Download Free Botsotso 19 Fiction Book in PDF and EPUB Free Download. You can read online Botsotso 19 Fiction and write the review.

The Botsotso literary journal started in 1996 as a monthly 4 page insert in the New Nation, an independent anti-apartheid South African weekly and reached over 80,000 people at a time – largely politisized black workers and youth – with a selection of poems, short stories and short essays that reflected the deep changes taking place in the country at that time. Since the closure of the New Nation in 1999, the journal has evolved into a stand-alone compilation featuring the same mix of genres, and with the addition of photo essays and reviews. The Botsotso editorial policy remains committed to creating a mix of voices which highlight the diverse spectrum of South African identities and languages, particularly those that are dedicated to radical expression and examinations of South Africa's complex society. Botsotso 19: Fiction. True, False and Fantastical includes thirty-one pieces by a wide range of southern African writers accompanied with photographs by Moshe Sekete Potswana. The edition focuses on fiction that covers a wide range of themes and situations: Thabisani Ndlovu’s “Making a Woman” is about patriarchy and rising feminism in a Zimbabwean village, Mpumelelo Cilibe’s “Keep the Ship Moving!” is set during the emergence of the first trade union at a Ford motor plant in the late 1970’s in Port Elizabeth, South Africa, and Muthal Naidoo’s anthropomorphic satire “Stone Walls” is about exploitative friendships. Botsotso 19displays the art of storytelling in many forms and styles and moves the reader through a wide range of emotions.
The Botsotso literary journal started in 1996 as a monthly 4 page insert in the New Nation, an independent anti-apartheid South African weekly and reached over 80,000 people at a time – largely politisized black workers and youth – with a selection of poems, short stories and short essays that reflected the deep changes taking place in the country at that time. Since the closure of the New Nation in 1999, the journal has evolved into a stand-alone compilation featuring the same mix of genres, and with the addition of photo essays and reviews. The Botsotso editorial policy remains committed to creating a mix of voices which highlight the diverse spectrum of South African identities and languages, particularly those that are dedicated to radical expression and examinations of South Africa's complex society. Botsotso 17 reflects the depth and creative range of the South African cultural and emotional environment, as well as the broader social currents in which they were spawned; and that the coexisting phenomena of love and violence, alienation and precious comings-together mingle to create a unique, if familiar, panorama as streams of words reveal the inner meanings of so many different lives.
The Botsotso literary journal started in 1996 as a monthly 4 page insert in the New Nation, an independent anti-apartheid South African weekly and reached over 80,000 people at a time largely politisized black workers and youth with a selection of poems, short stories and short essays that reflected the deep changes taking place in the country at that time. Since the closure of the New Nation in 1999, the journal has evolved into a stand-alone compilation featuring the same mix of genres, and with the addition of photo essays and reviews. The Botsotso editorial policy remains committed to creating a mix of voices which highlight the diverse spectrum of South African identities and languages, particularly those that are dedicated to radical expression and examinations of South Africa's complex society. Botsotso 19: Fiction. True, False and Fantastical includes thirty-one pieces by a wide range of southern African writers accompanied with photographs by Moshe Sekete Potswana. The edition focuses on fiction that covers a wide range of themes and situations: Thabisani Ndlovus Making a Woman is about patriarchy and rising feminism in a Zimbabwean village, Mpumelelo Cilibes Keep the Ship Moving! is set during the emergence of the first trade union at a Ford motor plant in the late 1970s in Port Elizabeth, South Africa, and Muthal Naidoos anthropomorphic satire Stone Walls is about exploitative friendships. Botsotso 19 displays the art of storytelling in many forms and styles and moves the reader through a wide range of emotions.
The fourteen interviews in this book form an unprecedented wealth of material on authors’ responses to HIV/AIDS in South Africa and Zimbabwe. They comprise a valuable archive which documents and contextualises the variety of views and opinions of different authors on their often ground-breaking choices in writing about HIV/AIDS. Each author ranks among the first to publish fiction on HIV/AIDS in their respective countries. These interviews are of particular merit as these issues have not been discussed at length with any of the authors before. Collectively they offer a unique range of approaches and opinions in response to the HIV/AIDS pandemic in southern Africa. Their significance lies in their specific literary, as well as their broader social, cultural and political perspectives on a disease which continues to spread despite extensive NGO, medical and government intervention. In both South Africa and Zimbabwe, government responses have failed to address the urgent need for new political and economic solutions to the challenge of HIV infection. Responses among the population have varied from widespread silence, shame and fear to political activism and outspoken critiques of government inaction. Writers give voice to this silence and contextualise the disparate reactions amongst diverse peoples. Globally, AIDS killed approximately 2 million in 2008. In 1998, AIDS was the largest killer in southern Africa, nearly double the one million deaths from malaria and eight times the 209,000 deaths from tuberculosis. It has long been the case that of those dying globally of AIDS, the majority live in southern Africa. When the associated social and cultural implications of infection with HIV are considered, fictional representations contribute significantly to our understanding of the impact of HIV/AIDS on communities and individuals, and provide a much-needed basis for ‘humanising’ an epidemic which is unimaginable statistically. It has been said that the feelings and reactions that HIV/AIDS inspires are often ‘too unreal for words,’ and it is this very notion, that certain diseases are taboo, unmentionable, and hardly even named as such, that makes verbalisation of this epidemic a modern imperative.
An invaluable source of information on the personalities and organizations of the literary world.
The monograph explores the linguistic impact of the colonial and postcolonial situations in South Africa on language policy, on literary production and especially on the stylistics of fiction by indigenous South Africans writing in English. A secondary concern is to investigate the present place of English in the multilingual spectrum of South African languages and to see how this worldly English relates to Global English, in the South African context. The introduction presents a socio-linguistic overview of South Africa from pre-historic times until the present, including language planning policies during and after the colonial era and a cursory review of how the difficulties encountered in implementing the Language Plan, provided for by the new South African constitution, impinge on the development of black South African English. Six chapters track the course of English in South Africa since the arrival of the British in 1795, considered from the point of view of the indigenous African population. The study focuses on ways in which indigenous authors 'indigenize' their writing, innovating and subverting stylistic conventions, including those of African orature, in order to bend language and genre towards their own culture and objectives. Each chapter corresponds to a briefly outlined historical period that is largely reflected in linguistic and literary developments. A small number of significant works for each period are discussed, one of which is selected for a case-study at the end of each chapter, where it is subjected to detailed stylistic analysis and appraised for the degree of indigenization or other linguistic or socio-historic influences on style. The methodology adopted is a linguistic approach to stylistics, focusing on indigenization of English, inspired by the work of Chantal Zabus in her book, The African Palimpsest: Indigenization of Language in the West African Europhone Novel (2007, (1991)). The conclusion reappraises the original hypothesis - that the specific characteristics of South African literary production, including styles of writing, can be related to the political, social and economic context - in the light of many fresh insights; and discusses the place occupied by English in the cultural struggle of the formerly colonized peoples of South Africa.
The High Flier and Other Stories is a collection of twelve exciting short stories from across Africa. The collection focuses on pertinent issues which touch on social, economic and political aspects of life such as the place of the African girl child, personal relationships in a changing cultural universe, female exploitation and choice, interracial relationships, HIV and AIDS, political disillusionment and betrayal, prison life, and disability. The stories provide insight into the issues that dominate contemporary debates in Africa from some the continents most well-known writers such as Chimamanda Ngozi Adichie, Ngugi wa Thiong’o, Grace Ogot, Chiedza Musengezi, Seam O’Toole, Chika Unigwe, Mildred Kiconco Barya, Mzana Mthimkhulu, Leila Aboulela, Alex la Guma, Vivienne Ndlovu and Leteipa ole Sunkuli.
This book makes a rare contribution towards the preservation and promotion of ukhaliro wa bene Malawi (Malawian culture) that is fast waning. This dilution of culture was put in motion by the British colonial masters and got exacerbated with the inception of democratic governance in 1994. There is need for concerted efforts amongst various practitioners and stakeholders, led by the government itself, if the situation is to be put under control. Otherwise, sooner or later, it will simply be remote history that 'long time ago, there was a unique culture in Malawi'. The book is a collection of twenty short stories that generally promote such themes as nkharo yiwemi (good behaviour); uheni wa chigolo na sanje (the bad side of selfishness and jealousy); kulimbikira pa vinthu (hard working spirit); and uheni wa mitala (the folly of polygamy), among others. The strength of the book lies in the fact that there is room for the reader to draw their own lessons based on their understanding of a particular story, in addition to the lesson already highlighted there-in. The book is a must read for all, young and old, especially those interested in understanding the societal values, not only about Malawi, but of Africa as a whole.