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Language is still a relatively under-researched aspect of the Grand Tour. This book offers a comprehensive introduction enriched by the amusing stories and vivid quotations collected from travellers' writings, providing crucial insights into the rise of modern vernaculars and the standardisation of European languages.
I sommeren 1763 rejste den skotske adelsmand James Boswell til Holland, hvor han opholdt sig i knap et år. Året forinden havde Boswell været i London, hvor han var begyndt at skrive dagbog, og denne vane tog han med sig til Holland. "Boswell i Holland" ligger således i direkte forlængelse af hans "London dagbog", og den er interessant, både fordi den giver et indblik i livet i 1700-tallet, og fordi det er et stykke arbejde af meget høj litterær kvalitet. James Boswell (1740-1795) var en skotsk adelsmand, der for eftertiden er blevet kendt for sine meget omfattende dagbogsskriverier og for sin biografi om litteraten Samuel Johnson. Boswell begyndte at skrive dagbog, da han som ung mand opholdt sig i London i 1762-63, og han fortsatte resten af livet.
Prize-winning biographer Leo Damrosch tells the story of “the Club,” a group of extraordinary writers, artists, and thinkers who gathered weekly at a London tavern In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk’s Head Tavern in London to dine, drink, and talk until midnight. Eventually the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as “the Club.” In this captivating book, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters. With the friendship of the “odd couple” Samuel Johnson and James Boswell at the heart of his narrative, Damrosch conjures up the precarious, exciting, and often brutal world of late eighteenth-century Britain. This is the story of an extraordinary group of people whose ideas helped to shape their age, and our own.
Charlotte Brontë found in her illnesses, real and imagined, an escape from familial and social duties, and the perfect conditions for writing. The German jurist Daniel Paul Schreber believed his body was being colonized and transformed at the hands of God and doctors alike. Andy Warhol was terrified by disease and by the idea of disease. Glenn Gould claimed a friendly pat on his shoulder had destroyed his ability to play piano. And we all know someone who has trawled the Internet in solitude, seeking to pinpoint the source of his or her fantastical symptoms. The Hypochondriacs is a book about fear and hope, illness and imagination, despair and creativity. It explores, in the stories of nine individuals, the relationship between mind and body as it is mediated by the experience, or simply the terror, of being ill. And, in an intimate investigation of those lives, it shows how the mind can make a prison of the body by distorting our sense of ourselves as physical beings. Through witty, entertaining, and often moving examinations of the lives of these eminent hypochondriacs—James Boswell, Charlotte Brontë, Charles Darwin, Florence Nightingale, Alice James, Daniel Paul Schreber, Marcel Proust, Glenn Gould, and Andy Warhol—Brian Dillon brilliantly unravels the tortuous connections between real and imagined illness, irrational fear and rational concern, the mind's aches and the body's ideas.
The volume gathers together, and allows the reader to explore, the diverse experiences of a group of quite unconnected young, wealthy travellers as they made their way through eighteenth-century Europe towards Rome and conveyed their views by letters to friends and family at home.