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Both Hands Tied studies the working poor in the United States, focusing in particular on the relation between welfare and low-wage earnings among working mothers. Grounded in the experience of thirty-three women living in Milwaukee and Racine, Wisconsin, it tells the story of their struggle to balance child care and wage-earning in poorly paying and often state-funded jobs with inflexible schedules—and the moments when these jobs failed them and they turned to the state for additional aid. Jane L. Collins and Victoria Mayer here examine the situations of these women in light of the 1996 national Personal Responsibility and Work Opportunity Reconciliation Act and other like-minded reforms—laws that ended the entitlement to welfare for those in need and provided an incentive for them to return to work. Arguing that this reform came at a time of gendered change in the labor force and profound shifts in the responsibilities of family, firms, and the state, Both Hands Tied provides a stark but poignant portrait of how welfare reform afflicted poor, single-parent families, ultimately eroding the participants’ economic rights and affecting their ability to care for themselves and their children.
In this highly lyrical, imagistic debut, Marcelo Hernandez Castillo creates a nuanced narrative of life before, during, and after crossing the US/Mexico border. These poems explore the emotional fallout of immigration, the illusion of the American dream via the fallacy of the nuclear family, the latent anxieties of living in a queer brown undocumented body within a heteronormative marriage, and the ongoing search for belonging. Finding solace in the resignation to sheer possibility, these poems challenge us to question the potential ways in which two people can interact, love, give birth, and mourn—sometimes all at once.
When you ́re eighteen you don ́t get tired, you don ́t get cold, nothing terrible will ever happen, and you can do anything with one hand tied behind your back. Say hello to Gail Stuart, the protagonist of With One Hand Tied Behind His Back: The Life and Times of Gail Stuart. He ́s an eighteen year old college freshman falsely accused of stealing a midterm Geology test. Presuming they ́re nabbed, test thieves get an F for the test, possible expulsion, and, if the police are involved, arrest for a high misdemeanor. But what if new information makes the case a felony, which it does, despite the fact that the word evidence seems to have disappeared from the language. Gail is then joined by bribable and buyable administrators, dodging and ducking department heads, a cowardly martinet from the board of regents, and a babble of noble, corrupt, and partly corrupt students, fraternity blokes, instructors, proprietary secretaries, anxious editors, sleazy reporter, attorneys, cops, and local citizens, all either hoping Gail is innocent or that he takes the rap. How he overcomes his dilemma is further convoluted by other avocations and unplanned adventures, a full course schedule, a sorority hasher ́s job, a fraternity membership, a couple of physical altercations, and even his own retail business. With One Hand Tied Behind His Back also presents the Stuart family. Roderick Bruce Stuart II, Gail ́s father is a descendant of Charles II of England. His family has lived in Minneapolis since the 1860s. Gail ́s mother, Charlotte Fairfax Stuart, comes from renegade Swiss mercenaries, degenerate French apaches, and more civilized Virginia farmers. Find out what she does with her life and how it influences her son. Finally, With One Hand Tied Behind His Back presents the Midwest college scene of 1954 where the expanding economy of post World War II and the GI Bill have increased the number of students, including women. One of them, the self assured and competent Rebecca Brickerhaus, will share and adventure or two and fall in love with Gail Stuart. Ah, yes. How could it be otherwise.
Footbinding was common in China until the early twentieth century, when most Chinese were family farmers. Why did these families bind young girls' feet? And why did footbinding stop? In this groundbreaking work, Laurel Bossen and Hill Gates upend the popular view of footbinding as a status, or even sexual, symbol by showing that it was an undeniably effective way to get even very young girls to sit still and work with their hands. Interviews with 1,800 elderly women, many with bound feet, reveal the reality of girls' hand labor across the North China Plain, Northwest China, and Southwest China. As binding reshaped their feet, mothers disciplined girls to spin, weave, and do other handwork because many village families depended on selling such goods. When factories eliminated the economic value of handwork, footbinding died out. As the last generation of footbound women passes away, Bound Feet, Young Hands presents a data-driven examination of the social and economic aspects of this misunderstood custom.
Fans of angsty romance from Lauren Asher and Mia Sheridan will be hooked by this emotional novel following two broken souls connected by a dark, haunting past. My innocence was stolen when I was abducted at five years old. For eleven years I held on by clinging to childhood fairytales. I waited for a prince to someday save me and carry me off to a happily ever after. I had no idea my savior would come as a scarred recluse, covered in tattoos, who can't--or won't--speak a word. Nevertheless, the moment our eyes met I knew he was the one. My prince. With his bare hands, he killed the monster who kept me captive. But people have a way of distorting the truth when the hero looks like a villain. As it turns out, Tyler Grace is many things: A myth. An outcast. A nightmare. Haunted by tragedy, he lives secluded in the forest. Some say they see him ride through town at night--straddling a black motorcycle, his face covered by a skeletal mask. I've been warned to stay away, yet I can't stop thinking about him. I ache to hear his voice. And I want nothing more than to break through his walls. I know he's the only one who can break through mine. Do we dare dream of a love that once felt impossible to find? Or will only our horrible, twisted past tie us together?
Covering over 10,000 idioms and collocations characterized by similarity in their wording or metaphorical idea which do not show corresponding similarity in their meanings, this dictionary presents a unique cross-section of the English language. Though it is designed specifically to assist readers in avoiding the use of inappropriate or erroneous phrases, the book can also be used as a regular phraseological dictionary providing definitions to individual idioms, cliches, and set expressions. Most phrases included in the dictionary are in active current use, making information about their meanings and usage essential to language learners at all levels of proficiency.
The strongest bonds are the ones unseen... Businesswoman Skylar Ellison never intended to get tangled up with a sexy Wyoming cowboy-let alone conceive a baby with him in the parking lot of a honky-tonk. When it appears her baby daddy has taken off for greener pastures, Skylar pulls up her bootstraps and carries on alone. Rancher Kade McKay is knocked for a loop when he returns home after a year on the range and finds out he's the father of a three-month-old baby girl. When Skylar refuses to marry him, Kade grits his teeth, moves in and plays house by her rules to prove he's a man in for the long haul. Despite Skylar's insistence they are to remain strictly parenting partners for baby Eliza, their old passions flare hot as a prairie fire, spurring Kade to demand total sexual surrender from the headstrong woman. Skylar willingly submits her body to the hot-blooded cowboy, but she's hesitant to hand Kade the reins to her heart. Can Kade convince Skylar the wicked sex games aren't a temporary distraction? Or will he have to break out the ropes to show her he wants to be tied to her...forever?
A collection of nonsense poems which includes, "I do not like thee, Doctor Fell," "Moll-in-the-Wad," "My Pussy Cat has got the Gout," and many others.
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
Part Six of the Make Me Serial As their relationship grows more intense, so do Harper’s concerns and Jacob’s secrets, as the next chapter of New York Times bestselling author Beth Kery’s sexy serial novel continues... Haunted by the prospect of possessing Harper whenever he can, Jacob deepens his risk, indulging in a passionate escape with her at his Sea Cliff mansion. In their moments of intimacy, there are times when Jacob could swear Harper remembers their shared past, making him wonder if she’s purposefully misleading him about forgetting Jake Tharp. But despite his suspicions and increasing worries for her well-being if she does remember that traumatic time, he finds himself falling harder for the woman who has reignited his most savage desires, and his most tender feelings... Harper can’t help feeling uneasy even though Jacob has begun to slowly open up to her about his past and his relationship with the beautiful Regina Morrow. There’s a mystery to her lover that she can’t comprehend, even as she draws alarmingly close to him with each second she spends in his challenging, intoxicating presence. As their days of volatile passion and pleasure in San Francisco draw to a close, she realizes how much she longs for this enigmatic man. Despite her fears about his secretiveness, when he reveals he wants her to stay with him indefinitely in his Lake Tahoe home, she realizes just how strong her need for him has grown... Don’t miss the next installment, Make Me Remember... Includes a bonus excerpt of Beth Kery’s Since I Saw You. Praise for Beth Kery “One of the sexiest, most erotic love stories that I have read in a long time.”—Affaire de Coeur “Fabulous, sizzling hot.”—Julie James, New York Times bestselling author