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James Boswell's "The Life of Samuel Johnson" is the most celebrated of all biographies, acknowledged as one of the greatest and most entertaining books in the English language. Yet Boswell himself has generally been considered little more than an idiot and condemned by posterity as a lecher and drunk. How could such a fool have written such a book? With great wit, Adam Sisman here tells the story of Boswell's presumptuous task-the making of the greatest biography of all time. Sisman traces the friendship between Boswell and Samuel Johnson, his great mentor, and provides a fascinating account of Boswell's seven-year struggle to write "The Life of Samuel Johnson."
This “amusing and elegantly written” romp takes readers on a wild ride through the life of Robert Parkin Peters (The New York Times Book Review)—a liar, bigamist, and fraudulent priest who tricked some of the brightest minds of his generation. One day in November 1958, the celebrated historian Hugh Trevor–Roper received a curious letter. It was an appeal for help, written on behalf of a student at Magdalen College, with the unlikely claim that he was being persecuted by the Bishop of Oxford. Curiosity piqued, Trevor–Roper agreed to a meeting. It was to be his first encounter with Robert Parkin Peters: plagiarist, bigamist, fraudulent priest, and imposter extraordinaire. The Professor and the Parson is a witty and charming portrait of eccentricity, extraordinary narcissism, and a life as wild and unlikely as any in fiction. Motivated not by money but by a desire for prestige, Peters lied, stole, and cheated his way to academic positions and religious posts from Cambridge to New York. Frequently deported, and even more frequently discovered, he left a trail of destruction including seven marriages (three of which were bigamous) and an investigation by the FBI. "I was captivated from start to finish by this utterly mad, and wholly delightful story of chicanery and fantasy, and which involves a man who relentlessly duped our most cherished institutions of godly pursuit and higher learning. Plus I learned how to defrock a priest, always good to have on hand in these troubling times." —Simon Winchester, author of The Perfectionists
Throughout his life James Boswell struggled to fashion a clear account of himself, but try as he might he could not reconcile the truths of his era with those of his religious upbringing. Few periods better crystallize this turmoil than 1763–1765, the years of his Grand Tour and the focus of Robert Zaretsky’s thrilling intellectual adventure.
Beginning in 1611 with the King James Bible and ending in 2014 with Elizabeth Kolbert's 'The Sixth Extinction', this extraordinary voyage through the written treasures of our culture examines universally-acclaimed classics such as Pepys' 'Diaries', Charles Darwin's 'The Origin of Species', Stephen Hawking's 'A Brief History of Time' and a whole host of additional works --
He was one of the most gifted scholars of his generation—a brilliant writer, high-society star, and cultural force who moved easily between aristocratic houses and the humble haunts of literary bohemia. He developed a lucid prose style that he used to scathing effect, earning notoriety for his sharp attacks on other historians. Now this superb biography of Hugh Trevor-Roper, universally acclaimed overseas, makes its anticipated American debut. With incisive knowledge of the man and access to never-before-published letters, Adam Sisman paints a fascinating portrait of this charismatic, contentious, contradictory character. Sisman examines Trevor-Roper’s middle-class upbringing in a house so empty of affection that it caused, as he put it, his “almost physical difficulty in expressing emotion.” He traces Trevor-Roper’s career from his early academic triumphs to his later failure to produce the big book expected of him. Sisman also provides riveting new details of the high drama of Trevor-Roper’s World War II intelligence work—in which he boldly blew the whistle on bureaucratic infighting that imperiled British code-breaking—and the exclusive investigation of Hitler’s death that inspired his bestselling postwar triumph, The Last Days of Hitler. As never before, Trevor-Roper’s personal life is explored, including his passionate affair with an older, married woman. Finally, An Honourable Englishman reveals the truth behind his public substantiation of the false Hitler diaries in 1983, a misstep (encouraged by his impatient employer Rupert Murdoch) that forever tainted his reputation. Profoundly bright and brutally acerbic, Hugh Trevor-Roper was a literary lion like no other, and in An Honourable Englishman he receives the absorbing biography he deserves.
No major author worked in more genres than Samuel Johnson--essays, poetry, fiction, criticism, biography, scholarly editing, lexicography, translation, sermons, journalism. His works are more extensive than those of any other canonical English writer, and no earlier writer's life was documented as thoroughly by contemporaries. Because it's so difficult to know him thoroughly, people have made do with surrogates and simplifications. But Johnson was much more complicated than the popular image of 'Dr. Johnson' suggests: socially conservative but also one of the most radical abolitionists of his age, a firm believer in social hierarchy but an outspoken supporter of women intellectuals, an uncompromising Christian moralist but also a penetrating critic of family structures. Labels fit him poorly. In The Oxford Handbook of Samuel Johnson, an international team of thirty-six scholars offers the most comprehensive examination ever attempted of one of the most complex figures in English literature. The book's first section examines Johnson's life and the texts of his works; the second, organized by genre, explores all his major works and many of his minor ones; the third, organized by topic, covers the subjects that were most important to him as a writer, as a thinker, and as a moralist.
Methods of Historical Analysis in Electronic Media provides a foundation for historical research in electronic media by addressing the literature and the methods--traditional and the eclectic methods of scholarship as applied to electronic media. It is about history--broadcast electronic media history and history that has been broadcast, and also about the historiography, research written, and the research yet to be written. Divided into five parts, this book: *addresses the challenges in the application of the historical methods to broadcast history; *reviews the various methods appropriate for electronic-media research based on the nature of the object under study; *suggests new approaches to popular historical topics; *takes a broad topical look at history in broadcasting; and *provides a broad overview of what has been accomplished, a historian's challenges, and future research. Intended for students and researchers in broadcast history, Methods of Historical Analysis in Electronic Media provides an understanding of the qualitative methodological tools necessary for the study of electronic media history, and illustrates how to find primary sources for electronic media research.
In her critical biography of Anna Seward (1742-1809), Teresa Barnard examines the poet's unpublished letters and manuscripts, providing a fresh perspective on Seward's life and historical milieu that restores and problematizes Seward's carefully constructed narrative of her life. Of the poet Anna Seward, it may be said with some veracity that hers was an epistolary life. What is known of Seward comes from six volumes of her letters and from juvenile letters that prefaced her books of poetry, all published posthumously. That Seward intended her correspondence to serve as her autobiography is clear, but she could not have anticipated that the letters she intended for publication would be drastically edited and censored by her literary editor, Walter Scott, and by her publisher, Archibald Constable. Stripped of their vitality and much of their significance, the published letters omit telling tales of the intricacies of the marriage market and Seward's own battles against gender inequality in the educational and workplace spheres. Seward's correspondents included Erasmus Darwin, William Hayley, Helen Maria Williams, and Robert Southey, and her letters are packed with stories and anecdotes about her friends' lives and characters, what they looked like, and how they lived. Particularly compelling is Barnard's discussion of Seward's astonishing last will and testament, a twenty-page document that summarizes her life, achievements, and self-definition as a writing woman. Barnard's biography not only challenges what is known about Seward, but provides new information about the lives and times of eighteenth-century writers.