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Botlhodi The Abomination is a powerful story about British colonialism and its aftermath in Molepolole, Botswana. It is a compelling juxtaposition between Traditional Setswana ways and Christianity. The protagonist, Modiko, finds himself conflicted when both his strict father, a pastor of Motlhaoetla church, and his grandfather, an unapologetic traditionalist, expect him to choose between Setswana tradition and Christianity. Torn between the two worlds, Modiko at the end makes an informed personal decision. The road is not smooth though, as he experiences persecution, bullying, abuse, witchcraft and nightmares along the way. Other characters in the novel engage in some serious conversations that allude to some important historical developments. In this work, T.J. Pheto presents to his readers a hilarious story pregnant with themes of identity, social change, discrimination, racism, colonialism, love and, tradition versus modernity. This pioneering literary response to British colonialism in Botswana is an outstanding postcolonial fiction of resistance. Phetos humor makes the book all the more hard for a reader to put down.
Botlhodi – The Abomination is a powerful story about British colonialism and its aftermath in Molepolole, Botswana. It is a compelling juxtaposition between Traditional Setswana ways and Christianity. The protagonist, Modiko, finds himself conflicted when both his strict father, a pastor of Motlhaoetla church, and his grandfather, an unapologetic traditionalist, expect him to choose between Setswana tradition and Christianity. Torn between the two worlds, Modiko at the end makes an informed personal decision. The road is not smooth though, as he experiences persecution, bullying, abuse, witchcraft and nightmares along the way. Other characters in the novel engage in some serious conversations that allude to some important historical developments. In this work, T.J. Pheto presents to his readers a hilarious story pregnant with themes of identity, social change, discrimination, racism, colonialism, love and, ‘tradition’ versus ‘modernity’. This pioneering literary response to British colonialism in Botswana is an outstanding postcolonial fiction of resistance. Pheto’s humor makes the book all the more hard for a reader to put down.
The Lie of the Land is a novel set against the background of the German colonial wars in Namibia in the early 1900s. The central character is an academic in linguistics who occasionally acts as a British agent. He is a cynical, private individual who sees himself as a neutral observer but is eventually forced to take sides when he witnesses the atrocities of the Herero and Nama genocide and, above all, meets a young Nama woman who enchants him. The novel explores the shifting nature of the oppressor and the oppressed. Despite the unfolding tragic events, the story is lightened by surprising bursts of humour, and is ultimately a love story.
Jackie Vance and her daughter Ama visit Ghana at the invitation of Mae Brown, an anthropology professor on sabbatical at the University of Cape Coast Ghana. While touring the female slave quarters at Elmina Castle, the largest castle in Africa built by the Portuguese in 1482, Jackie, channeling an Ashanti princess who was captured during the British-Ashanti war, goes into a reverie about the horrifying experiences of the women who lived there several hundred years ago.
In her innovative study of spatial locations in postcolonial texts, Sara Upstone adopts a transnational approach, focusing on the major texts of Wilson Harris, Toni Morrison, and Salmon Rushdie with reference to other postcolonial authors. Challenging the privileging of the nation, Upstone shows that spatial locales such as the journey, city, home, and body enable personal or communal statements of resistance against colonial prejudice and its neo-colonial legacies.
When strangers invade her village in 1910, young princess Samarah's knowledge of English unwittingly contributes to her capture. Forced into a life of servitude on a plantation far removed from her homeland, Samarah struggles with losing the life and people she had known and loved. Her mother and Bintum - her childhood love who seeks and reunites with her at the plantation- offer a sense of the familiar until tragedy strikes leaving Samarah alone and angry. As the son of Samarahs employer, Mayne Patterson represents all that has caused pain, misery and uncertainty in Samarahs life. Mayne is in love with Samarah and will do everything he can to get her. Can Samarah overcome all the hurt and misgivings to see Mayne for who he is and not what he embodies? Torn between the love to whom she is betrothed and her growing attraction to Mayne, Samarah must decide between her hearts desires and her obligations to her homeland. This debut historical fiction is at once a story of love and identity as it is a portrait of aspects of colonial rule in Africa.
In Pointe-Noire of the 1950's lived Paul Makouta, a "civilized" and westernized native who was very proud of communicating exclusively in French with Madeleine Mamatouka, his wife, Alex his only son, and the other children of his household. Under no circumstance did Makouta allow the members of his family speak the language of Metropolitan France with the slightest trace of a Bantu accent. Again, anyone who dared speak Kituba, an indigenous language, with the family's domestic staff was liable to severe reprimand. Clearly, the father's intransigence was at odds with the communicative practices in the neighborhood and of children commuting daily to school. And it was only natural for Tessa, a fellow pupil from the neighborhood, to successfully convince her teenage friend, Alex Babingo, of the absurdity of Makouta's directive. Little did Alex Babingo realize that his initial acceptance of the irrationality of the father's prohibition in colonized Congo was only the start of a trajectory which, from the other side of the world, would impel his return to the very roots of his culture and ancestral traditions in the now independent Republic of Congo or Congo-Brazzaville. Babingo, the Noble Rebel is a poignant and pulsating advocacy for the mainstreaming of indigenous languages into the curriculum of African countries, not least those belonging to the French-speaking world.
Welcome back to The King's Journal. This book is a true-life story of an African King based in South Africa. The Last Frontier is a resistance stand by Bakgatla Ba kgafela tribe and its line of Kings from 1885 against a dark force called 'western democracy' that is insidiously destroying lives, peoples, nations and threatens to wipe away whole civilizations in Africa. The story flows through four important episodes of history, beginning in about 1885 when Bechuanaland Protectorate was formed. This section briefly reveals interactions between Kgosi Linchwe 1 and the British Colonial Government, leading to the establishment of Bakgatla Reserve by Proclamations of 1899 - 1904. The second episode deals with Kgosi Molefi's interaction with the British Colonial Government in the period of 1929-36. The third episode records Kgosi Linchwe II's interactions with the British Colonial Government and black elites of Bechuanaland. It covers the period of 1964-66, leading to Botswana's independence. Kgosi Linchwe ii resisted the unlawful expropriation of his country (Bakgatla Reserve) by Sir Seretse Kgama's government of 1966 to no avail. He wrote letters of objection (December 1965) to Her Majesty the Queen of England, which are reproduced in this book. The fourth episode covers the period between Kgafela Kgafela II's crowning as King of Bakgatla in 2008 to 2021. It is a drama of the author's resistance to the present-day Botswana Government, a continuation of Bakgatla Kings' objection against losing Bakgatla country to the Kgama dynasty assisted by the British Government since 1885. The story is told with reference to authentic letters, documents, and Court records generated during the period of 1885-2019. There is plenty of education in history, law, and politics contained in The Last Frontier for everyone to learn something and enjoy.
Read worldwide for her wisdom, authenticity, and skillful prose, South African–born Bessie Head (1937–1986) offers a moving and magical tale of an orphaned girl, Margaret Cadmore, who goes to teach in a remote village in Botswana where her own people are kept as slaves. Her presence polarizes a community that does not see her people as human, and condemns her to the lonely life of an outcast. In the love story and intrigue that follows, Head brilliantly combines a portrait of loneliness with a rich affirmation of the mystery and spirituality of life. The core of this otherworldly, rhapsodic work is a plot about racial injustice and prejudice with a lesson in how traditional intolerance may render whole sections of a society untouchable.