Appel, Jon D. Levenson, Paul Mandel, Annett Martini, Jordan S. Penkower, Annette Yoshiko Reed, Jeffrey L. Rubenstein, Shalom Sabar, Raymond P. Scheindlin, Seth Schwartz, Sarit Shalev-Eyni, Moshe Simon-Shoshan, Peter Stallybrass, Josef Stern, Barry Scott Wimpfheimer, Elliot R. Wolfson, Azzan Yadin-Israel, and Joseph Yahalom.
Moshe Rosman's revolutionary approach has become a cornerstone of Polish Jewish historiography. Challenging conventions, he asserts that the 'marriage of convenience' between the Jews and the Polish--Lithuanian Commonwealth was a dynamic relationship that, though punctuated by crisis and persecution, developed into a saga of overall achievement and stability. With that fundamental message this book forges a thematic survey of Jewish history in early modern Poland. These essays, written by Rosman over the course of a distinguished career, have all been updated and enhanced with new detail and nuanced arguments, taking account not only of new archival material and research but also of the ongoing evolution of the author’s own knowledge and perspectives. Some appear here in English for the first time. The volume's structure highlights key topics for understanding the Polish Jewish past: relations between Jews and other Poles; Jewish communal life; Polish Jewish women; and hasidism. One section analyses how this past has been presented in both scholarly and popular modes. The essays are crafted to place them in dialogue with each other. Analytical introductions weigh their significance in the light of modern and postmodern Jewish and Polish historiography. An extensive general introduction sets the context of the history portrayed here, while a thoughtful conclusion elucidates the larger motifs that emerge.
Jewish Languages from A to Z provides an engaging and enjoyable overview of the rich variety of languages spoken and written by Jews over the past three thousand years. The book covers more than 50 different languages and language varieties. These include not only well-known Jewish languages like Hebrew, Yiddish, and Ladino, but also more exotic languages like Chinese, Esperanto, Malayalam, and Zulu, all of which have a fascinating Jewish story to be told. Each chapter presents the special features of the language variety in question, a discussion of the history of the associated Jewish community, and some examples of literature and other texts produced in it. The book thus takes readers on a stimulating voyage around the Jewish world, from ancient Babylonia to 21st-century New York, via such diverse locations as Tajikistan, South Africa, and the Caribbean. The chapters are accompanied by numerous full-colour photographs of the literary treasures produced by Jewish language-speaking communities, from ancient stone inscriptions to medieval illuminated manuscripts to contemporary novels and newspapers. This comprehensive survey of Jewish languages is designed to be accessible to all readers with an interest in languages or history, regardless of their background—no prior knowledge of linguistics or Jewish history is assumed.