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Throughout the nineteenth and twentieth centuries, wall charts were a familiar classroom component, displaying scientific images at a large scale, in full color. But it's only now that they've been superseded as a teaching tool that we have begun to realize something their ubiquity hid: they are stunning examples of botanical art at its finest. This beautifully illustrated oversized book gives the humble wall chart its due, reproducing more than two hundred of them in dazzling full color. Each wall chart is accompanied by captions that offer accessible information about the species featured, the scientists and botanical illustrators who created it, and any particularly interesting or innovative features the chart displays. And gardeners will be pleased to discover useful information about plant anatomy and morphology and species differences. We see lilies and tulips, gourds, aquatic plants, legumes, poisonous plants, and carnivorous plants, all presented in exquisite, larger-than-life detail. A unique fusion of art, science, and education, the wall charts gathered here offer a glimpse into a wonderful scientific heritage and are sure to thrill naturalists, gardeners, and artists alike.
The seventeenth century heralded a golden age of exploration, as intrepid travelers sailed around the world to gain firsthand knowledge of previously unknown continents. These explorers also collected the world’s most beautiful flora, and often their findings were recorded for posterity by talented professional artists. The Golden Age of Botanical Art tells the story of these exciting plant-hunting journeys and marries it with full-color reproductions of the stunning artwork they produced. Covering work through the nineteenth century, this lavishly illustrated book offers readers a look at 250 rare or unpublished images by some of the world’s most important botanical artists. Truly global in its scope, The Golden Age of Botanical Art features work by artists from Europe, China, and India, recording plants from places as disparate as Africa and South America. Martyn Rix has compiled the stories and art not only of well-known figures—such as Leonardo da Vinci and the artists of Empress Josephine Bonaparte—but also of those adventurous botanists and painters whose names and work have been forgotten. A celebration of both extraordinarily beautiful plant life and the globe-trotting men and women who found and recorded it, The Golden Age of Botanical Art will enchant gardeners and art lovers alike.
Plants and flowers have always captured man's imagination, with their delicate harmonies and the perfection of their symmetrical forms. Over the centuries, the world of plants has stirred the aesthetic sense of many artists, who have approached the representation of the natural world with creative spirit. Art merged with science when man began to investigate Nature and her secrets with a critical spirit; botany and art then blended in a union that resulted in any number of splendid masterpieces. Guided by the accuracy of their observation, but also by a sense of wonder at the beauty of these botanical specimens, some of the greatest illustrators of the past have left us marvellous coloured images that portray the amazing wealth of the world's flora, from the most common species to the rarest varieties scattered in remote corners of the planet. This splendidly illustrated volume will guide the reader in discovering the golden era of botanical art. It is a journey through the centuries that illuminates the evolution of the techniques and the styles, and it offers a panorama of the most important artists who have captured the pure essence of the plant world, conveying its beauty to paper. Ranging from the first herbals dating from the Middle Ages to the florilegia that illustrate the species associated with specific regions or habitats, or from the artists who accompanied the great expeditions to every corner of the world. AUTHOR: Anna Laurent is an award-winning flora-focused author & artist. Her first book, Botanical Art from the Golden Age of Scientific Discovery, published by University of Chicago Press in 2016, explores 19th century educational classroom boards with research conducted in Prague, Berlin, London, Cambridge, and elsewhere. Organized by plant family, the book emulates a Victorian classroom while providing biographies of renowned illustrators and scientists. Previously, she was a contributing editor at Garden Design, where she wrote about the history of botanic illustration. Her forthcoming work will be featured in a new exhibition at Royal Botanic Garden Kew, London, and her award-winning 'Dispersal' photography series has exhibited across the United States.
Recounts the triumphs and mishaps of Columbus and other explorers, following the naturalists--both famous and obscure--whose investigations of the world's fauna and flora fueled the rise of science and technology that propelled Western Europe towards modernity.
Presents a collection of botanical paintings along with descriptions of the artists' techniques and backgrounds.
In the early modern world, botany was big science and big business, critical to Europe's national and trade ambitions. Tracing the dynamic relationships among plants, peoples, states, and economies over the course of three centuries, this collection of essays offers a lively challenge to a historiography that has emphasized the rise of modern botany as a story of taxonomies and "pure" systems of classification. Charting a new map of botany along colonial coordinates, reaching from Europe to the New World, India, Asia, and other points on the globe, Colonial Botany explores how the study, naming, cultivation, and marketing of rare and beautiful plants resulted from and shaped European voyages, conquests, global trade, and scientific exploration. From the earliest voyages of discovery, naturalists sought profitable plants for king and country, personal and corporate gain. Costly spices and valuable medicinal plants such as nutmeg, tobacco, sugar, Peruvian bark, peppers, cloves, cinnamon, and tea ranked prominently among the motivations for European voyages of discovery. At the same time, colonial profits depended largely on natural historical exploration and the precise identification and effective cultivation of profitable plants. This volume breaks new ground by treating the development of the science of botany in its colonial context and situating the early modern exploration of the plant world at the volatile nexus of science, commerce, and state politics. Written by scholars as international as their subjects, Colonial Botany uncovers an emerging cultural history of plants and botanical practices in Europe and its possessions.
Published to coincide with an exhibition at the National Gallery of Art, Washington DC, of sixty-eight works of art, primarily from Florentine collections, The Flowering of Florence explores the close ties between art and the natural sciences in Tuscany as seen in the botanical renderings created in Florence for the Medici grand dukes from the late 1500s through the early 1700s. The catalog comprises an essay and checklist with reproductions of the exquisite works in the show. Examples include Jacopo Ligozzi's plant drawings in tempera on paper from the Uffizi Gallery, Giovanna Garzoni's fruit and flower paintings on vellum, and Bartolomeo Bimbi's later and much larger still-life paintings.
Walking one day in the woods behind her cottage in Devon, nature illustrator and blogger Jo Brown became captivated by the sight of a Green Dock Beetle on a leaf and took a photograph of it in order to be able to draw it. That first tiny emerald bug was followed by more insects, and then birds, fungi, plants and flowers. The result is Secrets of a Devon Wood, a rich illustrated memory of her discoveries in the order in which she encountered them, so that the book flows smoothly with the seasons and the emergence of different wildlife. In enchanting, minute detail she zooms in on a bog beacon mushroom, a buff-tailed bumblebee, or a native bluebell. And she notes facts about their physiology and life history: "The flowers are narrow & darker than H. hispanica & H.x. mossartiana," she writes. "Drooping stem. Almost all flowers are on one side. Sweet scent." This journal is a treat for the senses, both a hymn to the intricate beauty of the natural world and a quiet call to arms for all of us to acknowledge and preserve it. It is a book that will stay with you long after you finally put it down
The opening of the nineteenth century ushered in an age of unprecedented scientific discovery and artistry. As the development of the microscope allowed scientists access to a previously unimaginable world in miniature, and naturalists travelling the globe sent home reports of weird and wonderful species, there was a growing desire for knowledge of the natural world. Through the medium of popular botanical wall charts, botanical drawing was able to bring this new area of exploration out of the elite salons and universities and into classrooms and homes. This book is a celebration of these botanical wall charts, and the fantastic convergence of art and science they represent. With the artworks taking centre stage, accompanied by text that gives insight into the historical, botanical and artistic context, this unique collection will delight and fascinate botanists, devotees of beautiful vintage illustration, and all with an interest in the natural world.
A thought provoking study of the powerful impact of images in guiding astronomers' understanding of galaxies through time.